Asian Antiques by Silk Road
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1900 item #877988 (stock #60-68)
Silk Road Gallery
$600.00
Vignettes from Chinese operas are painted on this octagonal late Qing wood trunk. Rendered primarily in orange/red, cream and black, and framed in red and blue, the scenes float on a striking turquoise background. On one side of the piece, a large dramatic orange/red flower painting gives variety to the colorful vignettes. The trunk, or lidded box, may have been used to store costumes for a traveling opera company. Or, it may have been used in a Chinese opera-loving household...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1900 item #265851 (stock #10-44)
Silk Road Gallery
$300.00
One of the most exotic sculptural forms in Southeast Asia, the naga, a sea dragon with a high curving spire, is seen at temple entrances an on roofs. This 19th century carved teak wood naga was once a finial on a temple roof in Thailand. The mythical serpent is said to have protected the Buddha from lightning as he sat meditating under a bodhi tree and so is used to guard against evil spirits, particularly natural disasters...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1900 item #768181 (stock #63-56)
Silk Road Gallery
$850.00
This very unusual rotund 19th century Burmese Buddha is patterned after a statue said to be carved of the wood of the sacred Bodhi tree in Anuradhapura, Sri Lanka. See a photo and description of a similar Dakkhina Sakkha Buddha in the periodical "Arts of Asia" June 1981 issue in an article on Burmese Buddha figures by Burma art expert Sylvia Fraser-Lu...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1900 item #142931 (stock #39-02)
Silk Road Gallery
$2,900.00
Nearly four feet in height, this 19th century Burmese Mandalay Buddha holds the right hand in the varada gesture to signify fulfillment of all wishes, boon granting and charity. A small fruit offering also is held in the right hand. This graceful classic figure is carved from dense Burmese teak and stands on a lotus throne. An undercoating of dark red lacquer that shows through worn areas in the gilding gives the piece an attractive patina...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #998093 (stock #12-89)
Silk Road Gallery
SOLD
This medicine Buddha from early 20th century Burma holds the healing fruit of the myrobalan tree in the right hand with the palm extended upward over the right knee. The left hand rests in meditation, palm upward in the lap, without the begging bowl often included in medicine Buddha figures. Variations in medicine Buddha forms may be seen throughout Asia, particularly in Burma, where the elliptical myrobalan fruit sometimes is offered from the right hand of a standing rather than sitting Buddha...
All Items : Antiques : Regional Art : Asian : Chinese : Folk Art : Pre 1920 item #680180 (stock #60-90)
Silk Road Gallery
$395.00
Made of beautifully grained willow wood, this early 20th century Chinese water carrier is just the right size and shape to hold magazines or newspapers. The tall handle is centered with a well done carving of a tree branch and two pomegranates, a traditional symbol of fertility in old China. The oval-shaped body of the vessel is made of curved willow wood staves fitted tightly together and held with two brass bands...
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1900 item #321080 (stock #56-28)
Silk Road Gallery
$395.00
This low bench with four drawers was used by a street barber in 19th century China as a portable stool for his customers, to carry his tools and as a money box. Since such benches essentially served as the barber's shop, they were solidly built, generally with widely splayed legs, and usually with some decorative touches. Note the carving along the bottom edges...
All Items : Antiques : Regional Art : Asian : Chinese : Textiles : Pre 1900 item #890110 (stock #52-16)
Silk Road Gallery
SOLD
An embroidered silk cloud collar made for a child in late 19th century China has seven silk lappets, each embroidered with a lamb. In both city and provincial households, embroidery, an ancient Chinese art form, used symbolic animals, birds and flowers in free designs to express hopes for the future of family members. The lambs on this charming Shaanxi Province collar symbolized filial piety, an important Confucian trait that was encouraged on this piece seven times over...
All Items : Antiques : Regional Art : Asian : Chinese : Porcelain : Pre 1900 item #853841 (stock #51-49)
Silk Road Gallery
SOLD
Dated 1870 on the base, this late Qing Dynasty ceramic figure is of General Guan Gong, a popular character in Chinese opera, who is cast as brave, swashbuckling and, above all, fiercely loyal to the emperor. The piece is quite detailed, with decorative elements of the butterscotch and white costume defined in relief as well as with intricate incising. Within the general’s wide, open-mouthed grin, his tongue and seven teeth are clearly visible. His face and hands are unglazed...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #799411 (stock #57-43)
Silk Road Gallery
$1,700.00
Traces of gold leaf remain on this Pagan dry lacquer Buddha head from the late 1700s. The head rests on a contemporary removable black metal stand. The dry lacquer technique, used by Burmese artisans from the mid-18th century until the beginning of the 20th century, produced finely modeled hollow images that were light in weight but very strong. The labor-intensive method involved a number of steps. First the image was shaped from clay, then wrapped in a lacquer-soaked cloth...
All Items : Antiques : Regional Art : Asian : Chinese : Sculpture : Pre 1900 item #136391 (stock #38-50)
Silk Road Gallery
$1,900.00
A finely done representation of Guanyin, Chinese goddess of mercy and compassion, this figure is carved of hwa yong, a slow-growing hardwood. The carving was coated first with red lacquer, which was then covered over in most areas with dark brown lacquer. The red color was retained to define the inner folds of the robe and to focus attention on the delicately carved hands and feet...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1910 item #1233983 (stock #11-01)
Silk Road Gallery
SOLD
This serene early 20th century Burmese Buddha, cast in heavy black bronze, is in excellent condition and was most likely displayed on a home altar. The peaceful face has the broad brow, large downcast eyes and half-smile that first characterized Buddha images during Burma’s Ava Period (1364-1752) and has been adopted by many of the country’s artisans down through the centuries. Simple clean lines of the unadorned robe and the right hand resting lightly in earth touching mudra give the figure...
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1900 item #336461 (stock #60-64)
Silk Road Gallery
$250.00
A 19th century Chinese lidded rice container is an appealing shape and perfect size to take on a new role as a small side table with cultural connections. This late Qing era storage container is constructed of elm wood staves with three metal bands, handsomely done in the manner of many Chinese handcrafted utilitarian items of that period. Calligraphy on the bottom attests to its origins. With its pear shape and solid flat lid, this piece moves easily from its origin in rural China to a spot nex...
All Items : Antiques : Regional Art : Asian : Chinese : Wood : Pre 1900 item #1225911 (stock #10-87)
Silk Road Gallery
SOLD
Hand painted flowers and foliage encircle the three tiers of this late 19th century Chinese wood wedding basket. This is an exceptionally sturdy and stable marriage basket which, along with its subtle faded paintings, make it especially suitable for use as an interesting side table. The storage areas inside each of the tiers are also in excellent condition. Originally used in China to hold wedding gifts for the newly married couple, such baskets were made in hundreds of designs and many sizes....
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #780643 (stock #12-42)
Silk Road Gallery
$250.00
Tiny yellow dots incised freehand into a black lacquer background cover this small early 20th Burmese box. The design, produced with a time-consuming technique called "yun," is one of the more subtle traditional yun patterns developed by Burmese lacquer artisans. Yun involves the use of a stylus to engrave designs, one color at a time, on a lacquer surface. The yellow, red and green patterns on this box required three separate sessions of engraving with the stylus, rubbing the color into the inc...
All Items : Antiques : Regional Art : Asian : Japanese : Textiles : Pre 1910 item #779158 (stock #25-87)
Silk Road Gallery
$390.00
A Japanese hitoe obi has a flowing gold art deco design embroidered in a diagonal pattern that echoes the herringbone weave of the green silk background. This kimono belt from the late Meiji period is woven, unlined and one layer of fabric, an obi style called "hitoe," and was designed for summer wear. Unlike the formal, lined, double-layered maru obi, hitoe obi had more casual designs such as this one. The gold design covers an area of 59 inches across the center length of the fabric, and anoth...
All Items : Antiques : Regional Art : Asian : Indian Subcontinent : India : Pre 1900 item #935760 (stock #61-32)
Silk Road Gallery
SOLD
This exotic 19th century sterling silver ceremonial necklace from the opulent past of Rajasthan was once part of the collection of a high ranking Rajput family, most likely worn by a senior member of the clan on festival days. It is 92 percent sterling with a weight of 255 grams. Central to the imagery is a large disc formed by a crouching lion with an unusual extended hinged tongue that wags from side to side as the necklace wearer moves. Spreading to the left and right below the disc are ante...
All Items : Antiques : Regional Art : Asian : Southeast Asian : Lacquer : Pre 1910 item #882005 (stock #63-13)
Silk Road Gallery
SOLD
This very large lacquer tray from the Shan minority people in northeast Burma has four different patterns of basketry weaving showing through the rich persimmon-colored lacquer. Called byat, such handmade trays, used for serving food, were time-consuming to produce. Following the weaving process, each of the many successive applications of lacquer required several days of drying, then burnishing before the next coat of lacquer was applied. Tin trays were replacing these handmade ones a number o...