Hanging scroll. View of a river at the foot of a steep mountain range. Trees on the riverbanks, boat with fisherman in the river. Signed, unidentified artist. Japan, Meiji/Taisho era, early 20th century.
Image 48 x 12 ¾ in.; total height 67 in.
Some backed worm holes on edges of painting, few stains, one horizontal tear in the middle which needs restoration.
Hanging scroll. Cropped image of a fierce looking tiger. Black ink on paper. Signed Shusen Genyu sha. Seal Wata-in Shusen and seal .. Genyu. Japan, late 18th or early 19th century. Collector’s (?) seal in lower right corner.
Image H 49 ¾ x 10 ¾ in.; total height 74 in.
Professionally restored damages; now in excellent condition.
Comes with fitting kiri-wood storage box, inscribed.
Watanabe Shusen (1736-1824) – Nagasaki painter. Pupil of Ishizaki Gensho and Ishizaki Gentoku. Painted landscapes, birds-and-flowers, figures and tigers. (Roberts). A very similar painting by the same artist is known to exist.
Hanging scroll showing Emma O sitting in Hell surrounded by oni and skeletons making merry. Emma O sits slightly off center with a sake dish in the hand. In front of him two oni are dancing. Surrounding them are innumerable skeletons playing shamisen, dancing, playing go, drinking tea, smoking a pipe and/or drinking. Above the image a long inscription. Black ink and some color on wet paper. Several seals; artist unidentified. The sake jar on the left seems to be inscribed by a date into the Meiji era. Japan, Meiji/Taisho era.
Image H 53 ¼ x W 26 in.; total height 84 in.
Few horizontal creases, one small backed hole at bottom, otherwise fine condition.
Comes with wooden storage box (not inscribed).
A row of begging monks with bowls, hossu and ruyi scepters, emaciated into skeletons. At the end walks a cat skeleton. Black ink and some color on paper. Signed and sealed. Unidentified artist. Japan, early 20th century.
Image 50 ¾ x 19 in. Total length 75 ½ in.
Comes with wooden storage box (not inscribed).
Framed painting. Anatomically correct skeleton striking a rather elegant pose. Black ink and gofun on brown paper. Unsigned. Japan, late Edo, early Meiji era. Mid 19th century.
Image: 35 x 13 inches. Japanese frame: ca. 43 x 17 ¾ inches.
Gofun rubbed here and there. Chip in frame. All in all excellent condition.
This is not a medical drawing, but an artistic rendering of the subject matter.
Hanging scroll. Painting of the demon of Rashomon stealing back his severed arm from Watanabe no Tsuna. Dry-brush technique. Black ink, light colors and gofun on paper. Signed: Hoko (Yoshimitsu), seal Hoko. Japan, Meiji/Taisho era.
Newly mounted with original embroidered brocade.
Image: 24 x 12 ½ inches. Total length: 58 inches.
Some old water stains on brocade, some damage to embroidery, all in all very good condition.
Highly unusual sculpture of two natural ruyi mushrooms ‘growing’ from a piece of wood. At the foot of the mushrooms sits a small frog. The mushrooms mounted with wire and resin. Japan, Meiji era. Unsigned.
Ca. H 7 x W 14 x D 6 inches.
The stem of the smaller mushroom was broken and glued.
Hanging scroll. The eight-armed deity, bearing arms and jewels, and a coiled snake (the deity Ugajin) on her head, sits on a lotus-leaf-seat, flanked by Daikoku. Before her are the 15 disciples, or jugo doji. Ink, mineral colors, gold and gofun on silk. Japan, Edo period, 18th century.
Painted area: H 37 in. x W 15 in.
Mounting severely damaged. Painting with few horizontal crack in middle section and short one at the upper left, gofun rubbed, all in all very good original condition (no restorations).
Comes with wooden storage box (no inscription, not original)
Hanging scroll with image of the descent of the Buddha to welcome the souls of the deceased and accompany them to the Western Paradise. He is standing on a lotus on clouds and holds his hand in gebon josho. The mudra is the appropriate level for common citizens to be reborn in. Mineral colors and gold on silk. The garment exquisitely decorated in gold. Japan, late Muromachi or early Edo period, 16th century.
Image: 38 ¼ X 15 ¾ inches. Mounting: 84 ¼ x 21 3/8 inches.
Missing areas throughout the silk, mainly in the background. Beautifully stabilized.
A pair of hanging scrolls depicting the gods of wind and thunder: Futen or Fujin on the left and Raiden or Raijin on the right. Ink and colors on silk. Both signed Soseki saku and each with two seals, one of which reads Soseki as well. Japan. Late Meiji or Taisho era.
Image: H 41 ½ x W 15 ½ in.
Whole: H 69 ½ x W 20 5/8 in.
Each with several horizontal cracks and missing spots lovingly restored and with scratches on the silk surface. All in all in very good and stable condition.
Two of the lucky gods Daikoku and Ebisu carved in soft hinoki (cryptomeria) wood with some touches of color. Daikoku standing on two rice bales with his hammer and bag, Ebisu sitting with a carp under his arm and formerly with a fishing rod in his hand. They symbolize the deity of agriculture and rice (Daikoku) and the god of the ocean and of the fishermen (Ebisu). Also, they are considered to be father (Daikoku) and son (Ebisu). We find then often in kitchens in the function of kitchen gods. Very crisp carving. Signed at bottom of pedestals: Takamura Toun saku. Japan, late Edo period / early Meiji era.
H 6 ¼ in. (Ebisu), 6 in. (Daikoku).
Ebisu’s rod missing, tip of carp’s tail fin chipped.
Takamura Toun (1825-1879), Edo/Tokyo. He was a bakumatsu wood sculptor of Buddhist statues and mainly known for being Takamura Koun’s teacher. Apart from Buddhist sculpture he carved netsuke and okimono for the western market.
Chawan in Raku style, made in dry lacquer technique (kanshitsu) simulating ceramic. The lacquer is applied in such a way that you see small crevices and patches of red and brownish black lacquer in the same way we see it in Raku ware. Japan, Meiji era.
H ca. 3 ½ inches, dia. Ca. 4 ½ inches.
Comes with brocade pouch and plain wooden box.
Large Buddhist shrine with ‘double doors’, holding the figure of the three-eyed Shomen Kongo in his appearance with six arms, accompanied by four attendants. He is adorned with a skull necklace, bracelets in the shape of coiled snakes around his arms and ankles, holding halberd and chakra, bow and arrow, sword and human being, trampling on a demon. Initially Shomen was a pest spreading demon who after conversion to Buddhism became a guardian deity against wild animals, demons spreading disease and love(!) and against the wild weather deities. Wood decorated in mineral colors and gold, gilded sheet metal for mandorla, attributes and crown. Japan, Edo period, early 19th, perhaps late 18th century.
H of case ca. 15 ½ inches.
Case with damages, figure group with some scuffs, losses and repairs, all in all good and stable and original condition.
Extremely rare. A pair of hand shrines for husband and wife, showing on the inside the bodhisattva Fugen (larger one) and Monju (smaller one). Monju – on the lion - is holding a nyoi scepter, while Fugen – on the elephant – holds a lotus flower topped by a pagoda. Extremely fine carving, especially fine in the rendering of the lion and the elephant with exquisite painting in mineral colors, gofun and gold. The outside of each shrine covered in fine nashiji lacquer, over which in slightly raised gold lacquer a Tokugawa mon on the cover and the same mon on the back in silver. The zushi must have been made by special order for someone in the Tokugawa family line. Japan, Edo period, early 19th century.
H 2-½ inches; 2-9/16 inches.
Comes with kiri-wood storage box.
Fugen and Monju bosatsu (Compassion and Wisdom) are the two bodhisattva that accompany the historical Buddha Shakyamuni / Shaka Nyorai.
Zushi with beautiful hardware on the front; inside the figure of Yakushi Nyorai (medicine Buddha), sitting on a high lotus throne, holding the medicine jar in his left hand and with his right hand making the gesture of picking medical herbs. He is surrounded by 16 rakan, painted onto the inside of the doors (not decals). On the mardorla behind his head two apsara are painted, playing the sho and the flute. High quality carving. Wood decorated in mineral colors and gold. Japan, Edo period, likely late 18th century, perhaps early 19th century at the latest.
H of case ca. 9 ¼ inches.
Painting on the doors a bit darkened, slightly chipping; some lotus petal with tiny chip, otherwise in very good condition.
Nichiren Buddhist shrine with the sculpture of Kishimojin holding an infant in her left arm and raising her right hand in a kind of mudra. Wood beautifully decorated in mineral colors and gold. Japan, Edo period, around 1800.
H of case ca. 9 ½ inches.
Paint a bit flaking at top of figure, otherwise very good condition.
Kishimojin, or Kariteimoten originally was a demon who had a thousand children. Still she would eat the children of others. Buddha’s teachings converted her. She is a guardian deity of Buddhism, especially of small children. In Nichiren Buddhism she is venerated as guardian deity for easy birth and raising children.
She sometimes is shown as a standing figure, sometimes in the shape of a male demon, more often as a female figure with a baby in her arms and several small children around her. In one of her hands she may hold a pomegranate (symbol of fertility) that Shakyamuni gave her to bite into, if she felt a craving for children’s flesh. The male and female, demonic and human shapes sometimes merge, showing her different aspects in one statue.
Several different states of Kishimojin can be found in our listings.
Buddhist shrine showing the Amida triad (Amida sanzon), coming out of Paradise to meet the dying and accompany their souls to the Western Paradise. In the middle stands Amida Nyorai, both his hands in mudra. To his right Kannon bosatsu holding the lotus and to his left Seishi bosatsu with his hands folded in prayer. Very well carved soft wood, such as sugi, stained a beautiful brown. The figures are all sunk into the bottom of the zushi. Japan, Edo period, 19th century.
H case ca. 12 inches.
A few breaks repaired (mainly in the mandorlas), all in all very good condition.
Nichiren Buddhist shrine with the image of Kishimojin inside in demonic appearance, her hands folded in prayer. Wood sculpture with beautifully painted details. Eyes inlaid in glass or crystal. Japan, Edo period around 1800.
H of case 12 inches.