Kong Qui, better known as Confucius, was born in 551 B.C. in the Lu state of China. Confucius's principles had a basis in common Chinese tradition and belief. He championed strong family loyalty, ancestor worship, respect of elders by their children (and in traditional interpretations) of husbands by their wives. In this painting is depicted he is surrounded by ten disciples, who were chosen as the most eminent pupils of his school. Painted with ink and pigments on silk...

Antique Buddhist painting of Monju Bosatsu. Monju symbolizes wisdom and the enlightened mind, and represents as the personification of the Buddha's teachings. The painting is depicted bosatsu sits a top of shishi (lion) executed in comical style with confident ink brush strokes. Painted on paper. Signed Kasho, which is the artist name of Ikeno Taiga, and sealed.

Ike no Taiga (1723-1776) was a Japanese literati painter and calligrapher active during mid Edo period...

Yanagisawa Kien (1704-1758) was active during mid Edo period, 18th century in Japan. He was one of the pioneers of the Japanese literati paintings and prominent at the richly coloured bird and flower paintings. Here, the severity and sharpness of the colorful flower is faithfully observed. Signed Kien and sealed. One of his masterpieces is collected at Tokyo National Museum.

The piece is in fine condition. It is accompanied by an paulownia wood storage box. The scroll wears ivory end...

A set of four Chinese paintings depicting Landscape. Painted with ink and light pigments on silk. The signature on each painting as well as old storage box reads Wang Hui or Wang Shigu. It is painted after Chinese great artist Wang Hui. Wang Hui(1632-1717)was a Chinese landscape painter, one of the Four Wangs. He, and the three other Wangs, dominated orthodox art in China throughout the late Ming and early Qing periods...

Araki Jippo (1872-1944) was a pupil of a prominent painter Araki Kampo who were based in Tokyo. Jippo founded a Japanese painting society in 1897. He had an exhibit at the Japan-British exhibition held in London in 1910 where he was awarded a gold prize. The determined use of space and confident brush strokes sharply captures a moment of life in this minimal painting. Painted with ink on paper. Sealed Jippo. The artwork is attributed to Araki Jippo...

A group of sparrows enjoy the sunshade of windmill palm. Painted with ink and light pigments on silk. Signed Izan and sealed. Shimomura Izan (1865-1949) was a Japanese painter and poet during Meiji and Taisho period. He was from Ehime prefecture in Shikoku in Japan...

Jurojin, the God of longevity...

O-tsu-e or Otsu paintings is Japanese folk art named after the town of Otsu in Shiga Prefecture. The piece is depicted the last stand of Benkei with his paraphernalia.

The piece is in reasonable condition with some creases, marks and loss of pigments present due to age.

Painting: 9 1/2”x 23 5/8” (24.0cm x 60.0cm)

O-tsu-e or Otsu paintings is Japanese folk art named after the town of Otsu in Shiga Prefecture. The piece is depicted the Benkei, who was a Japanese worrier monk and commonly represented as a man of great strength and loyalty, lifting a fuge hanging bell from a Buddhist temple. His image of raising a giant bell by hand was a particularly popular subject among people during Edo period.

The piece is in reasonable condition with some creases, marks and loss of pigments present due to age. ...

The painting depicted court musicians playing divine music called Bugaku. Bugaku is a Japanese court music accompanied by dancing. Here one of the players plays shen (a bamboo instrument first produced in China in 7th century) and the other one sounds a massive drum with mitsudomoe crest (three comma-shaped figures in a circle). Bugaku carries a ritualistic implication and is usually played at the start before dance performance begins. Bugaku purifies the stage. Painted with ink and pigments. Si...

A female dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting. As is often the case with this artist, these two paintings do not bear his signature or seal, however the depiction of the figures with rich cheeks and long jaws shows typical expression of people of high social rank during medieval periods, which he exaggerated the expression was originated ...

A male dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting. As is often the case with this artist, these two paintings do not bear his signature or seal, however the depiction of the figures with rich cheeks and long jaws shows typical expression of people of high social rank during medieval periods, which he exaggerated the expression was originated fr...