Ho, Wai-kam, Sherman E. Lee, Laurence Sickman and Mar F. Wilson, Eight Dynasties of Chinese Painting. The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and The Cleveland Museum of Art. Cleveland: The Cleveland Museum of Art (and Indiana University Press) 1980. Hardcover with dustjacket.
Some wear and tear to dustjackets.

Trede, Melanie, and Julia Meech, Arts of Japan: The John C. Weber Collection. Berlin: Museum fur Ostasiatische Kunst Staatliche Museen zu Berlin 2006. Softcover.
Catalog of 78 objects from the Weber collection, with essays by Quitman Eugene Phillips, Melanie Trede, Alexander Hoffman, and Terry Satsuki Milhaupt. Numerous color illustrations.
Like new condition

Dorrington-Ward, Carol (ed.), Fans from the east. New York: Debrett's Peerage Limited/The Viking Press 1978.
Hard cover binding with dust jacket.
Essays on fans in China (Julia Hutt), Japan (Joe Earle), Southeast Asia (Nancy Armstrong) an on Chinoiserie with 29 color plates and 79 b/w illustrations.
Dust jackets with minor abrasions (shelf wear) and covers slightly warped.

Noel, Barnard, Scientific Examination of an Ancient Chinese Document as a Prelude to Decipherment, translation, and Historical Assessment - The Ch'u Silk Manuscript. Revised and Enlarged, in: Monographs of Far Eastern History 4. Canberra: Department of Far Eastern History; Research School of Pacific Studies; Institute of Advanced Studies; The Australian National University 1972. AND:
The Ch'u silk manuscript. Translation and Commentary (Studies on the Ch'u silk manuscript, part 2), in: Monographs on Far Eastern History, no. 5. Canberra: Department of Far Eastern History; Research School of Pacific Studies; Institute of Advanced Studies; The Australian National University 1973. Paperbacks. Part two with 3 folded overviews and interpretations of the manuscript in a sleeve inside back cover. Numerous b/w illustrations and hand drawings.
Part one with yellowing esp. on the illustration pages and one dented corner. Part two with sunning to covers, dents in the spine and at the corners, some stains. Okay condition, binding still good.

Crossman, Carl L., The China Trade. Export Paintings, Furniture, Silver and other Objects, The Pyne Press: Princeton 1972. Hardcover with d/j. XII+275 pp. with many illustrations in b/w and color. (d/j rather worn, inside good condition)

Schuster, Felicia and Cecilia Wolseley, Vases of the sea. Far Eastern porcelain and other treasures. New York: Charles Scribner's Sons 1974. Hard cover binding with dust jacket.
Book on vases from China and from Japan made of porcelain, bronze, jade and cloisonne, and also a chapter on ivory and on lacquer. Numerous color illustrations.
Few unimportant traces of usage on the dust jacket, all in all in near new condition.

Hobson, R.L., The wares of the Ming dynasty. Rutland/Tokyo: Charles E. Tuttle Company 1962. With dust jacket and with card board slip case. 1st edn. Little tear in back of dust jacket, all in all in near new condition.
Book on ceramics and porcelain with 9 color plates, 50 b/w plates, hand drawn marks, etc.

Kerr, Rose, Chinese ceramics. Porcelain of the Qing Dynasty 1644-1911, Victoria and Albert Museum: London 1986. Reprint from 1998. Hardcover with d/j. 142 pp. with many illustrations in color and b/w, including photos of seals, marks and bottoms.

Osvald Siren: Chinese Painting: Leading Masters and Principles. Part I; The First Millennium (3 vols.), London: Lund Humphries/New York: Ronald Press, 1956.
Vol.I: Early Chinese Paintings (xi+235pp., colored frontispiece and b/w ills.)
Vol.II: The Sung Period (vi+189pp. and annotated lists 95pp., colored frontispiece and b/w ills.)
Vol.III: Plates (xviii pp., 372 b/w plates).
Bound with red cloth, gilt title to front board and spine. With slip cases. 28.5x23cm.
Books very good codition. Splipcases with slight traces of usage.

Netsuke Kenkyukai Study Journal, Vol. 14, Number 1, Spring 1994. Contents:
Bushell Raymond, Questions & Answers, pp. 5-13 / 44-45, Kurstin, Joseph, Netsuke: Story Carvings of Old Japan, An Exhibit of Netsuke and Inro at EPCOT Center, pp. 14-24, Kres, Else, Zeshin Cake Box in the Collection of Harriet and Melvin Jahss, new York, pp. 25-31, Lewis, Edmund J. The Bekkoden Sennin Inro, pp. 32-26, Wilhelm, Gabor, On the Continent, Sales room news, from Paris, Cologne, and Orleans, France, pp. 37-41, Chappell, Sharen; Szeszler, Denis, Legends: Kyoyu and Sofu, pp. 42-43, Comee, Stephen, Tokyo Tidings, pp. 48-50, Spring 1994, 56 pp., 25.5 x 17.5 cm. Paper. English text. Numerous colour plates, b/w illustrations. Perfect condition.
On pp. 14 to 25 Elena and Joe Kurstin proudly introduce an Exhibition of their Netsuke at Epcot Center, a Walt Disney World Resort in Orlando, Florida, from May 11, 1993 to May 10, 1997. This is followed on pp. 25-31 by Else Kress’ description of a unique Cake Box by Zeshin, covered with leaf-shaped examples of a wide variety of sprinkled gold powders. Ed Lewis reflects on pp. 32-36 on a suitable naming of a hitherto obscure Japanese style of inro decoration.

This item is located in Europe.

Netsuke Kenkyukai Study Journal, Vol. 13, Number 2, Summer 1993. Contents:
Bushell Raymond, Questions & Answers, pp. 5-8, Ulak, James T., Namban, pp. 9-12, Lewis, Edmund J., When the Twain Met: The Namban Influence Upon Japanese Lacquer Art, pp. 13-24, Moss, Paul, Let’s go Dutch, Namban Netsuke, pp. 25-37, Kress, Else, Tobacco Smoking, Namban-jin and Their Pets in Old Japan, pp. 38-48, Dean, Michael, Four Groups of Japanese Namban Lacquer, pp. 49-61, Szeszler, Denis, Legends: Ashinaga and Tenaga, pp. 66-67, Comee, Stephen, Tokyo Tidings, pp. 70-71, Book reviews: Miss Maggie’s Whole New World, Davey, Neil K.; Netsuke on ‘Sunday Morning’, Cunningham Isabel, p. 74. Summer 1993,78 pp., 25.5 x 17.5 cm. Paper. English text. Numerous colour plates, b/w illustrations. Perfect condition.
James Ulak, at that time the Associate Curator of Japanese Art, The Art Institute of Chicago, gives us an in-depth information on Namban, as an ‘…romantically charged and regrettably imprecise term …’ while Ed Lewis cites Rudyard Kipling’s poem on the likelihood of East and West to meet (e.g. in Japanese art).

Item located in Europe.

Netsuke Kenkyukai Study Journal, Vol. 12, Number 1, Spring 1992. Contents:
Bushell Raymond, Questions & Answers, pp. 8-17, Davey, Neil K., Shibata Zeshin (1807-1891), A Centennial Celebration, pp. 18-22, Lewis, Edmund J., Shibata Zeshin and the Seventh Sense, pp. 23-30, Wrangham, E.A. Zeshin and the Art of Metal Imitation, pp. 31-36, Meech, Julia, Zeshin and the Demon Woman, pp. 37-39, An Album of Zeshin Art from Various Collections, pp. 40-46, Wilhelm, G. On the Continent, The Rouviere Sale, Paris, pp. 46-49, Gallery St. James’ Exhibition, Zurich, pp. 50-52, Sale at Klefisch, Sale at Lempertz, p. 53, Bandini, Luigi, Learning at the Auctions, pp. 56-63, Davey, Neil K., An Auctineer’s View, p. 64 Spring 1992,72 pp., 25.5 x 17.5 cm. Paper. English text. Numerous colour plates, b/w illustrations. Perfect condition.
In his Questions & Answers, on pp. 8-17, Raymond Bushell tells of an invitation to a meeting with a specialised group of U.S. Customs officials in San Francisco (1), of the derivation and calligraphy of the word tonkotsu (2), an auction house’s official and inofficial price (result) list (3), the use of a foolproof method (electronic scanning microscope) to discern elephant ivory from mammoth ivory (4), an oni netsuke hiding in the storage of the LACMA (5), and five more similarly interesting and unexpected questions.

Item location: Europe.