Snake carved out of a natural piece of twisted keyaki (paulownia) wood, stained dark brown. Japan, Showa era, perhaps a bit earlier.
H ca. 24 in.
Figure of an eight-armed octopus, lying down in an almost elegant pose. Stoneware with gradient brown-beige color glaze. Signed on the back Hakushi or Hiroshi. Japan, later part of Showa era.
Length ca. 13 ½ x D ca. 9 inches.
Vase or jar with globular body, standing on a short foot and with everting rim. Underglaze blue decoration of carp swimming in water. Signed and sealed. Bottom marked as well. Korea, late 19th or 20th century.
Height 12 in., width 12 ½ in.
Ex coll. Peter K. Warren, CT
Hanging scroll. Image of a female ghost with bulging eyes, holding an oil lamp, breathing out a cloudy substance. Black ink on silk. Signed Shoju (or Matsuyusu). Red seal Shoju. Japan, Showa era, 20th century.
Image H 42 ¼ x W 14 in.; total height 70 in.
Needs remounting. Comes with wooden storage box.
Kabuto maedate, or ornament that sits in the front of the Japanese helmet. Aizen Myoo, flames coming out of his mouth. On top of his head a lion. Polychrome lacquered resin-like material, mounted on a metal base plate. Japan, 20th century.
Height ca. 5 ½ inches, width ca. 6 ½ inches.
Kabuto maedate, or ornament that sits in the front of the Japanese helmet. Long-horned monster face with big teeth and fangs and pointy ears. Wood with reddish color. Japan, 20th century.
Height 9 inches, width 8 ½ inches.
Single block carving (ichiboku) of a sambaso dancer with the typical high hat with a round circle on each side. In his left hand he holds suzu bells; his right hand, on his back, holds a fan. Keyaki wood (paulownia), carved in a faceted way, resembling ittobori, and stained. Japan, 1910s-1920s.
H ca. 18 inches.
One repaired crack from the bottom into his left shoulder, some scuffing and chipping at edges, tension crack in hat. All in all very good and stable condition.
Beautiful copy of an Asuka period figure of Jikokuten, one of the four shi-tenno, as housed in Horyuji temple in Nara. He is the keeper of the kingdom, the guardian of the world. Usually, he holds a sword in his right hand and rests his left hand on his hip. Here he is imaged with a kind of halberd in one hand, while the other hand has lost its attribute. Plain wood. Japan, late 19th or 20th century.
H 21 ½ inches.
Hands broken at wrists and glued back. Glue traces underneath feet. Few chips (feet, back, etc.).
There is a tradition of recreating well-known sculptures, paintings, whether National Treasures or Important Cultural Property. Not with the intention to forge, but for private or public use in a small temple or private temple. The Meiji era sculptor Koun made Buddhist sculpture, after famous pieces on public display. He did sign his work. The piece presented here is not signed.
Eight scrolls from a set of 10, numbered 2 through 9. In the upper halves the different kings are depicted while in the lower halves the different punishments are shown in the hells that each of them is ruling over. Each scroll has a number on top and the name of the king in the image. One scroll dated on the back ‘year of the rabbit’, which could refer to 1879. Beautiful examples of Buddhist art in folk style. Ink and colors on thin paper. Very simple mountings of paper and coarsely woven hemp. China 19th century.
Each approx. H 34 x W 14 inches.
Tears, holes, damages.
Kabuto maedate of rectangular shape. On the silver underground in golden, bold bonji characters the name of the deity Fudo Myoo (most likely). Wood with silver and gold lacquer. Japan, 19th century.
H 8 ¼ in. x W 1 ¾ in.
Front surface relacquered.
Fudo Myoo is one of the five Myoo, guardians of Buddhism. He scares humans into accepting the teachings of the Buddha Dainichi; he holds a sword in the right hand that symbolizes wisdom cutting through ignorance) and a in his left with which he catches and binds the demons. His image is often seen on a part of armour.
Kabuto maedate. Family crest, molded from wood pulp or other composite material into the shape of a stylized wisteria or fuji. Reverse lacquered or painted red, the front brown with gold sprinkle. Japan, 20th century.
H 6-5/8 in.; W 6-7/8 in.; Th ¼ in. at insertion point.
Very good condition
Wooden sculpture of an old man and woman taking a break from the rice harvest. They are sitting on an elevation. He is preparing his pipe, taking tobacco out of his tonkotsu. She is getting out a lunch box and two tea cups, while the tea kettle is at her feet. Behind them a sheaf of rice and two sickles. Perhaps a modern reference to Jo and Uba, the old couple on the island Takasago who symbolize longevity. Signed on bottom: the 74 year old man, Tomoyuki. Probably Taisho era (1912-1926) or early Showa at the latest.
H ca. 11 inches, W at bottom 10 ½ inches.
Few thin age/stress cracks, all in all fine condition.
Small plate decorated with rare decoration of three happy whales, swimming in the waves with their tails up and two of the spouting water before a coast with mountains. Two sailing boats in the far distance. Underglaze blue and black, overglaze white, gold and iron red. Back decorated with fish net design in iron red and gold and some underglaze blue and overglaze golden fishes. Signed in the center: Zoshuntei Hisatomi. Japan, late Meiji until before 1925.
H. 1 1/8 in. x D 8 3/8 in.
Gold on rim worn, otherwise fine condition.
Zoshuntei was a foreign trade porcelain company that was started by Hisatomi Yojibei Masatsune and his oldest son Masayasu. It was officially granted the name Zoshuntei in 1842. For two generations the company did well, until the family lost the license to the competition. A nephew of Masatsune tried to revive the company in 1911 by turning it into a factory, but had to close his doors finally in 1925.
Large jug with broad shoulder, tapering body and flaring mouth. Brown smooth stoneware covered with large splashes of brown, green and white glaze, creating rich colors and different textures. Very tactile piece. Could be Mashiko or Koishibara. Japan, Taisho/Showa era, early 20th century.
Height ca. 17 ½ in. x width ca 12 ¼ in.
Kabuto maedate, or ornament that sits in the front of the Japanese helmet. Antlers. Thin corroded bronze with patches of gilding. Japan, 20th century.
H 8 ¼ inches.
Very small shrine holding the figure of Dakiniten riding a white (or silver) fox. Dakiniten is worshiped at the Toyokawa Inari temples. The zushi is on the inside encased behind a glass pane, surrounded by painted treasure symbols. These kind of zushi are sold at the temple to the patrons and other visitors. Polychromed wood with abundant gold and silver Japan, dated Taisho 13 (1924).
H of case ca. 4 inches.
Comes with original fitted kiri-wood storage box, inscribed with the receiver’s name (juyo), a Kyoto address, dated Taisho 13, 9th month, 17th day, Toyokawakaku and stamped with a red seal.
Enpukuzan Toyokawa, Myogonji is a temple dedicated to the eleven headed Kannon and Dakiniten and the fox Inari. It was originally founded in 1441 by Tokai Gieki. Most of these temples were rebuilt in the Meiji era or even later, hence many of the products of these temples are from modern times. Worshipers traditionally are merchants.
Very small shrine holding the figure of a priest sitting in a typical chair, a fly whisk or hossu in his hands. He possibly is Todai Gieki, the founder of the Toyokawa Inari temple (1441). The zushi is on the inside encased behind a glass pane. These kind of zushi are sold at the temple to the patrons and other visitors. Japan, Taisho or Showa era, 20th century.
H of case 4 inches.
Excellent condition. Certain weather types prevent the doors from fully closing.
Enpukuzan Toyokawa, Myogonji is a temple dedicated to the eleven headed Kannon and Dakiniten. Most of these temples were rebuilt in the Meiji era or even later, hence many of the products of these temples are from modern times. Worshipers traditionally are merchants.
Kabuto maedate, or ornament that sits in the front of the Japanese helmet. St. Jacob’s shell. Gilded wood. Japan, 19th / 20th century.
H 7 ¾ inches, W 7 ½ inches.
Good condition, restored chip, some traces of usage.