Published Porcelain Okimono by Suwa Sozan
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Directory: Archives: Regional Art: Asian: Japanese: Pre 1940: Item # 1064842
Directory: Archives: Regional Art: Asian: Japanese: Pre 1940: Item # 1064842
Please refer to our stock # TCR2914 when inquiring.
The Kura
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23 Murasakino Monzen-cho
Kita-ward Kyoto 603-8216
tel.81-75-201-3497
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23 Murasakino Monzen-cho
Kita-ward Kyoto 603-8216
tel.81-75-201-3497
Guest Book
Sold, Thank you!
Sold, Thank you!
Bright colors decorate this life-like set of Porcelain Okimono in the style of Chinese fruit by Suwa Sozan (no box). This set dates to 1931 and is published in the book Suwa Sozan Sakuhin Shu (1971), p. 85. A bursting pomegranate, Persimmon, Bunch of Grapes and Buddhas Hand, with a fifth piece, a fig, missing from the set. Please note there are a few chips in the edges of the leaves of the fruit (circled in the photos). Each piece is roughly life-size the Buddhas hand is 15 cm (6 inches) long.
Sozan I (1852-1922) was born in Kutani country, present day Ishikawa prefecture, where he initially studied before moving to Tokyo in 1875. Over the next 25 years he would gravitate between Tokyo and Kanazawa, working at various kilns and research facilities. He again relocated, this time to Kyoto in 1900 to manage the Kinkozan Studio. His name became synonymous with celadon and refined porcelain. He was succeeded by his adopted daughter upon his death. He is held in the Kyoto National Museum among many others. Sozan Torako was born in Kanazawa in 1890, and was soon adopted by her uncle, Suwa Sozan I. Her ceramics resemble those of Sozan I, but are considered to be more graceful and feminine. Torako assumed the family name upon her uncles death in 1922. She is held in the collection of the Imperial Household Agency among others.
Bright colors decorate this life-like set of Porcelain Okimono in the style of Chinese fruit by Suwa Sozan (no box). This set dates to 1931 and is published in the book Suwa Sozan Sakuhin Shu (1971), p. 85. A bursting pomegranate, Persimmon, Bunch of Grapes and Buddhas Hand, with a fifth piece, a fig, missing from the set. Please note there are a few chips in the edges of the leaves of the fruit (circled in the photos). Each piece is roughly life-size the Buddhas hand is 15 cm (6 inches) long.
Sozan I (1852-1922) was born in Kutani country, present day Ishikawa prefecture, where he initially studied before moving to Tokyo in 1875. Over the next 25 years he would gravitate between Tokyo and Kanazawa, working at various kilns and research facilities. He again relocated, this time to Kyoto in 1900 to manage the Kinkozan Studio. His name became synonymous with celadon and refined porcelain. He was succeeded by his adopted daughter upon his death. He is held in the Kyoto National Museum among many others. Sozan Torako was born in Kanazawa in 1890, and was soon adopted by her uncle, Suwa Sozan I. Her ceramics resemble those of Sozan I, but are considered to be more graceful and feminine. Torako assumed the family name upon her uncles death in 1922. She is held in the collection of the Imperial Household Agency among others.