Height: circa 20.5 inches and 21 inches.
A: wooden kegs in feet re-placed and refitted (with pegs). A and Um: Some restored and unrestored cracks, all in all excellent condition.
De-accessioned from the Denver Art Museum. Original label still on the bottom.
Comes with its original kiri-wood tomobako. Inscription on box: Obidome, nomen, Uba (kanshitsu), meaning: sash clasp, no mask, Uba (dry lacquer).
Japan, probably Taisho period, first half 20th century.
With Total height: 1 3/8 inch (3.5 cm).
Four hair cracks in the face (not visible without loupe), one fissure on the back. Minimal traces of usage on the hooks in the back. All in all good condition.
Dry lacquer (kanshitsu) is a technique, whereby the object is made of lacquer only, no wooden or paper core is holding up the form. This allows for a very free flowing kind of shape, but it is a very labor intensive procedure.
Catalog of 78 objects from the Weber collection, with essays by Quitman Eugene Phillips, Melanie Trede, Alexander Hoffman, and Terry Satsuki Milhaupt. Numerous color illustrations.
Like new condition
Larger table 14 ¾ in. long x 5 in. high x 4 ¾ in. deep; smaller tables each ca. 11 in. long x 4 ¾ in. high x 3 ½ in. deep; shrine ca. 7 ½ in. high.
All with slight, but unoffending traces of usage, very good condition.
Height: 5 ½ inches.
Material around metal edge retracting, some restoration, very good condition.
Each ca. 22 5/8 x 15 3/8 inches.
Some dents, cracks and losses, one repaired spot, basically in very good condition.
Overall height 9 in. (22.8 cm); width at widest point 5.5 in. (13.3 cm).
Four pieces of fretwork broken, three of which are glued and repainted. Some cracks in the lacquered frame along the seams of the wood, some of the gold and silver lacquer rubbed and chipped. The color on the fretwork dried out and crumbling. Damages due to age and use. All in all in rather good condition.
14 pp., 23 x 15.5 cm. Paper. English text. 17 colour illustrations.
Almost perfect condition.
The brochure was produced in connection with an exhibition of Edo period (1615-1868) lacquer objects owned by the museum. Shown are writing boxes (suzuribako), a tray decorated with Daikoku’s hammer by Zeshin, a set of 12 incense containers of globular shape, each decorated and signed by another Taisho-period (1912-25) lacquer master, a sho flute, and a picnic-set.
Essay by Kakudo Yoshiko, entitled ‘Later Japanese Lacquers’, sub-titles ‘Surface Decoration’, ‘Writing Implements’, ‘Objects for Incense and Tea’, ‘Objects for Dressing’, etc., pp. 2-11.
Detailed list of the objects shown in the exhibition, measurements, inv.-no., etc., and Suggested Further Reading, pp. 12-14.
Item location: Europe.
Holle Verlag, Baden-Baden, Germany, 1965, 375 pp., 25.5 x 21 cm. Cloth. German language. 37 colour plates, 256 b/w illustrations.
Dust cover faded and slightly worn at spine, slight foxing at page edges, otherwise perfect condition.
Lackkunst in Ostasien (East-Asian Lacquer Art) is one of the first overviews written in German language on the subject of lacquer. The book begins chronologically with illustrations of more than 2000 years old Chinese lacquer objects, continuing to Chinese, Japanese, and Korean lacquer boxes and screens of later epochs. Samples are shown of all kinds of techniques and styles, including lacquer paintings by Shibata Zeshin. The majority of objects shown here were owned by two rivalling industrial-lacquer producing companies: the Herberts and the Herbig-Haarhaus companies, in Wuppertal and Cologne, Germany. Owner and director of both companies were interested in lacquer art and began in 1937 to exhibit family treasures. Later they systematically bought lacquer objects at auctions and exhibitions. During the 2nd World War a large part of the Herberts collection, especially lacquered furniture, was destroyed. However, smaller items of Chinese and Japanese lacquer art, being easier to transport, and perhaps more precious, were stored in rural places and survived. Beatrix von Rague was responsible for the collection of one company during the years 1952-1959. Edith Straesser was responsible for the other company-owned lacquer museum from 1967 until 1987.
In 1982 the lacquer collections of Dr. Kurt Herberts were acquired by the BASF Lacke + Farben AG, who now exhibit them in their Museum of Lacquer Art in Muenster, Germany.
Appendix: Zeittafel (Table of Chinese dynasties, reigns of Japanese emperors, Korean eras, from 1600 B.C. to 1925 A.D.), pp. 356-359. Bibliography, pp. 360-364. Index, pp. 365-374, Museums and collections presented, p. 375. Table of contents, p. 376.
Rare early reference. Item location: Europe.
Diameter: 6 ½ inches (16.5 cm).
In fitted wooden box, 7 ½ x 7 ½ x 4 inches (19 x 19 x 10.2 cm), inscribed on the lid KÔRIN-sai-gahen-maki-e, ichimonji meimei-sara (Dishes individually decorated in KÔRIN style). Signed and sealed inside the lid HEIANDÔ & seal Heiandô, and Wanyo (?) & seal Wanyo.
Items located in Europe.
L 3 5/8”, w 2 5/8”, h 1 1/16” (9.2 x 6.8 x 2.5 cm).
Former paper labels on inside and bottom of lower compartment. Few minor traces of usage, as to be expected.
Inventory numbers in red lacquer: 84.113-A and –B. Ex coll. Toledo Museum of Art.
Height approx. 11 in. (28 cm), width 6 ¼ in. (16 cm), depth 6 in. (15 cm).
Lower jaw restored.
Height 1 in. (2.5 cm); diameter 3 in. (7.5 cm).
Lacquer somewhat dry due to exposure, two tiny bubbles on the bottom, otherwise good condition. On the inside of cover traces of paper label and one paper label.
Inventory number in red lacquer on bottom and inside of lid: 48.110-A and –B. Ex collection Toledo Museum of Art.
Length 6 11/16 in. (17 cm), width of head 1 ¼ in. (3.2 cm).
Diameter: 6 ¾ in. (17.5 cm); height: ¾ in. (2 cm).
In fitted wooden box, inscribed on the lid in black script Meimei sara 5, ichimatsu-e (5 plates with chequered pattern), and with circular red seal imprint inside lid of box. Size of box 17 3/8 x 17 3/8 x 3 9/16 in. (19 x 19 x 9.2 cm).
One dish with tiny scratches to edge, otherwise perfect condition.
Pieces located in Europe.