Asian Antiques by Silk Road
All Items : Vintage Arts : Regional Art : Asian : Indian Subcontinent : India : Pre 1940 item #704729 (stock #61-23)
Silk Road Gallery
$350.00
A bracelet of braided silver has three silver emblems that are an identifying symbol of Janism, an ancient belief system practiced primarily in India, where small but influential Jain communities are scattered throughout the country. The symbol on this bracelet often is seen outside Jain houses. The Jains, typically well educated and prosperous, are known for business acumen and for their prominence in India's jewelry trade...
All Items : Vintage Arts : Regional Art : Asian : Indian Subcontinent : India : Pre 1980 item #669616 (stock #61-37)
Silk Road Gallery
$90.00
A finely detailed miniature from Kishangarh, this painting has the lyrical quality that characterizes much of the work from this area in the state of Rajasthan in India. Two delicate figures sit in the foreground within an elaborate setting of cushions, flowers, arches and windows, all rendered in tiny intricate designs. Both are richly dressed and heavily jeweled. They gaze into each others eyes before drinking a toast, he from a bowl, she from a tiny cup...
All Items : Vintage Arts : Regional Art : Pre 1960 item #1221946 (stock #13-08)
Silk Road Gallery
SOLD
An exceptionally beautiful face distinguishes this mid-20th century reclining Mandalay Buddha. Carved from one piece of dense Burmese teak, the sleek dark reddish brown figure depicts the Buddha passing into Nirvana. On the wrist is a bracelet with the magic wish-fulfilling jewel Cintamani(see photo enlargement #6). The neck is slender and carved with the three folds characteristic of most Burmese Buddha images...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #167518 (stock #16-44)
Silk Road Gallery
$160.00
This primitive carved wood mask is from the Batak people who live around mystical Lake Toba in the northern reaches of the island of Sumatra. The small collection of Batak protector masks pictured in this catalogue (see them all under our category "Tribal") shows the fascinating range of facial expressions artisans were able to achieve in these relatively simply carved masks...
All Items : Vintage Arts : Regional Art : Asian : Chinese : Enamel : Pre 1960 item #1222647 (stock #24-24)
Silk Road Gallery
$895.00
This vintage Chinese baluster cloisonné floor urn is a study in beautiful shades of blue—powder blue, through turquoise and violet to midnight blue—on a white background. The pattern of starburst flowers, scrolling foliage and leaves is exceptionally crisp due to the “cloisonner” process that defines each small area of enameled color within its own brass wire “cage.” The pattern is sparked with touches of cinnabar red...
All Items : Vintage Arts : Regional Art : Pre 1980 item #790821 (stock #35-07)
Silk Road Gallery
$140.00
A silver snake bracelet from the Island of Java, Indonesia, expands so that it can be worn on the wrist or on a slender upper arm in Cleopatra fashion. The size is adjusted by slipping the snake head through the curled tail. Snakes, a form frequently used in hand crafted Indonesian jewelry, often are given a human-like expression. In this case, the snake has a furrowed brow. As photographed, the diameter is 2-1/2" (6 cm)...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Paintings : Pre 1980 item #674602 (stock #61-74)
Silk Road Gallery
$120.00
A still life by Vietnamese artist Pham Luc, this watercolor shows the exuberant style and warm colors that have characterized his paintings for many decades. Now in his late 60s, Pham Luc is among the Hanoi painters who attracted the attention of collectors and galleries in Hong Kong and Singapore when foreigners began going back into Vietnam after the war. Pham Luc was known first in Vietnam as the "soldier painter" for work he produced while he was in the army...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Paintings : Pre 1980 item #948408 (stock #41-27)
Silk Road Gallery
$295.00
The gentle face of a Buddhist monk from Burma is painted on a large leaf from a Bodhi tree. The Bodhi leaf, with its distinctive shape, is an important element of Buddhist iconography in Southeast Asia as Buddha is said to have attained enlightenment while meditating under a Bodhi (also called Bo) tree. In this painting, the monk’s expressive face appears to be looking through the leaf, adding an almost magical aura. The leaf rests on black cloth, and the work is unsigned...
All Items : Vintage Arts : Regional Art : Asian : Chinese : Sculpture : Pre 1940 item #1345065 (stock #10-50)
Silk Road Gallery
$675.00
Carved from stone, weighing 98 pounds and standing 32 inches tall, this Buddha is unique--both spare and complex. From the side the figure is simplified and angular; the front and back are rounded, and the face is detailed. The figure conveys both strength and warmth through facial expression and hand gestures. A touch of hauteur in the face is softened with hand gestures (mudra)...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1980 item #860292 (stock #31-27)
Silk Road Gallery
On Hold
A pair of pulleys that were used on a hand loom in Burma show the Burmese love for exuberant decorative elements on objects for everyday use. The tall carved peacocks are larger than the pulleys, and may have been just one of a number of such decorations on a woman’s loom. Simple household objects are traditionally well made and attractive in Burma, where no lines are drawn between fine arts and folk or applied arts...
All Items : Vintage Arts : Regional Art : Asian : Indian Subcontinent : India : Pre 1980 item #418264 (stock #61-21)
Silk Road Gallery
$350.00
Fine silver wire braided into three ropes gives texture to this mid-20th century sterling bracelet from India's remote Western outpost city of Jaisalmer in the Thar Desert. Three disks, each with an embossed flower, are affixed to three of five bars that clamp the ropes together. This elegant, understated piece of jewelry is in excellent condition...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Metalwork : Pre 1980 item #985475 (stock #55-25)
Silk Road Gallery
SOLD
This hand hammered bronze gong from Burma emits a mid-range mellow tone when struck at the center of its starburst pattern with a padded mallet. Hanging circular gongs of this sort are used in a Burmese orchestra, where an ornate lacquered wood gong circle, called a “kyi waing” surrounds 20 or so gongs of graduated sizes and tones. Gongs of various sizes also are used for Buddhist rites in temples and monasteries throughout Burma. When created for use as musical instruments, these carefully ...
All Items : Vintage Arts : Regional Art : Asian : Central Asian : Pre 1980 item #940023 (stock #23-98)
Silk Road Gallery
SOLD
This two-headed terracotta dragon is a replica of dragons that topped walls surrounding the ancient Central Asian city of Samarkand, Uzbekistan. The Samarkand wall and its dragons, though long gone, seem to occupy a place in the collective memories of the polyglot population of present-day Uzbekistan. This piece was made by a Tajik artisan who lives near Samarkand, and is a small representation of the long, rich and often perplexing history of Central Asia. Neither the artisan nor anyone else w...
All Items : Vintage Arts : Regional Art : Asian : Chinese : Folk Art : Pre 1980 item #786953 (stock #01-25)
Silk Road Gallery
$350.00
Filial respect, a cornerstone of Chinese culture, is portrayed in this woodblock print from the Huxian painting community in Shaanxi Province. Although sometimes attributed solely to Confucian thought, filial piety has been of paramount importance within all belief systems in China and throughout most other Asian countries as well. There is charm and nostalgia in this glimpse back into China's not very distant past. The woodcut was produced in a rural painting cooperative that was one of about f...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #141341 (stock #40-05)
Silk Road Gallery
$550.00
Cast about 30 years ago, this replica bronze Buddha head is in the style of Thailand's Sukhothai Kingdom. The Sukhothai period, which lasted from the mid-13th century to the end of the 14th century, is often called "The Golden Age of Thai Civilization." Religious art and architecture from this period are regarded by many art historians as representing the most classic of Thai styles. The face of a Sukhothai Buddha is immediately recognizable for its regal, commanding look, with heavily lidded ey...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980 item #969594 (stock #10-78)
Silk Road Gallery
SOLD
This graceful Mandalay Buddha, nearly two feet in height, seems to float above its low double lotus throne. The floating effect is achieved with the robe, edged in a Burmese lacquer technique called thayo that ripples lightly across the wide pedestal and cascades in loose folds down the front and back of the slender figure’s left shoulder. The face is serene, with wide downcast eyes and finely executed nose and mouth. Carved of Burmese teak, the surface is a rich red/brown, sealed with a lig...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Hardstones : Pre 1980 item #924123 (stock #17-40)
Silk Road Gallery
$120.00
Candle holders, carved in East Java of onyx mined from a mountain not far from the shop, have a clean design that emphasizes the natural patterns created by striations in the stone. Produced in the late 1980s, and hopefully still being produced today, such contemporary lines stand in interesting contrast to much Indonesian art, especially that of East Java, where forms typically recall the more ornate style of the Majapahit empire. These pieces are in perfect condition. Dimensions: height 8 ¼...
All Items : Vintage Arts : Regional Art : Asian : Chinese : Paintings : Pre 1980 item #999275 (stock #29-54)
Silk Road Gallery
SOLD
The orchid and bamboo, classic Chinese brush paintings, were prized by Chinese scholars who positioned the paintings prominently in their studios because, they said, the nature of the orchid and bamboo closely mimicked laudable human virtues. Orchids represented love, beauty and refinement, and bamboo stood for longevity and durability. They were among the four plants the literati identified as “Noble Paragons.” (Also included were the chrysanthemum and plum blossoms.) These two paintings ar...