Large ceramic charger in Satsuma style with a decoration in overglaze colors and gold of Kidomaru trying to assault his brother Fujiwara no Yasumasa, who is playing the flute on a full moon night in the fall. The music is so enchanting, that Kidomaro cannot follow through with the assault. Japan, late Meiji period, early 20th century.
Diameter: 15 inches; height: 2 ½ inches.
Few abrasions of the gold and moriage, some spur marks visible, others covered by the decoration, some surface stains that can be removed. All in all excellent condition.
Design in mirror images after the famous triptych of the same subject by Tsukioka Yoshitoshi, that was published in 1883. The triptych was created after Yoshitoshi submitted a painting of roughly the same design to a national exhibition in the fall of 1882.
Sculpture of Daruma, sitting wrapped in his garment. Typical meditation posture. Kiri (Paulownia) wood. Unsigned. Japan, Edo period, 19th century.
Height: 10 ½ inches; width: 6 inches (ca. 26.6 x 15 cm).
Some minor rubbed spots, some fritting at edges, beautiful patina, very good condition.
Small boxwood netsuke in the shape of a group of five matsutake mushrooms, with their typical small hoods. Natural himotoshi. Unsigned. Japan, Edo period, 19th century.
Height: 7/8 inch ; width at top: 15/16 inch (ca. 2.2 x 2.4 cm)
Some minor traces of usage, beautiful patina.
Okimono in the form of a highly detailed human skull. Boxwood, partly stained black. Unsigned. Japan, Meiji period, 19th century.
Height: 1 7/8 inch; width: 2 ¾ inches (ca. 4.7 x 7 cm).
Excellent condition, beautiful patina.
Hanging scroll with the images of a female spirit ascending from a skull with a broken jaw in a graveyard. Next to the skull lies a broken sotoba. Signed with red seal. Black ink and thin red color and two lines of blue on fibrous paper. Original red paper mounting. Porcelain scroll ends. Japan, Meiji period.
Painted area: 44 x 7 ¾”; total height: 70” (111.7 x 19.7; 177.8 cm).
Hanging scroll with portrait of the samurai Kusunoki Masashige (1294-1366), sitting cross-legged in full armor on a mat made of deer skin. In front of him his bow and a banner with his family crest of a chrysanthemum on water. Signed at lower left: Hogen Eishin hitsu and red seal. Attributed to Kano Eishin. Black ink, mineral colors, gofun and gold on silk. Japan, Edo period, 18th century.
Comes with woorden storage box, inscribed: Kusunoki Masashige, Eishin hitsu.
Painted area 15” x 10”; total height: 46.25” (ca. 38 x 25.5 cm; 117.5 cm).
Browned, some of the gofun rubbed, but in good and stable condition. New mounting.
Kano Eishin (1717-1763).
Kusunoki Masashige was a samurai who fought for Emperor Go-Daigo (14th century) in his attempt to overthrow the Kamakura rulers. He became the symbol of samurai loyalty.
Painting, hanging scroll with the images of a man and a woman having intercourse, being surrounded by a multitude of other women. Ukiyo-e style. Black ink, gold and color on silk. Unsigned. Japan, Meiji period.
Painted area: 12 ¾” x 18 ¼”; total height: 47 ¾” (32.4 x 46.3; 121.3 cm). Typical mounting from the Meiji period, probably original to the painting.
Some foxing , otherwise very good condition.
Forged iron tsuba in nanban style with undercutting. Design of a rain dragon on the bottom of each, their tails intertwining with the karakusa, interspersed with lotus flowers and leaves. Unsigned. Japan, Edo period, probably late 18th century.
Height: 3 inches ; width: 2 7/8 inches (7.5 x 7.3 cm).
Few light rust spots in deeper areas.
Ex private collection Netherlands.
Ivory netsuke of a pregnant woman who is sticks a kogai into her hair, while a midwife a feeling her bulging belly. Signed at bottom: Kikugawa and kao. Ivory, probably marine ivory. Japan, late Meiji period, perhaps Taisho period.
Height: 1.5”; width: 1.75”; depth: 1.25” (3.8 x 4.4 x 3.1 cm).
No sale outside the USA possible.
Decorative chair with ornate carving in low relief with different dragons. The back is shaped in a dragon fish jumping up, the seat shows a dragon curling around a 8-petaled flower, and the legs are shaped in dragons surrounded by clouds. Carved wood with black lacquer. One eye inlaid in bone. Japan, Meiji period, export.
Height of seat 16.5, width 18, depth 17.5, total height 45.5 inches(41.9; 45.75; 115.5 cm).
Extensive traces of usage.
Large porcelain charger decorated in underglaze blue with a map of Japan, as drawn in the Edo period. The map (Gyoji type) shows the main islands of Honshu, Shikoku and Kyushu, divided into the 63 provinces. The names of the provinces are written in kanji. Here and there a name of a city (i.e. Edo) is added. The main islands of Japan are surrounded by several islands (names written partly or entirely in katakana) and real and imaginary countries, such as Choseon, the Ryukyus, the country of the small people and the country where women rule. The sea is indicated by stylized waves. Around the islands are stylized clouds and on top and bottom fly crane-like birds. The bottom, reverse, with 6-mark seal: Honcho Tenpo nensei. Rim decorated with meandering flowering vines. Five spur marks. Japan, Hizen, Arita kiln, 1830s-1840s or slightly later (but still Edo period).
Diameter 16 inches, H 2.25 inches (Diam. 40.6 cm, H 5.7 cm).
Very similar piece in the Kyushu Ceramic Museum.
Hanging scroll with the image of a oni mask underneath a large and square character fuku (good fortune), from which small white tama or petals are falling. Signed in lower right corner ... Shodo and with red seal Shodo no in. Black ink and color on paper. Nice bold plait design mounting. Japan, Meiji period.
Painted area: 49.5 x 12.5 inches, total length 83.25 inches.
Slightly yellowed, few horizontal creases, mainly good condition.