Catalog: Antiques: Regional Art: Asian (196)

Hanging scroll. Painting of a tiger before a rock and bamboo, text in the upper half. Black ink and some faint red color on silk. Signed 73 year old hogen Sosen hitsu. Red artist’s seal. Japan, 18th century.

Yamamoto Sosen (1679-1760), Kyoto, Kano School

Painted area: 40 x 17 inches
Overall height 73 ¼ inches

Few tiny worm holes, old very light water stain, otherwise very good condition.

Cast iron kakebotoke or votive plaque for a Buddhist temple or house shrine, showing Amida Nyorai in low relief with ajour in mandorla. Japan, Meiji era, 19/20th century.

Diameter 6 ¼ inches

Excellent condition

Framed painting of a warrior with a drawn sword, holding a severed head in his hand. On his back a flag with the image of a skull. Perhaps one of the heroes of the Taiheiki, such as Endo Giemon Masatada. But between Kuniyoshi and other Utagawa artists, several series of heroes were produced. Unsigned. The style of Utagawa Kuniyoshi or Tsukioka Yoshitoshi. Black ink and colors on paper, mounted as a scroll, cut and framed. Japan, Edo period, 19th century.

Frame H 49 ½ x W 27 ¼ in. Image H 38 x W 20 in.

Some restored horizontal tears and worm holes.

Set for carrying lunch. Bamboo and rattan basketry box lined with green brocade, the outside with an intricate diamond pattern woven in two colors, the corners fortified with leather. Dangling from one of the brass handles is a natural gourd with silver stopper and a lacquer sake cup, imitating Tamba stoneware. Japan, Meiji era, early 20th century.

Basket: H 3; L 6; D 4 ¼ inches (7,5 x 15,2 x 10,6 cm). Gourd: L 7 ½ inches (18,5 cm). Sake cup: diam. 2 inches (5,2 cm).

Traces of usage at basket, all in all good condition.

Mid-size stoneware jar for storing tea leaves or other.
Brown stoneware with white inclusions and a green splash of natural ash glaze. Slightly widening from bottom to shoulder, with a short more or less straight neck with everting lip.

Japan, Momoyama – Edo period, 16/17th century.

Height 12 ½ inches.

Excellent condition.

Hanging scroll. Portrait of Minamoto no Tsunemoto, sitting on a tiger skin before his sword, dressed in a white garment over his armor. Ink, colors, gofun and gold sprinkle on silk. Dated mizunoe ne (1852), early summer. Signed Gyokurei Omoto and two seals.
Image H 45 ½ x W 20 in.; total height: 80 ¼ in.

Comes with fitted kiri-wood storage box inscribed, dated 1852 and signed Ono Gyokurei.

Minamoto no Tsunemoto (894-961) was an imperial prince who received the family name Minamoto. Founder of the family that brought forth Minamoto, Ashikaga and Tokugawa shogun. He was a fine poet, as well.

Ono Gyokurei (1807-1870) was active in the bakumatsu era (end of Edo period). Not in Roberts.

Hanging scroll. Summer scene. Fireflies flying over fast streaming water and resting on a rock and overhanging leaves.
Black ink, light mineral colors and gold wash on silk.
Signed Bunrin; seal Bunrin and seal Shion.

Japan, Meiji era, 1870s.

Image H 49 x W 19.5 in.; total height 76.25 in.

Gold slightly oxidized, otherwise fine condition.

Comes with wooden storage box, inscribed Bunrin hitsu hotaru no zu Shiokawa ...

Shiokawa Bunrin (1808-1877). Shijo painter, Kyoto. Pupil of Okamoto Toyohiko. Learned nanga painting and western style painting. Specialized in landscapes.

A pair of six-panel screens from 1874 signed by Bunrin and dealing with the exact same subject matter and same color scheme, is located in the Nelson Atkins Museum in Kansas City, object numbers 74-12/1 and 74-12/2

Hanging scroll. Cropped image of a fierce looking tiger. Black ink on paper. Signed Shusen Genyu sha. Seal Wata-in Shusen and seal .. Genyu. Japan, late 18th or early 19th century. Collector’s (?) seal in lower right corner.
Image H 49 ¾ x 10 ¾ in.; total height 74 in.
Professionally restored damages; now in excellent condition.

Comes with fitting kiri-wood storage box, inscribed.

Watanabe Shusen (1736-1824) – Nagasaki painter. Pupil of Ishizaki Gensho and Ishizaki Gentoku. Painted landscapes, birds-and-flowers, figures and tigers. (Roberts). A very similar painting by the same artist is known to exist.

A row of begging monks with bowls, hossu and ruyi scepters, emaciated into skeletons. At the end walks a cat skeleton. Black ink and some color on paper. Signed and sealed. Unidentified artist. Japan, early 20th century.
Image 50 ¾ x 19 in. Total length 75 ½ in.
Excellent condition.

Comes with wooden storage box (not inscribed).

Framed painting. Anatomically correct skeleton striking a rather elegant pose. Black ink and gofun on brown paper. Unsigned. Japan, late Edo, early Meiji era. Mid 19th century.
Image: 35 x 13 inches. Japanese frame: ca. 43 x 17 ¾ inches.
Gofun rubbed here and there. Chip in frame. All in all excellent condition.

This is not a medical drawing, but an artistic rendering of the subject matter.

Hanging scroll. The eight-armed deity, bearing arms and jewels, and a coiled snake (the deity Ugajin) on her head, sits on a lotus-leaf-seat, flanked by Daikoku. Before her are the 15 disciples, or jugo doji. Ink, mineral colors, gold and gofun on silk. Japan, Edo period, 18th century.
Painted area: H 37 in. x W 15 in.
Mounting severely damaged. Painting with few horizontal crack in middle section and short one at the upper left, gofun rubbed, all in all very good original condition (no restorations).
Comes with wooden storage box (no inscription, not original)

Hanging scroll with image of the descent of the Buddha to welcome the souls of the deceased and accompany them to the Western Paradise. He is standing on a lotus on clouds and holds his hand in gebon josho. The mudra is the appropriate level for common citizens to be reborn in. Mineral colors and gold on silk. The garment exquisitely decorated in gold. Japan, late Muromachi or early Edo period, 16th century.
Image: 38 ¼ X 15 ¾ inches. Mounting: 84 ¼ x 21 3/8 inches.
Missing areas throughout the silk, mainly in the background. Beautifully stabilized.

A pair of hanging scrolls depicting the gods of wind and thunder: Futen or Fujin on the left and Raiden or Raijin on the right. Ink and colors on silk. Both signed Soseki saku and each with two seals, one of which reads Soseki as well. Japan. Late Meiji or Taisho era.
Image: H 41 ½ x W 15 ½ in.
Whole: H 69 ½ x W 20 5/8 in.
Each with several horizontal cracks and missing spots lovingly restored and with scratches on the silk surface. All in all in very good and stable condition.
Rare.

Chawan in Raku style, made in dry lacquer technique (kanshitsu) simulating ceramic. The lacquer is applied in such a way that you see small crevices and patches of red and brownish black lacquer in the same way we see it in Raku ware. Japan, Meiji era.

H ca. 3 ½ inches, dia. Ca. 4 ½ inches.

Excellent condition.

Comes with brocade pouch and plain wooden box.

Zushi with beautiful hardware on the front; inside the figure of Yakushi Nyorai (medicine Buddha), sitting on a high lotus throne, holding the medicine jar in his left hand and with his right hand making the gesture of picking medical herbs. He is surrounded by 16 rakan, painted onto the inside of the doors (not decals). On the mardorla behind his head two apsara are painted, playing the sho and the flute. High quality carving. Wood decorated in mineral colors and gold. Japan, Edo period, likely late 18th century, perhaps early 19th century at the latest.
H of case ca. 9 ¼ inches.
Painting on the doors a bit darkened, slightly chipping; some lotus petal with tiny chip, otherwise in very good condition.

Sculpture of Shomen Kongo, standing with 6 arms, holding ghanta and sword, bow and arrow, halberd and chakra. Shomen Kongo protects against demons and diseases. Wood stained black, with metal parts. Japan, Edo period, shortly after 1800.
H ca. 11 inches.
Sword missing, few traces of usage. All in all very good condition.

Small shrine holding the image of the Buddha Dainichi Nyorai, sitting on a lotus base, before a circular mandorla. Doors decorated on the inside with an exquisitely painted motif of star-shaped flowers. Wood decorated in mineral colors and gold. Very high quality. Thin metal for mandorla and crown. Japan, Edo period, 18th century.
H of case ca. 5 inches.
Most of the crown missing, some traces of usage but all in all in excellent condition.

Hanging scroll. Benzaiten mandala. The eight-armed deity, bearing arms and a coiled snake (the deity Ugajin) on her head, sits on a lotus-leaf-seat, flanked by Daikoku and Bishamonten. Before her are the 15 disciples, or jugo doji, above her the sun and the moon.
Ink, mineral colors and gold on silk. Japan, Muromachi period, around 1500.
Painted area: H 38 3/8 in. x W 18 5/8 in.
Few horizontal creases, but all in all in excellent condition.

A similar painting of Benzaiten and the 15 disciples is in the Museum of Fine Arts in Boston, inventory no. 11.4107. Even though it dates from an earlier part of the Muromachi period, and the composition is different, there is a striking similarity in the details on the garments and in the hairdo of the doji and the size of the painting. The Tokyo National Museum holds another comparable painting under inventory no. C0018069 /A-1228.