This is an extraordinarily beautiful cuff bracelet, crafted with impeccable artisan workmanship. The base is solid brass, with copper wire channel-set in perfect symmetry. It is marked with an "L", which is a mark I am unfamiliar with. This bracelet is one that is a real treasure in design and craftsmanship. It measures 1-1/2" wide X 2" across the widest span.

This little cowboy is such a great example of the copper art of the ‘50’s from its “tough guy” expression to the bowed legs. He is really almost a cartoon character with his expression and simple design of the figure. The details of his six guns, kerchief, six-gallon hat perched over his eyes, and details on his chaps make him a very charming figure. The pin is pressed and formed to slightly curve outward to give it a fuller dimension. He measures 2-3/4” tall X ¾” at the widest point. Copper is one of my favorite metals and the contrast on fall fabrics looks especially nice. He is an enchanting one to collect and keep.

Here is an extraordinary bracelet that is wide and shiny and commands attention. The outside has shapes like leaves cut out from the copper outside layer. Next is wire, and then the solid copper back. This bracelet is a fine piece of vintage jewelry. It is in very good vintage condition. It measures 6-1/2” circumference with a 1” opening and 2” wide.

Copper Giant Link Abstract Design Bracelet-1950's-'60's This vintage bracelet is such a large scale that no one can miss it. It has three huge links with a raised abstract that looks like a “tornado” design on each one. It’s very shiny and a captivating design for someone who is not afraid to wear striking, fashionable pieces that are always noticed. It measures about 7-1/2” wearable length with each link measuring 2”X2”. It fits a smaller wrist because there isn’t much curve to it. It is in very good vintage condition with no visible flaws. The clasp works fine with a tiny bit on wear showing on the outside. It is not marked.

This little brooch has a very textural surface, pleated all over to look similar to fabric. It is probably from the 1950’s-1960’s with a dark patina accented surface. Holding your scarf in place or just worn on your dress, blouse, or suit – either way, it’s one that looks terrific on anything. It is not marked and is in very good vintage condition. It measures 2-1/4 x 1-1/4” and has a working roller clasp on the back. Small but very attractive.

This is a little copper cuff that has a step-and-repeat pattern of diamond shapes and lines etched into it. It is curved in a convex shaped to give it more depth and volume when worn. Although it looks substantial, it is really very light and comfortable. My estimate is it is circa 1970’s. It is in good vintage condition with some very minimal wear shown. (You can tell the condition from the photos). It measures 7” outside circumference with a 1+” opening. It could be worn by a woman or a man with a small wrist. It would look great with other bracelets.

The combination of copper and silver provide an electrifying backdrop for the blue stones in this demi-parure. The brooch is very ornate with decoration around the edge and covering the back. The center is silver reminiscent of lace with the blue square-cut stone in the middle. The earrings compliment the brooch although they are not exactly the same patterns, they look very much like it and are also decorated on the backs.These are from my own collection. The earrings are clips. The brooch measures 2”X5/8” with a rolling clasp. The earrings are 1” tall X ¾” wide at the widest point. The three pieces are in excellent condition and look stunning together.

Seldom seen are interesting, attractive, and well-maintained jewelry treasures such as this one. This circa 1950’s Whiting & Davis clamper bracelet is copper with brushed silver strips and is a real find. The graphic and geometric character of the design is quite stunning and very “current”. It measures 1-1/4" wide X 8" circumference. The hinge is in perfect order and still has a strong spring. It is in very good vintage condition with no damage and no flaws are visible to the naked eye.

Sparkling and elegant, these earrings are from my own collection from the ‘80’s, but still in great condition. No stones missing or any other damage. They have rows and rows of small rhinestones with a small gold break that is raised gold under the pearls. These earrings are 1-7/8” tall X 1-7/8” at the widest point and are for pierced ears.

Copper and enameled copper jewelry were very popular in the 1950’s through the 1960’s. Much of the popularity is attributed to Jerry Fels who started Renior copper jewelry, and later the Matisse line of copper. These cufflinks are abstract in design with a grey background to swirls of black, red, and white. The design is typical of the period. They measure 1-1/4” long X ¾” at the widest point. They are in very good vintage condition with no damage to the enamel or the cuff link finding.

The center piece of this necklace is an Ethiopian Coptic Cross, with old jade beads, silver decorative beads, red glass, and vintage trade beads. This necklace was created by Linda Summers, artist and jeweler from these interesting elements. For over 1600 years Christian Ethiopians have worn neck crosses as a symbol of faith. The crosses are usually named from the region that they originate. The crosses feature various designs from the simplistic Greek or Latin crucifix to the more elaborate with flared arms, trefoils, decorative projections, complicated openwork designing, and patterns of interwoven lines symbolizing eternity. The beaded necklace is 29” long, with an added 2-1/2” of the cross. It is circa 1960's. It closes with a silver hook and eye.

This heavily adorned pendent is old and from Tibet. It was handcrafted by a Tibetan artisan of silver and shell. Even the back side is very ornately repoussed. It is accented by a custom-designed necklace of silk ribbons and silver bugles. It is a unique and extraordinary piece. The pendant is 2-1/2" diameter and about 3" with the bail. The necklace is 28" long and goes over your head.