Eight scrolls from a set of 10, numbered 2 through 9. In the upper halves the different kings are depicted while in the lower halves the different punishments are shown in the hells that each of them is ruling over. Each scroll has a number on top and the name of the king in the image. One scroll dated on the back ‘year of the rabbit’, which could refer to 1879. Beautiful examples of Buddhist art in folk style. Ink and colors on thin paper. Very simple mountings of paper and coarsely woven hemp. China 19th century.
Each approx. H 34 x W 14 inches.
Tears, holes, damages.
Unusually large sculpture of Daruma, made of a large stone grown into a tree’s root section. This phenomenon is referred to as ishikui (eating stone), ishidake (holding stone) or ishikami (stone gods).
Height: 25.5 inches; width at widest point: ca. 15 inches. Japan, 19th century.
Patina somewhat rubbed at top of the head and shoulders, due to handling, few nicks and chips, all in all very good condition.
Pieces like these are fairly rare and the height is usually around 12 inches. The stone is swallowed up by the tree, while it is growing. It is a phenomenon highly appreciated in bonsai, in which case the tree is manipulated into surrounding the stone. In large, this is a more natural occurrence, growing to look like a person wrapped in a garment, such as Kan’on and, less frequent, Daruma.
Painting of the six-tusked elephant, the companion of the bodhisattva Samantabhadra, being washed and scrubbed by two attendants underneath a tree. Samantabhadra is standing toward the left with two more attendants. Ink and colors on paper. Several seals in all margins, inscription on the upper right. Unidentified artist. China, Qing dynasty, 18th century
Painted area: 55 ¼ x 30 3/8 inches.
Several restored spots and cracks (backed with thin strips of paper), no mounting but the painting is laid down on thin Chinese or Japanese paper.
Small bronze figure of a guardian or Lokapala. China, Tang dynasty.
H 3.4 inches (8.5 cm).
Very good condition.
Small ovoid vase with short neck with loops at side. Rich brown glaze over a gray-beige colored stoneware body, leaving the lower 1/3 part free. Either it is Chinese and Yuan period, or Sawankhalok and about 16th century.
H 4.5 inches (11.2 cm).
Very good condition.
Hanging scroll in ink and some color on browned silk of a barefooted traveler on a country road drinking from a wine kettle. Next to him a basket full of red spotty fruits between leaves. The man is warmly dressed in fur, a sword strapped to his back, a gourd dangling from his sash. His cane on the ground. Signed in the upper left Yangzhi and two seals. One extra seal next to the signature. Yangzhi was active around 1700. China, Qing dynasty.
Painted area: ca. 46.1 x 23.5 inches (117 x 59.5 cm). Total length: 86 inches (218.5 cm).
Good condition, few stains.
Yangzhi worked around 1700 as one of the last painters of large religious wall paintings. He is known for portraits of daoists, buddhists, hermits, gods and ghosts.
Bowl of conical shape. Cream colored stoneware, turning red where glaze did not stick. Cream colored glaze with patches of greenish gray, where the glaze is a little thicker. In these spots the glaze shows a fine crackle. Inside incised with a single circle. Six spur marks. China, Song dynasty.
Height 2 1/8 in. (5.7 cm), diameter 7 in. (17.6 cm).
Two repaired chips, some surface scratches and frittings in the glaze. Basically very good and stable condition.
Hanging scroll with the image of Buddha standing on a dragon fish, holding a iron bowl in his hands. Next to him a garuda deity folding his hands, while holding long ceremonial sword across his arms. The Buddha and the fish in the water, bird deity standing on low swirling clouds. Around the shoulders a red mantle with manji motive in silver with traces of gold. Also gold and silver on details of the sword. Brilliant colors on paper. China, 18th century. Possibly Korean. Mounted above the painting is a inscription, describing the subject and dating the piece to a cyclic year. Ivory scroll ends. China, possibly Korea, 18th century.
Painted area: 15 x 11 2/8 in. (38.6 x 29.1 cm). Colophone: 9 13/16 x 11 3/8 in. (25.2 x 29.3 cm). Total length of mounting: 78 3/8 in. (200.5 cm)
Missing areas along edges and in the painted area, backed. Over all good very condition.
Small phosphatic glazed earthenware jar with double handles. Reddish brown clay covered with dull black glaze with some white Jun-type glaze splashes. China, 19th century or earlier.
Height 5 ¾ inches (14.9 cm).
Black glaze dull, showing water streaks, one chip on back of one of the loop handles, some dirt residue. Otherwise good condition.
Portrait of a man standing, dressed in a long and wide garment. The head covered with a dark cloth. On the left inscription, seal and date. On lower right red seal of Ren Xiong (Jen Hsiung). Black ink and colors on paper. Framed.
Inner mat dimensions: 8 ¼ x 11 ½ in. (21 x 29.7 cm); frame: 24 x 16 ½ in. (61.6 x 42.5 cm).
Good to very good condition.
Ren Xiong (1820-1864). He was one of the ‘Four Ren’. He is the father of Ren Yu (see stock # 10310).
Standing slender lady, dressed in long-sleeved garment, her hair kept in a wide roll in the neck. She holds her hands in her sleeves. Earthenware with red, dark gray and white pigments. Several old cracks and restored breaks, surface somewhat weathered, still elegant piece. Height 17 7/8 inches (46.8 cm). China, Han dynasty.
Large stone head of a Buddha. Serene face with the eyes cast down, a small flat nose and a small, slightly pointed mouth. The ears with thick earlobes stand off the head. The hair is done in a conical shape. The plump, flat face with the small mouth and nose are typical for the Liao period (907 - 1125). On the ears and in the face traces of gilt lacquer. Also traces of a yellowish lacquer that may have served as a basis to apply the gold to. On the lips and on the ushnisha rests of red lacquer. Excellent condition. This must once have been a splendid piece. Mounted on base.
Height 14 inches, without the base.
Collection Ezekiel Schloss
Collection Richard Ravenal, NY
Carole Davenport, NY
Figure of a standing guardian, his mouth wide open. He wears a long overcoat, the sleeves of which are hanging empty along his sides. He holds his hands folded over each other on his belt. On the head he wears a red scarf. His open mouth shows rows of fine teeth and his red tongue. Gray earthenware colored with red, pink, white and black pigments. On wooden stand. Height 12 ¼ inches, without stand. Comes with cushioned box with exhibition label of the Dallas Museum of Fine Arts (T - #3). Some pigment losses, especially visible in face and on scarf, otherwise very good condition. No TL-test.
Hanging scroll with image of two women sitting in a garden on a rock. The left woman holds a book, in which both are reading. Lilies and bamboo are growing on the rocks. Unknown artist. Signature in black ink and seal in lower left corner added later. Seals in upper left and lower right corners. Black ink and delicate colors on paper. China, 18th century.
Painted area 20 3/8 x 13 3/8 inches.
Some restored tears and short cracks in paper, hardly noticeable. Generally in good and stable condition.
Large, very expressive scroll painting of a luohan holding up the sacred jewel in his left hand and running. He looks up over his shoulder at a dragon in the sky that chases him and that stretches out its claws toward the jewel. On the upper right side the name of the luohan (not identified, although he should be handaka sonja) and two seals. Nice and bold brushstroke. Black ink and color on paper. Painted surface: h 54 ; w 29 3/8 inches. China, 18th century. Some old restored cracks, due to rolling, few missing areas restored. Very good condition.