Daniel Tretiak has written a book, The Life and Works of Haku Maki, the important Japanese printmaker of the second half of the 20th Century. Maki toiled alone most of the time between 1960 and 2000. His output was substantial, most of it was cool, crisp, elegant. An example is shown above. I wrote about it: "The print in the center is the kanji for Mr or or I; it swooshes across the print, as if written with a big brush." It is Poem 71-51, done in 1971. It had an edition of 151. I own the print; I have only seen it offered once -- and I thought it was dramatic and beautiful then and still think so. As part of the print, Maki put his characteristic "splash", the yellow stroke which is part of yet a bit separate from the main image.
Now we add eight more images of prints by Haku Maki. They are all in the book and are all beautiful prints. The cover will be selected from these and the one that has been here for quite a while. Which one do you think will be the cover?
Here is a list of the images by year and number in the edition. (Note: this listing and the order of the images is still not perfect; this is a work in progress, sorry.)
1968 Zodiac Animal Song Monkey 11/50;
1969 Dance 4 96/105;
1970 Poem 71-25 (Me) 91/100;
1970 Poem 70-84 140/152;
1971 Poem 72-6 17/201;
1978 Collection 16 125/205;
1988 Z-1 Persimmon 18/100; and
1995 Zen 3-B 7/27;
Like the first image on this site: a good Maki print draws the eye toward the center, there is little clutter between the outer margin and the image depicted.
Maki's most well-known work may have been the illustrations he did for the translated volume, Festive Wine. But he did much more. His work was done in a modern way in a modern era -- yet it was based on many very traditional concepts (ancient and early kanji, ceramics, persimmons, and the like). His work is carefully discussed in this book.
This site is a work in progress, many things will change in the coming weeks.
Note: Text and images all covered by Copyright; use of them requires the expressed written permission of Daniel Tretiak, author of this book.