Pages slightly yellowed, but all in all in very good condition with very little wear on the dustjacket
Some wear and tear to dustjackets.
Catalog of 78 objects from the Weber collection, with essays by Quitman Eugene Phillips, Melanie Trede, Alexander Hoffman, and Terry Satsuki Milhaupt. Numerous color illustrations.
Like new condition
Hard cover binding with dust jacket.
Essays on fans in China (Julia Hutt), Japan (Joe Earle), Southeast Asia (Nancy Armstrong) an on Chinoiserie with 29 color plates and 79 b/w illustrations.
Dust jackets with minor abrasions (shelf wear) and covers slightly warped.
The Ch'u silk manuscript. Translation and Commentary (Studies on the Ch'u silk manuscript, part 2), in: Monographs on Far Eastern History, no. 5. Canberra: Department of Far Eastern History; Research School of Pacific Studies; Institute of Advanced Studies; The Australian National University 1973. Paperbacks. Part two with 3 folded overviews and interpretations of the manuscript in a sleeve inside back cover. Numerous b/w illustrations and hand drawings.
Part one with yellowing esp. on the illustration pages and one dented corner. Part two with sunning to covers, dents in the spine and at the corners, some stains. Okay condition, binding still good.
Book on vases from China and from Japan made of porcelain, bronze, jade and cloisonne, and also a chapter on ivory and on lacquer. Numerous color illustrations.
Few unimportant traces of usage on the dust jacket, all in all in near new condition.
Book on ceramics and porcelain with 9 color plates, 50 b/w plates, hand drawn marks, etc.
Vol.I: Early Chinese Paintings (xi+235pp., colored frontispiece and b/w ills.)
Vol.II: The Sung Period (vi+189pp. and annotated lists 95pp., colored frontispiece and b/w ills.)
Vol.III: Plates (xviii pp., 372 b/w plates).
Bound with red cloth, gilt title to front board and spine. With slip cases. 28.5x23cm.
Books very good codition. Splipcases with slight traces of usage.
Slight traces of usage, pages yellowed, some pencil remarks, basically good condition.
Bushell Raymond, Questions & Answers, pp. 5-13 / 44-45, Kurstin, Joseph, Netsuke: Story Carvings of Old Japan, An Exhibit of Netsuke and Inro at EPCOT Center, pp. 14-24, Kres, Else, Zeshin Cake Box in the Collection of Harriet and Melvin Jahss, new York, pp. 25-31, Lewis, Edmund J. The Bekkoden Sennin Inro, pp. 32-26, Wilhelm, Gabor, On the Continent, Sales room news, from Paris, Cologne, and Orleans, France, pp. 37-41, Chappell, Sharen; Szeszler, Denis, Legends: Kyoyu and Sofu, pp. 42-43, Comee, Stephen, Tokyo Tidings, pp. 48-50, Spring 1994, 56 pp., 25.5 x 17.5 cm. Paper. English text. Numerous colour plates, b/w illustrations. Perfect condition.
On pp. 14 to 25 Elena and Joe Kurstin proudly introduce an Exhibition of their Netsuke at Epcot Center, a Walt Disney World Resort in Orlando, Florida, from May 11, 1993 to May 10, 1997. This is followed on pp. 25-31 by Else Kress’ description of a unique Cake Box by Zeshin, covered with leaf-shaped examples of a wide variety of sprinkled gold powders. Ed Lewis reflects on pp. 32-36 on a suitable naming of a hitherto obscure Japanese style of inro decoration.
This item is located in Europe.
Bushell Raymond, Questions & Answers, pp. 5-8, Ulak, James T., Namban, pp. 9-12, Lewis, Edmund J., When the Twain Met: The Namban Influence Upon Japanese Lacquer Art, pp. 13-24, Moss, Paul, Let’s go Dutch, Namban Netsuke, pp. 25-37, Kress, Else, Tobacco Smoking, Namban-jin and Their Pets in Old Japan, pp. 38-48, Dean, Michael, Four Groups of Japanese Namban Lacquer, pp. 49-61, Szeszler, Denis, Legends: Ashinaga and Tenaga, pp. 66-67, Comee, Stephen, Tokyo Tidings, pp. 70-71, Book reviews: Miss Maggie’s Whole New World, Davey, Neil K.; Netsuke on ‘Sunday Morning’, Cunningham Isabel, p. 74. Summer 1993,78 pp., 25.5 x 17.5 cm. Paper. English text. Numerous colour plates, b/w illustrations. Perfect condition.
James Ulak, at that time the Associate Curator of Japanese Art, The Art Institute of Chicago, gives us an in-depth information on Namban, as an ‘…romantically charged and regrettably imprecise term …’ while Ed Lewis cites Rudyard Kipling’s poem on the likelihood of East and West to meet (e.g. in Japanese art).
Item located in Europe.
Bushell Raymond, Questions & Answers, pp. 8-17, Davey, Neil K., Shibata Zeshin (1807-1891), A Centennial Celebration, pp. 18-22, Lewis, Edmund J., Shibata Zeshin and the Seventh Sense, pp. 23-30, Wrangham, E.A. Zeshin and the Art of Metal Imitation, pp. 31-36, Meech, Julia, Zeshin and the Demon Woman, pp. 37-39, An Album of Zeshin Art from Various Collections, pp. 40-46, Wilhelm, G. On the Continent, The Rouviere Sale, Paris, pp. 46-49, Gallery St. James’ Exhibition, Zurich, pp. 50-52, Sale at Klefisch, Sale at Lempertz, p. 53, Bandini, Luigi, Learning at the Auctions, pp. 56-63, Davey, Neil K., An Auctineer’s View, p. 64 Spring 1992,72 pp., 25.5 x 17.5 cm. Paper. English text. Numerous colour plates, b/w illustrations. Perfect condition.
In his Questions & Answers, on pp. 8-17, Raymond Bushell tells of an invitation to a meeting with a specialised group of U.S. Customs officials in San Francisco (1), of the derivation and calligraphy of the word tonkotsu (2), an auction house’s official and inofficial price (result) list (3), the use of a foolproof method (electronic scanning microscope) to discern elephant ivory from mammoth ivory (4), an oni netsuke hiding in the storage of the LACMA (5), and five more similarly interesting and unexpected questions.
Item location: Europe.
36 pp., 24.5 x 17.5 cm. Paper. English text. Numerous b/w illustrations.
Pulverer, Gerhard, Japanese woodblock prints and impressionism, pp. 31-42;
Groenewegen, Peter, Photography of prints and small objects, pp. 43-49;
Morse, Peter, Additional Drawings in Hokusai’s ‘Hundred Poets’ series, pp. 50-52;
Lane, Richard, Teenage mutant ninja: the book, p. 53;
Kress, Else, Travelling shrine in shape of an inro, p. 54/Front cover;
John Stevenson, Book reviews: Undercurrents in the Floating World, pp. 55-56.
In his very interesting article on Japanese woodblock prints and impressionism, Gerhard Pulverer cites examples from the Hokusai Manga over Edouard Manet and Whistler to Hiroshige, to Gustav Klimt, and to Aubrey Beardsley.
Item location: Europe.
14 pp., 23 x 15.5 cm. Paper. English text. 17 colour illustrations.
Almost perfect condition.
The brochure was produced in connection with an exhibition of Edo period (1615-1868) lacquer objects owned by the museum. Shown are writing boxes (suzuribako), a tray decorated with Daikoku’s hammer by Zeshin, a set of 12 incense containers of globular shape, each decorated and signed by another Taisho-period (1912-25) lacquer master, a sho flute, and a picnic-set.
Essay by Kakudo Yoshiko, entitled ‘Later Japanese Lacquers’, sub-titles ‘Surface Decoration’, ‘Writing Implements’, ‘Objects for Incense and Tea’, ‘Objects for Dressing’, etc., pp. 2-11.
Detailed list of the objects shown in the exhibition, measurements, inv.-no., etc., and Suggested Further Reading, pp. 12-14.
Item location: Europe.
104 pp., 30 x 21.5 cm. Hardboard. Japanese language only. 62 colour plates.
Outside cover very slightly soiled, otherwise perfect condition.
The 62 colour plates present excellent and detailed photographs of writing boxes (suzuri-bako), saddles, furniture, and other objects, produced during the past centuries by the best lacquer masters in the Kaga area. Among them are members of the Igarashi family, and their followers.
In an essay by Motoya Fumio (pp.11 - 18) of the Ishikawa prefecture Museum of Arts, style and technique of lacquer objects made by Igarashi Dôho and his followers are compared to Edo (Tokyo)-style lacquer objects. The Kaga province, at the Japan Sea coast, is famous for its high-quality lacquers.
Total 49 illustrations of lacquer objects by Igarashi masters, or also executed in Igarashi-style, are shown on pp. 19 – 50. This is followed by 18 illustrations of lacquer objects made by Shimizu Kuhei (1686 - ?) and his circle (pp. 52 – 61). Lacquered armour, writing boxes, and other Kaga lacquer objects are shown on pp. 62 – 70.
Pages 72 – 84 focus on works by less known Kaga lacquer masters active in the Meiji period and the 20th century. Shown are 26 illustrations of objects by such masters as Igarashi Zuiho (1852-1903), Yoneda Magoroku (? – 1874?), Sawada Sotaku (1830-1915), Shinoda Getsukyo (1883-1931), Ogaki Shokun (1865-1937), Awada Beizan (1881-1943), Fugaki Seiho (1884-1954), and others.
On pp. 85 – 88 are presented 32 enlarged examples of the various techniques seen on objects by Igarashi, and other lacquer masters. Explanations and commentaries concerning the objects shown are given on pp. 89 – 99.
List of plates with measurements and relevant information on pp. 100 – 101. A list of the association’s chairmen during the past 40 years, and photograph of the 12 present members of the board are found on pp. 102 – 103.
Item locations: Europe.
20 pp., 24 x 17 cm. Paper. French text. 9 b/w plates.
Designs produced by the Japanese lacquer Master Uzawa Shogetsu seem to grow out of smooth surfaces of the perfectly finished lacquer boxes and other items he produced. Shogetsu’s (probably 1877 - ?) specialty were subtly shaded lacquer (maki-e) decorations, painted in meticulous details.
With 26 items, the majority of works of this little known master is found today in the Collections Baur. Some of the objects were especially made to order for the collector Alfred Baur (1866 - 1951), who bought as many of Shogetsu’s objects as were available. As a consequence of Baur’s passion for this artist’s work, Shogetsu is comparatively unknown in Japan today.
Various Tables, Glossary, and Notes.
Item location: Europe.