Image: H 37 ½ x W 13 ½ inches; whole H 65 x W 18 ½ inches.
Very rare composition. Most insect paintings depict daimyo procession persiflage (mitate), which is connected to peace time travel to and from the capital.
Although no information can be found on Shotei, the painting is clearly in the tradition of the Maruyama/Shijo school. Most or all paintings with insect processions, or fox processions in light colors, fading into the background were painted by Maruyama/Shijo painters, among whom Nishiyama Hoen. Many of Hoen’s paintings are in the British Museum.
Painted area: H 50 x W 19 ¾ inches ; whole: 78 ½ x 25 ¼ inches
Nakabayashi Chikkei (1816-1867). Eldest son of Nakabayashi Chikuto. He learned painting from his father initially and then went to Yamamoto Baiitsu to learn nanga, but he also mastered the realistic style used in western painting. Nagoya.
Painted area: H 38 3/8 in. x W 18 5/8 in.
Few horizontal creases, but all in all in excellent condition.
A similar painting of Benzaiten and the 15 disciples is in the Museum of Fine Arts in Boston, inventory no. 11.4107. Even though it dates from an earlier part of the Muromachi period, and the composition is different, there is a striking similarity in the details on the garments and in the hairdo of the doji and the size of the painting. The Tokyo National Museum holds another comparable painting under inventory no. C0018069 /A-1228.
Painted area: 14-½ x 20-1/8 inches. Total height: 461½ inches.
Painting with some light stains, otherwise in excellent condition, mounting damaged.
Mori Bunrei was the son and pupil of Mori Ippo (1798–1871), the Shijo painter. His style and technique closely follow those of his father’s.
A very similar painting by Nishiyama Hoen (1804-1867) is in the British Museum. This type of painting is typical for the Maruyama/Shijo school and could have originated with Maruyama Okyo.
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Painted area ca. 57 x 32.25 inches.
Total height ca. 87 inches.
Comes with inscribed box with lock. Paper label with handwritten note stuck with old scotch tape: Yanagizawa, Kieng / Japanese daimio painted / as Ryurikyo. Done c. 1870. / In 1935 sold for JPY 1,000.
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Comes with fitting kiribako. No inscription.
Height 10 and 10 1/8 inches (25.2 and 25.8 cm).
A few tiny dents at the bottom edge of one of the foxes, otherwise excellent condition.
The scroll is probably a copy of or inspired by the hyakki yako scroll that is housed in the Daitokuji temple in Kyoto. The order of the scenes in our scroll is probably a bit mixed up.
Comes with woorden storage box, inscribed: Kusunoki Masashige, Eishin hitsu. Painted area 15” x 10”; total height: 46.25” (ca. 38 x 25.5 cm; 117.5 cm).
Browned, some of the gofun rubbed, but in good and stable condition. New mounting.
Kano Eishin (1717-1763).
Kusunoki Masashige was a samurai who fought for Emperor Go-Daigo (14th century) in his attempt to overthrow the Kamakura rulers. He became the symbol of samurai loyalty.
Some foxing , otherwise very good condition.
Painted area: 49.5 x 12.5 inches, total length 83.25 inches.
Slightly yellowed, few horizontal creases, mainly good condition.
Size, including mounting: approx. height 76 inches, width 19 inches.
Slightly yellowed, few stains along edges, all in all good condition.
Frame ca. 47 x 16 inches (119.4 x 40.6 cm)
Paper creased, few cracks in the paper, some color rubbed.