Painted area: 55 ¼ x 30 3/8 inches.
Several restored spots and cracks (backed with thin strips of paper), no mounting but the painting is laid down on thin Chinese or Japanese paper.
Height ca. 8 inches.
Few very thin material cracks, as is normal for larger sculptures in boxwood, otherwise excellent condition.
Pages slightly yellowed, but all in all in very good condition with very little wear on the dustjacket
Some wear and tear to dustjackets.
Hard cover binding with dust jacket.
Essays on fans in China (Julia Hutt), Japan (Joe Earle), Southeast Asia (Nancy Armstrong) an on Chinoiserie with 29 color plates and 79 b/w illustrations.
Dust jackets with minor abrasions (shelf wear) and covers slightly warped.
The Ch'u silk manuscript. Translation and Commentary (Studies on the Ch'u silk manuscript, part 2), in: Monographs on Far Eastern History, no. 5. Canberra: Department of Far Eastern History; Research School of Pacific Studies; Institute of Advanced Studies; The Australian National University 1973. Paperbacks. Part two with 3 folded overviews and interpretations of the manuscript in a sleeve inside back cover. Numerous b/w illustrations and hand drawings.
Part one with yellowing esp. on the illustration pages and one dented corner. Part two with sunning to covers, dents in the spine and at the corners, some stains. Okay condition, binding still good.
Book on vases from China and from Japan made of porcelain, bronze, jade and cloisonne, and also a chapter on ivory and on lacquer. Numerous color illustrations.
Few unimportant traces of usage on the dust jacket, all in all in near new condition.
Book on ceramics and porcelain with 9 color plates, 50 b/w plates, hand drawn marks, etc.
Vol.I: Early Chinese Paintings (xi+235pp., colored frontispiece and b/w ills.)
Vol.II: The Sung Period (vi+189pp. and annotated lists 95pp., colored frontispiece and b/w ills.)
Vol.III: Plates (xviii pp., 372 b/w plates).
Bound with red cloth, gilt title to front board and spine. With slip cases. 28.5x23cm.
Books very good codition. Splipcases with slight traces of usage.
Measurements: 8 7/8 x 11 5/8inches (22.6 x 29.5 cm).
Excellent condition, mounted on album page.
H 3.4 inches (8.5 cm).
Very good condition.
H 4.5 inches (11.2 cm).
Very good condition.
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Painted area: ca. 46.1 x 23.5 inches (117 x 59.5 cm). Total length: 86 inches (218.5 cm).
Good condition, few stains.
Yangzhi worked around 1700 as one of the last painters of large religious wall paintings. He is known for portraits of daoists, buddhists, hermits, gods and ghosts.
230 pp., 28 x 22 cm. Hardboard. English / German language. 16 colour plates, 154 b/w illustrations.
Outside cover very slightly rubbed, otherwise perfect condition.
The 99 lacquer objects, selected by Mr. Lee for this exhibition, are shown and discussed in the bilingual catalogue. The Lee Collection is famous for its quality and choice of materials. The entire text, including the description of each object, written in English by Mr. Lee himself, were translated into German by Heinz and Else Kress.
With an introduction and acknowledgments by Lee King Tsi, Hu Shih Chang (pp. 7 – 13). Preface by Roger Goepper, director of the exhibiting museum. Notes and bibliography to the introduction, pp. 14 -15.
Table of Chinese dynasties and periods, p. 16. Colour plates, pp. 17 – 32.
Black and white illustrations and descriptions, pp. 33 – 225.
Glossary of Chinese names and texts, pp. 226 – 227.
Selected Bibliography, pp. 228 –229.
Item location: Europe.
250 pp., 27.5 x 23 cm. Paper. German language. 23 colour plates, 152 b/w illustrations.
Almost all the 80 paintings illustrated and discussed in this catalogue, entitled ‘Im Schatten hoher Baeume’ (In the shadow of old trees), are shown here for the first time outside China. Many of them have never been published before. They all are from the collection of the Museum Province Liaoning, Shenyang, which is internationally known for the quantity as well as the high artistic level of its collection.
Although the exhibition focuses on Literati paintings, from the 15th century onwards, examples of various styles and subject groups were selected. The exhibition was planned in cooperation of Chinese and German experts, among them Prof. Lothar Ledderose, Art-Historical Institute, University of Heidelberg, Nora von Achenbach, Herbert Butz, Gerald Holzwarth, Burglind Jungmann, and others.
Introduction by Roger Goepper, Axel von Saldern, Katharina Schmidt, for the exhibiting museums, and Lothar Ledderose for the exhibition.
Table of contents, p. 9. An essay by Lothar Ledderose, Die Malerei der Literaten (On Literati Paintings), pp. 10 – 21. Historical map of China, era names of the Ming and Qing dynasties, pp. 22 – 23.
Colour plates, pp. 25 – 48. List of painters, with reference to the catalogue numbers, p. 49. Exhibition objects, pp. 50 – 239.
Index of Chinese names and descriptions, pp. 240 – 245. Bibliography, pp. 246 – 248.
Item location: Europe.
Four copies available.