Mashiko Teacup, Yunomi, Sansui (landscape) Pattern
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Directory: New Century: Ceramics: Contemporary: Item # 820217
Directory: New Century: Ceramics: Contemporary: Item # 820217
Please refer to our stock # MY.Y.G when inquiring.
WaSabiDou Antiques and Folk Crafts
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Seattle, WA
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206.660.4189
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Seattle, WA
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206.660.4189
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Mashiko-ware yunomi (tea cup),new. Volume is 8.5 oz/240 ml. H.3.5"(9cm) x Dia.3"(7.75cm.)A hand-thrown finely crafted artisan ware in the tradition of Mashiko folk pottery. Over a white glaze is a traditional pattern known as "sansui," (literally, mountain & water) landscape painting. This pattern was used in other folk potteries as well, such as Shigaraki, Seto, & Soma; and has been a traditional pattern in Mashiko since the 19th century. It was popularized by the Folk Craft Movement as this type of ware was what sparked Shoji Hamada's interest in the town of Mashiko, having seen a sansui teapot in the home of his teacher, Itaya Hazan. The town of Mashiko is located about 70 northwest of Tokyo, in Tochigi Prefecture. Although there is evidence of pottery manufacture in the region of Mashiko as far back as the 8th century; production in the modern age began in 1853, making it a relatively young pottery center by Japanese standards. However, whereas many traditional pottery towns disappeared when Japanese lifestyle changes made many functional clay items obsolete, Mashiko has survived and thrived as one of the largest pottery communities in the world. Much of this can be credited to life and work of Shoji Hamada, who decided to settle in this traditional clay village. Although he was a contemporary artist, he showed great respect for the work of traditional artisans, for the natural materials available from the region, and for the “Other Power of tradition.” He was a leading figure in the Japanese Folk Craft Movement, along with Soetsu Yanagi and others; such as potters Bernard Leach and Kanjiro Kawai, textile artist Keisuke Serizawa, and woodblock printer Shiko Munakata. Hamada was desginated as a National Living Treasure for his preservation of Mingei “Folk Craft” pottery and promoted an openess which led many to follow his path to Mashiko. Currently, there are some 400 kilns operating in and around Mashiko making a wide variety of wares; from traditional styles and patterns to modern artistic works. For high quality leaf tea and premium organic matcha, please visit our Charaku Fine Japanese Tea site, www.charaku-tea.com.
Mashiko-ware yunomi (tea cup),new. Volume is 8.5 oz/240 ml. H.3.5"(9cm) x Dia.3"(7.75cm.)A hand-thrown finely crafted artisan ware in the tradition of Mashiko folk pottery. Over a white glaze is a traditional pattern known as "sansui," (literally, mountain & water) landscape painting. This pattern was used in other folk potteries as well, such as Shigaraki, Seto, & Soma; and has been a traditional pattern in Mashiko since the 19th century. It was popularized by the Folk Craft Movement as this type of ware was what sparked Shoji Hamada's interest in the town of Mashiko, having seen a sansui teapot in the home of his teacher, Itaya Hazan. The town of Mashiko is located about 70 northwest of Tokyo, in Tochigi Prefecture. Although there is evidence of pottery manufacture in the region of Mashiko as far back as the 8th century; production in the modern age began in 1853, making it a relatively young pottery center by Japanese standards. However, whereas many traditional pottery towns disappeared when Japanese lifestyle changes made many functional clay items obsolete, Mashiko has survived and thrived as one of the largest pottery communities in the world. Much of this can be credited to life and work of Shoji Hamada, who decided to settle in this traditional clay village. Although he was a contemporary artist, he showed great respect for the work of traditional artisans, for the natural materials available from the region, and for the “Other Power of tradition.” He was a leading figure in the Japanese Folk Craft Movement, along with Soetsu Yanagi and others; such as potters Bernard Leach and Kanjiro Kawai, textile artist Keisuke Serizawa, and woodblock printer Shiko Munakata. Hamada was desginated as a National Living Treasure for his preservation of Mingei “Folk Craft” pottery and promoted an openess which led many to follow his path to Mashiko. Currently, there are some 400 kilns operating in and around Mashiko making a wide variety of wares; from traditional styles and patterns to modern artistic works. For high quality leaf tea and premium organic matcha, please visit our Charaku Fine Japanese Tea site, www.charaku-tea.com.
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