Asian Antiques by Silk Road
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #896352 (stock #63-23)
Silk Road Gallery
$695.00
An offering stand, or “kalat,” used by the Intha people who live in the villages around Inle Lake in one of the Shan states in northeastern Burma, is from the late 19th century. A similar though more recent piece in the British Museum is pictured in “Visions from the Golden Land: Burma and the Art of Lacquer,” by Isaacs and Blurton, British Museum Press, p. 163...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #268585 (stock #57-71)
Silk Road Gallery
$365.00
With its lovely chu-pan foliage design, this 19th century cosmetic (bi-it) box shows the Burmese skill at fine lacquer work. The maker's name is prominently displayed on the lid in a banner carried aloft by a lively nat (spirit). Called a bi-it, the container was used to hold sandalwood powder, which was mixed with water to form a paste applied by Burmese women to their face as a skin refiner and sunscreen...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #154386 (stock #08-07)
Silk Road Gallery
$500.00
In Burma's remote villages, Buddha images displayed in temples and homes sometimes were the work of local artisans. The figures, created with great reverence, are humble and often quite appealing. This charming 18th century folk Buddha is from the Shan people, one of the numerous ethnic groups that make up Burma's devoutly Buddhist population. The image, carved from teak wood, was coated with several layers of black lacquer and then gilded, typical for Burmese carved wood figures...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #898500 (stock #63-30)
Silk Road Gallery
SOLD
A late 19th century lacquer betel box from Burma is incised in an intricate pattern called “yok-thei,” with tiny dancers swirling through vegetal scrolling. The small design, primarily red and green, is punctuated with black and green circles that look like launching pads for the flying stylized dancers...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1920 item #888007 (stock #02-65)
Silk Road Gallery
SOLD
A two-part silver box in the traditional Khmer motif of a singha, a mythical lion, is covered with swirling lines simulating fur, and has a fat pouf of a tail swung up over its broad back. Though it has the open jaw and flattened ears of a protector, its aura is more friendly than fierce. With a weight of 538 grams, this box is relatively large compared with other such boxes in the genre of handmade Khmer silver pieces found in the shapes of myriad birds and animals...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1910 item #880614 (stock #11-06)
Silk Road Gallery
SOLD
This large dramatic sculpture of a royal Buddha in classic Arakan style is two feet tall and crowned with curled open-work flanges flanking five intricately rendered leaf-covered spires. The practice of outfitting Buddha images in such regal style is said to have started in the Arakan Kingdom that flourished from 1287 to 1752 AD, when it became part of Burma. According to legend, an Arakan king named Jambupati (or Jambuphati) was causing suffering due to his excessive arrogance and pride...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #886035 (stock #11-15)
Silk Road Gallery
$600.00
An early 20th century Buddha from a Shan village in Burma wears an outer robe that flares wide at either side framing a lavishly adorned robe pulled tightly across the legs in a form fitting look originally associated with Pagan figures. The Buddha has the right hand turned palm out in varada mudra, a gesture of wish fulfillment and charity. Carved of teak wood, it is coated with dark red lacquer touched with gilding...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1920 item #788418 (stock #64-03)
Silk Road Gallery
SOLD
An elephant with raised trunk, symbol of hospitality, forms the handle of this carved teakwood Burmese rice scoop. The dark red lacquer, applied over black lacquer in the traditional manner of Burmese artisans, is worn so the black undercoat shows through in areas, giving this early 20th century piece an inviting patina. The elephant trunk, which forms the scoop handle, is especially worn and shows evidence of many years of use...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1492 item #724257 (stock #62-48)
Silk Road Gallery
$600.00
This well preserved tablet dating to the 11th century is a terracotta image of Buddha seated in bhumisparsa, or earth-touching position, within an arched niche under a tree. The tree possibly represents the bodhi tree where Buddha attained enlightenment. Relics such as this have been recovered from under stupa throughout Burma. Small clay votive plaques were first introduced in neighboring India as mementos for pilgrims visiting Buddhist sites...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Paintings : Pre 1900 item #189896 (stock #57-04)
Silk Road Gallery
$250.00
The Buddha with two attending monks and a prince, all of them contemplating a small monkey, make up the tableau in this late 19th century Burmese temple painting. Done in tempura on cotton, the large painting has a signature in the lower left, although most Burmese artists of the period produced only Buddhist works destined for monasteries or temples and did not establish reputations or followings. The two monks may represent Sariputta and Mogallana, Buddha's two chief disciples...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #891192 (stock #64-44)
Silk Road Gallery
$1,200.00
This late 19th century offering vessel from the Burmese city of Pagan is an exceptionally fine example of the hsun-ok containers used to carry food offerings to Buddhist monasteries and temples. It is made of wood covered with many coats of lacquer, black first and then top layers of rich deep red. As the red lacquer wears away in areas exposing the black, a handsome negoro effect is created...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1900 item #913678 (stock #57-21)
Silk Road Gallery
SOLD
This large carved teak kinnari, mythical half man/half bird creature, surrounded by curving foliage was the equivalent of a hood ornament when it was perched on a two-wheeled bullock cart in 19th century Burma...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #834732 (stock #10-62)
Silk Road Gallery
SOLD
A fine, tight weave of thin reeds gives texture to the cinnabar and black lacquer finish of this mid-19th century Burmese bowl. The textural quality is heightened by the wearing of top layers of cinnabar lacquer revealing black lacquer underneath for a handsome negoro effect. Resting on four low feet, the bowl, or “kwet,” flares out to a wide point about three-quarters up its height, and then gently angles in toward its crisp upper edge. The inner surface is smoothed with many coats of la...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #949034 (stock #57-73)
Silk Road Gallery
$850.00
This cast metal Buddha from Cambodia stands on a low pedestal with right hand raised in abhaya mudra, a gesture of blessing and protection. The facial features—full lips, short nose and heavy-lidded eyes, as well as the rounded head of tight curls with a wide usnisa (top knot) and no finial—are classic Khmer. Decorative detailing on the body-hugging robe is emphasized by the silver tone of the heavy metal alloy. This early 20th century Buddha is in good condition, with some surface pitting c...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1920 item #893819 (stock #17-53)
Silk Road Gallery
SOLD
Tropical scenes from a Javanese village are carved in teak wood in long, low formats making them suitable for hanging in shallow spaces above windows, doors or the like. One of the pair shows a festival, with a large gong and children playing. In the other carving, two horses are very reluctantly pulling a cart in a family going to market scene. These pieces are lighthearted and charming, with spirit, movement and rustic appeal. From the early 20th century, they are in excellent condition. Dimen...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1800 item #259829 (stock #08-12)
Silk Road Gallery
$750.00
The strong, primitive carving, broad face and very tall finial on this 18th century Buddha suggest that it was carved in a Mon village. The figure comes from Burma and dates to the Konbaung Period (1752-1885) when the Mon people, an ethnic minority, held some power briefly before they fled in large numbers to Thailand. This image owes its originality and charm to a village carver. Though it conforms to guidelines for representation of the Buddha, and reflects as well the popular style of the per...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1920 item #951381 (stock #30-94)
Silk Road Gallery
SOLD
A small bronze kyizi gong from a village in Burma is flanked by two coiled naga, sea dragons that are Buddhist icons of protection revered throughout Southeast Asia. Kyizi, (pronounced chi-z) are, as far as we know, unique to Burma, and cast in a variety of sizes, from smaller than this one to quite large, heavy pieces. Suspended on a rope, they are struck on the upturned ends so the gong swings in a circle and emits a vibrating tone, used to mark donations to the monastery or to alert local re...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1900 item #266405 (stock #57-62)
Silk Road Gallery
$450.00
Elegantly executed designs in red, yellow and green on a black background decorate this 19th century Burmese lacquer box. Called a "bi-it," this beautifully crafted container held combs, oil, perfume and sandalwood powder. The unusual scene on the lid shows a man and woman walking among trees collecting fruit. Their multi-patterned traditional clothing is drawn in great detail. Graceful flowers, calligraphy with a wish for happiness, and the signature of the maker decorate the sides of the lid a...