This large blue Topaz bracelet is vintage Mexican style and although it is not marked, it is made of sterling silver. I have never seen one with this particular design, but it is clearly old Mexican,probably1930’s-‘40’s. The heavy, complex design is quite unusual, but has a definite royalty about its style. The closure is a pin-type that mimics the hinge mechanisms to make it disappear when closed. When I run my fingers over each one of the sparkling blue quartz stones, I can feel no irregularities, and can see none. They are in great shape. In fact, the entire bracelet is in excellent vintage condition and is truly a collector’s piece. It measures 7” inside circumference and is 1-1/4” wide. It weighs 71.4 grams.
If you crave tribal arts, you will love this necklace made from many old and ancient beads. The Amazonite beads are hundreds of years old from Afghanistan and the Ethiopian Cross and brass round and flanged beads are also very old from Africa. The brass ones especially have a character and charm in their imperfect but good design and stand out as something that might have been around for more than 100 years. There is no way to tell exactly how old some of these beads are, but most are easily 100 years old, and the Amazonite are even older. The necklace also has tiny dark spacers that are used in stringing trade bead necklaces. The only things that are not very old are the small orange glass beads and the unusual leaf-design clasp. The necklace is 30" long and the cross adds another 3". This extraordinary necklace was designed by Linda Summers.
This is without a doubt one of the most decadent and gorgeous necklaces ever. The centerpiece is a large flat onyx stone surrounded by lavish repose. It is quite large –about 1” thick X3”X3” at the widest and top to bottom measurement across. The beads are really perfect for this special centerpiece with large and small onyx faceted beads and amber faceted crystal beads. The large metal beads are from Bali and have raised ornate flourishes covering the surface. They, too, are quite large. The small silver beads are also from Bali as is the magnetic clasp which looks like another large bead with engraved flourishes. The necklace itself measures approximately 26” plus another 3” for the pendant. This will make a very impressive statement wherever you wear it.
Margot van Voorhies Carr, better known as Margot de Taxco was one of the premier silver artists of Taxco during the Mexican silver renaissance which took place from the 1920’s until the 1970’s. She was incredibly talented, making beautiful detailed drawings of her designs before they were executed. Those drawings were as well-done as her finished pieces of her complex designs. She had her own shop from 1948 to 1978 and had about 300 artisans and workers working for her. The foreman who supervised all of the artisans in her shop was Melesio Rodriguez, who worked for her from the 1948-1978 when she closed her shop. At that time, she gave him several of her priceless molds, which he uses showing her design number. This bracelet was made by Melesio from one of those molds. Although it is not vintage, it was made from the vintage mold of this extraordinary artist, Margot de Taxco. This distinctive clamper is fabulously elegant in its presentation of dimensional whorls, feathers, and lines hand wrought by Melesio, who is a well-known master silver artisan and still makes jewelry in Mexico today. This bracelet is one of the finest in design and workmanship I have ever seen. The deeply repoussed pattern carefully sweeps around from the front focal point of large dimensional whorls to incised lines and little “u’s” running from the side to the spring in back. This powerful design is accented with a dark patina that emphasizes the profoundly elegant and superb artistry of this piece. . The bracelet is marked, “ Melesio Rodriguez, 950, Taxco, Mexico, TR-11-1, 408”. This hallmark is noted in "The Little Book of Mexican Silver Trade and Hallmarks" by Billy Hougart. The inside circumference is approximately 7”, with the widest point at the front of 3”, tapering to about 1” in the back. It weighs 79.3 grams. The spring is very tight and the bracelet is in perfect condition
An amazing, antique, Chinese gilt brass cuff bracelet with genuine turquoise cabochons. The repousse work is extraordinary and the details are incredible. Turquoise stones are set in copper. This large cuff is approx. 7 1/2" long x 1 7/8" wide. Marked CHINA. It is in very good antique condition.
This vintage Mexican solid copper bracelet is truly a unique work of art. It is adorned with beautifully executed silver and brass Aztec symbols. The motif on this bracelet is of an Aztec Day symbol: Cuauhtli or Eagle. Cuauhtli is a day of fighting for freedom and equality. It is a good day for action, a bad day for reflection. A good day for invoking the gods, a bad day for ignoring them. This bracelet of mixed metals is typical of those made by Maya and her workshop, Casa Maya, in the 1960’s and ’70s. Her work is recognizable by their modernist, sometimes surreal designs, stylized pre-Columbian themes, and use of mixed metals and sometimes polychrome. This bracelet is completely hand wrought by cutting the copper and shaping it by hammering to size. The hammer marks are purposely left to add texture. The silver and brass pieces are cut by hand and soldered on to the copper. It measures 6-3/4” around the outside with an opening of about one inch. It is 2” wide at the widest point. It weighs 80.8 grams. The bracelet can be fit to accommodate a different size as long as you are careful not to bend to a dramatically different size. The artist who crafted this was very skilled because the piece is impeccably executed. It is marked, “Mexico”. It is in beautiful vintage condition with only normal wear.
This handsome vintage Mexican sterling silver necklace is exquisitely designed with a motif reminiscent of pre-Columbian or Aztec symbols. This piece has an incredibly custom fit that hugs the neck because rather than the sections splaying out to be totally horizontal, it has a slight pitch so that the inside circle is smaller than the outside edge. The patina is bright, yet has the warmth of worn sterling. It is a superior piece with immaculate craftsmanship, perfectly fitting links, and extremely accurate alignment. It is marked. “Mexico 925, N-M”. This mark could be an item made for Neiman-Marcus. Stanley Marcus and William Spratling became acquainted in the early 1940’s, and Spratling consequently designed and supplied silver items to Neiman-Marcus. I don’t know if this is correct or not, but it is plausible. The necklace measures slightly over 14” on the inside curve and approximately 17” on the outside. The links are about ½” wide x 7/8” long x 1/8” thick. It weighs an impressive 113.5 grams. I believe each link was cast and finished by hand. The invisible pin joints that connect one link to the next is a subtle and uncluttered finishing touch. The tongue-and-box-clasp snap tightly. The necklace is in excellent vintage condition with normal scratches for a piece this old. (I’m estimating that it is circa mid-late 1940’s.) This is truly a collection piece that is contemporary, elegant, and timeless.
This is a large and unusual bracelet cuff by Linda Summers, Jewelry Designer. This is a work in progress. It will have a large turquoise stone set on top. The copper is hand riveted on to the brass. It is a striking piece that will look even beter finished.
This extraordinary sterling vintage Mexican bracelet is an estate piece that characterizes the classic style and beauty produced by the old masters of Mexico. These early works have a persona that is unlike anything you will find made today. This bracelet was painstakingly cut, engraved, and fabricated entirely by hand evidenced by the slight differences in the engraved areas. The amethyst stones are polished cabochons bezel-set in the center of each exquisite panel. The panels are breathtaking in rhythm, size, and general impressive impact. The etched design, along with flourishes at each corner and tiny silver balls, are repeated with 3 large silver balls at each hinge. The only markings are, “Silver, Mexico”, placing it prior to the Eagle assay system placing it prior to 1948. I would estimate it to be early 1940’s. It measures 6-1/4” wearable length and each link is 1-3/8” wide. It weighs 55.6 grams. This fabulous bracelet is in excellent vintage condition with the tongue-in-box clasp working perfectly. In fact, it has a secondary snap guard that keeps it safely closed. This luxurious piece is worthy of collecting.
This is one of Linda Summers' creations that represents one of her favorite ways to create - by designing with several different metals and textures. The cuff itself is brass with a mixture of silver and copper, designed in a collage composition. It is 2" wide, 2-1/4" across inside, with a 1" gap. The bracelet can be shaped to your wrist without bending too much.
This heavily adorned pendent is old and from Tibet. It was handcrafted by a Tibetan artisan of silver and shell. Even the back side is very ornately repoussed. It is accented by a custom-designed necklace of silk ribbons and silver bugles. It is a unique and extraordinary piece. The pendant is 2-1/2" diameter and about 3" with the bail. The necklace is 28" long and goes over your head.
Working with old elements, Linda Summers has assembled a lovely necklace with an Afghan lapis pendant in the center. The beads all have many different origins and characteristics: faceted carnelian, Prosser Blue Trade Beads, Roman glass, silver Bali, and Chinese balls make up the “old” necklace. This is an unusual piece of jewelry with extraordinary Egyptian tiny metal wire “bows” chain at the end of the necklace, with a sterling loop and toggle fastener. The lapis on the vintage pendant is surrounded by metal that is probably coin silver. The necklace is 22" long. Owning such an eclectic piece as this will bring a lot of pleasure and comments.
This elegant yet simple bracelet features a braided rope design and is a prime example of the fine Mexican craftsmanship that experienced notoriety during the 1930's-'40's because of the William Spratling influence and patronage. Spratling fostered an industry in Taxco, but the concept spread throughout several cities in Mexico. Fine silver jewelry craftsmanship was raised to a supreme level that is emulated still. This magnificent bracelet can be adjusted to fit just about any wrist, and is thick, wide, and weighs a substantial 35.5 grams. It is impeccably constructed with channels and crevices set off by black niello. This technique makes the patterns in the braid more prominent and accentuates the textural quality of the design. It is marked "925", and probably pre-1948 because of no Eagle mark nor letter-numbering system shown. This design is very similar to a Hector Aguilar bracelet. The bracelet measures approximately 7" long end-to-end and is 1" wide, with a 1/4" opening which can vary depending on your wrist size. It is in excellent vintage condition. This is a stunning and hefty piece that is bound to get noticed!
The cross is seen in many varieties and versions in the Americas, but the Yalalag Cross is one of the most ornate and legendary. The Yalalag Cross comes from San Juan Yalalag, Sierra de Juarez, Oaxaca, Mexico and its basic design predates the Conquest. It consists of a central cross with three lesser crosses hanging from the main cross. The decorative elements in the design can be geometric, which is usually Indian – or with wings, hearts, and flowers, which is more Christian symbology. A cross with two arms in the upper half is called a Patriarchal Cross. This Yalalag silver cross has an amethyst cabochon bezel-set in the center and surrounded by curled wire and highly decorative flowerettes. This motif continues throughout the large cross and to the lesser crosses and even the ornate bail. The hallmark reads, “Mexico, Taxco, 925, SDO” and Eagle 3.This artist is mentioned in Bille Hougart's book, “The Little Book of Mexican Silver Trade and Hallmarks”. This is a fabulous piece of jewelry and art history. It was hand wrought entirely by hand by this artist, SDO, and is circa 1940's-1950’s. It measures 4” tall x 2” wide at the widest point, and weighs 19.8 grams with the chain and 11.3 without it. This is a rare and beautiful cross with a great charm because of its origins. .
Tibetan Pendant Carved Dragon with Turquoise Old and beautiful, this unique pendant has two parts. One is the lovely dark brown carved dragon encircled by silver bezel. The second is a large chunk of turquoise hinged to the carved portion. It has a lot of matrix, but is a gorgeous turquoise color. The back of both parts is also carved with a dragon on the bottom and florals on the turquoise back. The bottom carved dragon part is approximately 2” diameter and the turquoise is about 11-1/2” wide X 1” tall. Chain sold separately.
This old Navajo ring has the most extraordinary turquoise stone. It really looks like a turquoise jasper stone, but I'm not sure exactly what it is only that it is truly different and in very good condition. It measures a little over a size 6-1/2, closer to a 6-3/4. It is marked, "Sterling", but has no maker's mark. I'm placing it at about circa 1950-60.
Here is a heavily adorned bracelet with six ornate links, each with a carved green stone face of a warrior. I believe the stones are Mexican jade. This lovely piece has beautifully-crafted, very florid and graceful scrolling pattern behind each bezel-set cabochon. It is simply marked, “sterling, Mexico”, which is typical of the earliest silver work done in Mexico during this period. It is, however, almost identical to one I have seen by Patino, an artisan who produced very fine work during this period. I would date it circa early 1940’s. This piece is a very early example of the incredible design and craftsmanship produced during the halcyon years of the Mexican silver renaissance when all silverwork was created without electronic tools. The piece weighs 41.3 grams, is 7” wearable length, and is 1-1/4” wide. The clasp is a simple tongue and box which fastens securely. This bracelet is the result of the renaissance that emanated from Taxco and flourished from the 1920's-1960's in several cities throughout Mexico. Beginning in the 1920's, the silver artisans of Mexico rose to a new definition of perfection in design and craftsmanship as the result of the strong influence and patronage of William Spratling, a talented architect and designer who engendered a city of tallers and jewelers in Taxco during that time. Mexico City also had a rich history of early tallers. The bracelet shows some wear around the settings and some are not perfectly true. It has the usual scratches and patina of a piece that is some 80 years old. It is quite beautiful and a stunning addition for anyone who appreciates historical Mexican silver artistry. It is in good vintage condition with only two minor dings on the silver balls that are barely noticeable.
This incredibly striking brooch has a geometric sensibility and graphic presentation with a bezel-set black onyx stone as the focal point. The design of this piece is simple yet extremely bold with incised symbols in the silver surrounding the stone while the brass on each end is fashioned in a zigzag pattern which repeats again as the setting and escutcheon surrounding the stone. It is extremely well crafted and is probably from the ‘50’s-‘60‘s judging from its style. It is marked, “925”, on the back, but lacks a maker’s mark. It measures 2-1/8” long x 1-1/4” wide, and weighs 15.1 grams. The artist who crafted this was very skilled because the piece is impeccably executed. It was cut from silver sheet and incised with symbols on the silver. It is in excellent vintage condition with no visible damage, and the clasp works perfectly. This is a very unusual and highly collectible piece.