Diameter: 11 7/8 in. (30.2 cm).
Missing chip in rim.
Height: 5 inches (12.2 cm). Excellent condition.
Length 8 1/8 inches (20.5 cm)
Needle missing, handle loose. Otherwise traces of usage, beautiful patina.
Length 9 ¾ inches (ca. 25 cm)
Needle missing, handle missing. Wheel is a lovingly copied replacement. Body with fine detail and very nice patina.
Length 13 7/8 in. (35.4 cm), depth at widest point 3 1/8 in. (7.8 cm), height 2 7/8 in. (7.3 cm).
One side exposed to sunlight, some dent and chips, but otherwise excellent condition.
Height 2 ¾ in. (7 cm); diameter 3 ¼ in. (8.3 cm)
Diameter: 3.75 in. (9.5 cm) each.
Glaze flaw at outer rim of one (bird). Otherwise excellent condition.
The enamels have a halo around them.
Painted area: 13 3/8 x 21 7/8 in. (34 x 55.5 cm). Total height: 53 3/8 in. (135.5 cm).
With plain wooden box, no inscriptions.
Unimportant thin stain in lower left corner, otherwise fine condition. Box with fair amount of insect damage.
Kano Seisen’in Yoshin (or Yasunobu) (ca. 1799-1846). Son and pupil of Kano Isen’in, painter-in-residence to the Edo castle. Made many copies of older paintings. In 1819 he became hogen, in 1834 he became hoin.
Overall height 9 in. (22.8 cm); width at widest point 5.5 in. (13.3 cm).
Four pieces of fretwork broken, three of which are glued and repainted. Some cracks in the lacquered frame along the seams of the wood, some of the gold and silver lacquer rubbed and chipped. The color on the fretwork dried out and crumbling. Damages due to age and use. All in all in rather good condition.
36 pp., 24.5 x 17.5 cm. Paper. English text. Numerous b/w illustrations.
Pulverer, Gerhard, Japanese woodblock prints and impressionism, pp. 31-42;
Groenewegen, Peter, Photography of prints and small objects, pp. 43-49;
Morse, Peter, Additional Drawings in Hokusai’s ‘Hundred Poets’ series, pp. 50-52;
Lane, Richard, Teenage mutant ninja: the book, p. 53;
Kress, Else, Travelling shrine in shape of an inro, p. 54/Front cover;
John Stevenson, Book reviews: Undercurrents in the Floating World, pp. 55-56.
In his very interesting article on Japanese woodblock prints and impressionism, Gerhard Pulverer cites examples from the Hokusai Manga over Edouard Manet and Whistler to Hiroshige, to Gustav Klimt, and to Aubrey Beardsley.
Item location: Europe.
14 pp., 23 x 15.5 cm. Paper. English text. 17 colour illustrations.
Almost perfect condition.
The brochure was produced in connection with an exhibition of Edo period (1615-1868) lacquer objects owned by the museum. Shown are writing boxes (suzuribako), a tray decorated with Daikoku’s hammer by Zeshin, a set of 12 incense containers of globular shape, each decorated and signed by another Taisho-period (1912-25) lacquer master, a sho flute, and a picnic-set.
Essay by Kakudo Yoshiko, entitled ‘Later Japanese Lacquers’, sub-titles ‘Surface Decoration’, ‘Writing Implements’, ‘Objects for Incense and Tea’, ‘Objects for Dressing’, etc., pp. 2-11.
Detailed list of the objects shown in the exhibition, measurements, inv.-no., etc., and Suggested Further Reading, pp. 12-14.
Item location: Europe.
104 pp., 30 x 21.5 cm. Hardboard. Japanese language only. 62 colour plates.
Outside cover very slightly soiled, otherwise perfect condition.
The 62 colour plates present excellent and detailed photographs of writing boxes (suzuri-bako), saddles, furniture, and other objects, produced during the past centuries by the best lacquer masters in the Kaga area. Among them are members of the Igarashi family, and their followers.
In an essay by Motoya Fumio (pp.11 - 18) of the Ishikawa prefecture Museum of Arts, style and technique of lacquer objects made by Igarashi Dôho and his followers are compared to Edo (Tokyo)-style lacquer objects. The Kaga province, at the Japan Sea coast, is famous for its high-quality lacquers.
Total 49 illustrations of lacquer objects by Igarashi masters, or also executed in Igarashi-style, are shown on pp. 19 – 50. This is followed by 18 illustrations of lacquer objects made by Shimizu Kuhei (1686 - ?) and his circle (pp. 52 – 61). Lacquered armour, writing boxes, and other Kaga lacquer objects are shown on pp. 62 – 70.
Pages 72 – 84 focus on works by less known Kaga lacquer masters active in the Meiji period and the 20th century. Shown are 26 illustrations of objects by such masters as Igarashi Zuiho (1852-1903), Yoneda Magoroku (? – 1874?), Sawada Sotaku (1830-1915), Shinoda Getsukyo (1883-1931), Ogaki Shokun (1865-1937), Awada Beizan (1881-1943), Fugaki Seiho (1884-1954), and others.
On pp. 85 – 88 are presented 32 enlarged examples of the various techniques seen on objects by Igarashi, and other lacquer masters. Explanations and commentaries concerning the objects shown are given on pp. 89 – 99.
List of plates with measurements and relevant information on pp. 100 – 101. A list of the association’s chairmen during the past 40 years, and photograph of the 12 present members of the board are found on pp. 102 – 103.
Item locations: Europe.