Image: H 37 ½ x W 13 ½ inches; whole H 65 x W 18 ½ inches.
Very rare composition. Most insect paintings depict daimyo procession persiflage (mitate), which is connected to peace time travel to and from the capital.
Although no information can be found on Shotei, the painting is clearly in the tradition of the Maruyama/Shijo school. Most or all paintings with insect processions, or fox processions in light colors, fading into the background were painted by Maruyama/Shijo painters, among whom Nishiyama Hoen. Many of Hoen’s paintings are in the British Museum.
Painted area: H 50 x W 19 ¾ inches ; whole: 78 ½ x 25 ¼ inches
Nakabayashi Chikkei (1816-1867). Eldest son of Nakabayashi Chikuto. He learned painting from his father initially and then went to Yamamoto Baiitsu to learn nanga, but he also mastered the realistic style used in western painting. Nagoya.
H ca. 11 inches.
Sword missing, few traces of usage. All in all very good condition.
H of case ca. 5 inches.
Most of the crown missing, some traces of usage but all in all in excellent condition.
H 8 ½ inches.
Gold lacquer a bit worn, silver lacquer a bit scratched, along the middle axis the lacquer on both sides is cracked, few tiny lacquer chips along edges. All in all very good condition.
H 5 ½ inches.
The Metropolitan Museum of Art in New York has a helmet with a similar ornament. Accession no. 36.25.133a–d. Viewable online.
H 8 ¼ inches.
Painted area: H 38 3/8 in. x W 18 5/8 in.
Few horizontal creases, but all in all in excellent condition.
A similar painting of Benzaiten and the 15 disciples is in the Museum of Fine Arts in Boston, inventory no. 11.4107. Even though it dates from an earlier part of the Muromachi period, and the composition is different, there is a striking similarity in the details on the garments and in the hairdo of the doji and the size of the painting. The Tokyo National Museum holds another comparable painting under inventory no. C0018069 /A-1228.
H of case ca. 4 inches.
Comes with original fitted kiri-wood storage box, inscribed with the receiver’s name (juyo), a Kyoto address, dated Taisho 13, 9th month, 17th day, Toyokawakaku and stamped with a red seal. Excellent condition.
Enpukuzan Toyokawa, Myogonji is a temple dedicated to the eleven headed Kannon and Dakiniten and the fox Inari. It was originally founded in 1441 by Tokai Gieki. Most of these temples were rebuilt in the Meiji era or even later, hence many of the products of these temples are from modern times. Worshipers traditionally are merchants.
H of case 7 inches.
Traces of usage, mainly on the in- and outside of the case, moveable segment glued.
H of case 4 inches.
Excellent condition. Certain weather types prevent the doors from fully closing.
Enpukuzan Toyokawa, Myogonji is a temple dedicated to the eleven headed Kannon and Dakiniten. Most of these temples were rebuilt in the Meiji era or even later, hence many of the products of these temples are from modern times. Worshipers traditionally are merchants.
Height zushi: ca. 7 ½ inches.
Paintings on the doors rubbed, hardware fragile but functional. Jizo’s hands and attributes missing, glue stains on his back and feet.
Rare subject. Painting on the left door shows a human pleading with a demon holding a giant club, while below a child is being led away by a female soul. The right hand door shows a large red demon with club, chasing a child, while mothers seem to be wailing.
Diameter ca. 16 inches, H ca 5 inches.
Core probably wood. Some thin cracks in the lacquer on the inside, wormholes on the edge, with some restoration to cover them, lacquer on the outside has sun damage.
Height zushi: ca. 11 inches.
Some cracks in the wood, flaking lacquer at the base, some cracks in the lacquer on the figure, stabilized with clear finish, all in all in stable condition.
Shichimen Daimyojin is the protectress of Minobu, the site of temple Kuonji, general quarters of the Nichiren sect and burial place of the founder of the sect. Mount Shichimen is south of Minobu.
H 7 ¾ inches, W 7 ½ inches.
Good condition, restored chip, some traces of usage.