Japanese antiques at Welcome To Another Century Welcome To Another Century
All Items : Traditional Collectibles : Books : References : Antiques : Pre 2000 item #743500 (stock #B 093)
Welcome To Another Century
Netsuke Kenkyukai Study Journal, Vol. 12, Number 1, Spring 1992. Contents:
Bushell Raymond, Questions & Answers, pp. 8-17, Davey, Neil K., Shibata Zeshin (1807-1891), A Centennial Celebration, pp. 18-22, Lewis, Edmund J., Shibata Zeshin and the Seventh Sense, pp. 23-30, Wrangham, E.A. Zeshin and the Art of Metal Imitation, pp. 31-36, Meech, Julia, Zeshin and the Demon Woman, pp. 37-39, An Album of Zeshin Art from Various Collections, pp. 40-46, Wilhelm, G. On the Continent, The Rouviere Sale, Paris, pp. 46-49, Gallery St. James’ Exhibition, Zurich, pp. 50-52, Sale at Klefisch, Sale at Lempertz, p. 53, Bandini, Luigi, Learning at the Auctions, pp. 56-63, Davey, Neil K., An Auctineer’s View, p. 64 Spring 1992,72 pp., 25.5 x 17.5 cm. Paper. English text. Numerous colour plates, b/w illustrations. Perfect condition.
In his Questions & Answers, on pp. 8-17, Raymond Bushell tells of an invitation to a meeting with a specialised group of U.S. Customs officials in San Francisco (1), of the derivation and calligraphy of the word tonkotsu (2), an auction house’s official and inofficial price (result) list (3), the use of a foolproof method (electronic scanning microscope) to discern elephant ivory from mammoth ivory (4), an oni netsuke hiding in the storage of the LACMA (5), and five more similarly interesting and unexpected questions.

Item location: Europe.

All Items : Antiques : Regional Art : Asian : Japanese : Folk Art : Pre 1920 item #737153 (stock #10487)
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Very plain carpenter’s tool to draw straight lines. Dark wood. Japan, 19/20th century.
Length 8 1/8 inches (20.5 cm)
Needle missing, handle loose. Otherwise traces of usage, beautiful patina.
All Items : Antiques : Regional Art : Asian : Japanese : Folk Art : Pre 1920 item #737152 (stock #10486)
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Carpenter’s tool to draw straight lines. The shape of the piece is a wheel floating on a wave. On the edge of the ink drenched cotton wool compartment sits a minogame. Middle brown wood. Japan, early 20th century.
Length 9 ¾ inches (ca. 25 cm)
Needle missing, handle missing. Wheel is a lovingly copied replacement. Body with fine detail and very nice patina.
All Items : Antiques : Regional Art : Asian : Japanese : Folk Art : Pre 1900 item #733368 (stock #10483)
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Crosspiece for a kettle hook in the shape of a closed fan. Very elegant piece with simple engraved details. Keyaki (zelkova) wood with bronze hardware. Japan, 19th century.
Length 13 7/8 in. (35.4 cm), depth at widest point 3 1/8 in. (7.8 cm), height 2 7/8 in. (7.3 cm).
One side exposed to sunlight, some dent and chips, but otherwise excellent condition.
All Items : Vintage Arts : Regional Art : Asian : Japanese : Porcelain : Pre 1940 item #727644 (stock #10481)
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Beaker shaped cup decorated in underglaze blue and in iron red, green, aubergine and gold with three men standing with the arms wide open and three rabbits crouching next to bamboo stalks. Lower rim decorated with flower petals in underglaze blue, rim on the inside decorated with underglaze blue geometric border. Japan, Arita, early 20th century.
Height 2 ¾ in. (7 cm); diameter 3 ¼ in. (8.3 cm)
Perfect condition.
All Items : Vintage Arts : Regional Art : Asian : Japanese : Porcelain : Pre 1950 item #725123 (stock #10480)
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Two porcelain saucers with scalloped rims decorated in ao-Kutani style with blue, yellow, aubergine, green, black and iron red enamel. One decorated with a bird perched on a bamboo stalk, surrounded by peonies and other plants. The outside rim decorated with lotus petals in iron red. The other decorated with a butterfly above a vase with bamboo and peony. The rim decorated with a flower border. The outsides of both decorated with pine needles in iron red. The bottoms marked with the fuku-mark in black on green enamel. Japan, 20th century, perhaps earlier.
Diameter: 3.75 in. (9.5 cm) each.
Glaze flaw at outer rim of one (bird). Otherwise excellent condition.

The enamels have a halo around them.

All Items : Antiques : Regional Art : Asian : Japanese : Paintings : Pre 1837 VR item #705472 (stock #10475)
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Hanging scroll with three goblins running away from the rising sun. One of the goblins holds a long pole with a red flag. Scene from the hyakki yako (Night parade of the one hundred demons). Signed: Kaishinsai hogen hitsu. Seal: Yoshin. Japan, 1819-1834.
Painted area: 13 3/8 x 21 7/8 in. (34 x 55.5 cm). Total height: 53 3/8 in. (135.5 cm).
With plain wooden box, no inscriptions.
Unimportant thin stain in lower left corner, otherwise fine condition. Box with fair amount of insect damage.

Kano Seisen’in Yoshin (or Yasunobu) (ca. 1799-1846). Son and pupil of Kano Isen’in, painter-in-residence to the Edo castle. Made many copies of older paintings. In 1819 he became hogen, in 1834 he became hoin.

All Items : Antiques : Regional Art : Asian : Japanese : Devotional Objects : Pre 1900 item #702855 (stock #10473)
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A pair of exquisitely carved wooden stands in three parts, used for offering food or other things on a Buddhist altar. The hexagonal stems have each six inset wooden panels with finely carved fretwork in the shape of birds between flowers, colored with gold and bright colors. Each of the panels show different birds and different flowers. Over the stem there is a hexagonal middle section, inserted with each six finely carved pieces of fretwork in the shape of different flowering plants. A hexagonal offering stand crowns the whole, surrounded by lotus shaped fretwork. Each petal decorated with either a chrysanthemum or a paulonia flower (one kiku-mon between five kiri-mon and one kiri-mon between five kiku-mon), symbols of the imperial household. The framework of the stands covered in black lacquer, decorated in gold and silver with chrysanthemums between karakusa. Both stands are completely different from each other. Japan, Meiji period.
Overall height 9 in. (22.8 cm); width at widest point 5.5 in. (13.3 cm).
Four pieces of fretwork broken, three of which are glued and repainted. Some cracks in the lacquered frame along the seams of the wood, some of the gold and silver lacquer rubbed and chipped. The color on the fretwork dried out and crumbling. Damages due to age and use. All in all in rather good condition.
All Items : Traditional Collectibles : Books : References : Antiques : Pre 2000 item #681368 (stock #B 092)
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Andon magazine, Vol. 11/2, no. 42. October 1992.
36 pp., 24.5 x 17.5 cm. Paper. English text. Numerous b/w illustrations.

Pulverer, Gerhard, Japanese woodblock prints and impressionism, pp. 31-42;
Groenewegen, Peter, Photography of prints and small objects, pp. 43-49;
Morse, Peter, Additional Drawings in Hokusai’s ‘Hundred Poets’ series, pp. 50-52;
Lane, Richard, Teenage mutant ninja: the book, p. 53;
Kress, Else, Travelling shrine in shape of an inro, p. 54/Front cover;
John Stevenson, Book reviews: Undercurrents in the Floating World, pp. 55-56.
Perfect condition.

In his very interesting article on Japanese woodblock prints and impressionism, Gerhard Pulverer cites examples from the Hokusai Manga over Edouard Manet and Whistler to Hiroshige, to Gustav Klimt, and to Aubrey Beardsley.

Item location: Europe.

All Items : Traditional Collectibles : Books : References : Antiques : Pre 1990 item #681357 (stock #B 091)
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Kakudo, Yoshiko, Later Japanese Lacquers, Asian Art Museum of San Francisco. Exhibition, July 18 – November 15, 1987. With a Foreword by Rand Castile, Director.
14 pp., 23 x 15.5 cm. Paper. English text. 17 colour illustrations.
Almost perfect condition.

The brochure was produced in connection with an exhibition of Edo period (1615-1868) lacquer objects owned by the museum. Shown are writing boxes (suzuribako), a tray decorated with Daikoku’s hammer by Zeshin, a set of 12 incense containers of globular shape, each decorated and signed by another Taisho-period (1912-25) lacquer master, a sho flute, and a picnic-set.
Essay by Kakudo Yoshiko, entitled ‘Later Japanese Lacquers’, sub-titles ‘Surface Decoration’, ‘Writing Implements’, ‘Objects for Incense and Tea’, ‘Objects for Dressing’, etc., pp. 2-11.
Detailed list of the objects shown in the exhibition, measurements, inv.-no., etc., and Suggested Further Reading, pp. 12-14.

Item location: Europe.

All Items : Traditional Collectibles : Books : References : Antiques : Pre 2000 item #679188 (stock #B 088)
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Kanazawa Bijutsukan, Kaga yukari no makie-ten (Kaga Lacquer Art Exhibition), Kanazawa bijutsu seinenkai yonju-shu kinen (Exhibition in Honour of the 40th Anniversary of the Opening of the Kanazawa Art Museum). Japanese Exhibition Catalogue, 1995. Exhibition at the Kanazawa Museum of Art, Japan
104 pp., 30 x 21.5 cm. Hardboard. Japanese language only. 62 colour plates.
Outside cover very slightly soiled, otherwise perfect condition.

The 62 colour plates present excellent and detailed photographs of writing boxes (suzuri-bako), saddles, furniture, and other objects, produced during the past centuries by the best lacquer masters in the Kaga area. Among them are members of the Igarashi family, and their followers.
In an essay by Motoya Fumio (pp.11 - 18) of the Ishikawa prefecture Museum of Arts, style and technique of lacquer objects made by Igarashi Dôho and his followers are compared to Edo (Tokyo)-style lacquer objects. The Kaga province, at the Japan Sea coast, is famous for its high-quality lacquers.

Total 49 illustrations of lacquer objects by Igarashi masters, or also executed in Igarashi-style, are shown on pp. 19 – 50. This is followed by 18 illustrations of lacquer objects made by Shimizu Kuhei (1686 - ?) and his circle (pp. 52 – 61). Lacquered armour, writing boxes, and other Kaga lacquer objects are shown on pp. 62 – 70.
Pages 72 – 84 focus on works by less known Kaga lacquer masters active in the Meiji period and the 20th century. Shown are 26 illustrations of objects by such masters as Igarashi Zuiho (1852-1903), Yoneda Magoroku (? – 1874?), Sawada Sotaku (1830-1915), Shinoda Getsukyo (1883-1931), Ogaki Shokun (1865-1937), Awada Beizan (1881-1943), Fugaki Seiho (1884-1954), and others.
On pp. 85 – 88 are presented 32 enlarged examples of the various techniques seen on objects by Igarashi, and other lacquer masters. Explanations and commentaries concerning the objects shown are given on pp. 89 – 99.
List of plates with measurements and relevant information on pp. 100 – 101. A list of the association’s chairmen during the past 40 years, and photograph of the 12 present members of the board are found on pp. 102 – 103.

Item locations: Europe.

All Items : Traditional Collectibles : Books : References : Antiques : Pre 1990 item #679164 (stock #B 090)
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Dees, Jan, van der Star, Renee, Uzawa Shogetsu, Collections Baur, Special Issue no. 42. Collections Baur, Geneva, Switzerland, 1986.
20 pp., 24 x 17 cm. Paper. French text. 9 b/w plates.
Perfect condition.

Designs produced by the Japanese lacquer Master Uzawa Shogetsu seem to grow out of smooth surfaces of the perfectly finished lacquer boxes and other items he produced. Shogetsu’s (probably 1877 - ?) specialty were subtly shaded lacquer (maki-e) decorations, painted in meticulous details.
With 26 items, the majority of works of this little known master is found today in the Collections Baur. Some of the objects were especially made to order for the collector Alfred Baur (1866 - 1951), who bought as many of Shogetsu’s objects as were available. As a consequence of Baur’s passion for this artist’s work, Shogetsu is comparatively unknown in Japan today.
Various Tables, Glossary, and Notes.

Item location: Europe.

All Items : Traditional Collectibles : Books : References : Antiques : Pre 2000 item #679155 (stock #B 089)
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Ducros Alain, Briot Alain, Paris Edo, netsuke & sagemono – convention 1994, Catalogue, 1994.
160 pp., 29 x 21 cm. Paper. French / English text Alain Ducros. Japanese summary and list of netsuke, 7 pages, Alain Briot. Numerous colour plates.
Outside cover slightly worn, otherwise perfect condition.

The catalogue is filled with illustrations of approximately 200 netsuke, 50 inro, various pipe cases, tobacco pouches, kiseruzutsu pipe holders, and other items worn hanging from the belt. Also provided are reproductions of pages from design bases, such as the Soken Kisho (1781), and other woodblock-printed books. Enlarged details and signatures are shown separately.
With a preface (French language only) by Guy de Lasteyrie, and introduction by Alain Ducros.

Item location: Europe.

All Items : Traditional Collectibles : Books : Pre 1990 item #678461 (stock #B 087)
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Lee King Tsi, Hu Shih Chang, Dragon and Phoenix, Chinese Lacquerware, The Lee Family Collection, Tokyo. Drache und Phoenix, Lackarbeiten aus China, Sammlung der Familie Lee, Tokyo. Exhibition Catalogue, 1990. Exhibition in the Museum of East Asian Art, City of Cologne, Germany, 24 march – 24 June 1990.
230 pp., 28 x 22 cm. Hardboard. English / German language. 16 colour plates, 154 b/w illustrations.
Outside cover very slightly rubbed, otherwise perfect condition.

The 99 lacquer objects, selected by Mr. Lee for this exhibition, are shown and discussed in the bilingual catalogue. The Lee Collection is famous for its quality and choice of materials. The entire text, including the description of each object, written in English by Mr. Lee himself, were translated into German by Heinz and Else Kress.
With an introduction and acknowledgments by Lee King Tsi, Hu Shih Chang (pp. 7 – 13). Preface by Roger Goepper, director of the exhibiting museum. Notes and bibliography to the introduction, pp. 14 -15.
Table of Chinese dynasties and periods, p. 16. Colour plates, pp. 17 – 32.
Black and white illustrations and descriptions, pp. 33 – 225.
Glossary of Chinese names and texts, pp. 226 – 227.
Selected Bibliography, pp. 228 –229.

Item location: Europe.

All Items : Traditional Collectibles : Books : References : Antiques : Pre 1990 item #678454 (stock #B 086)
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Ledderose, Lothar (ed.), lm Schatten hoher Baeume. Malerei der Ming- und Qing Dynastien aus der Volksrepublik China - (Literati Paintings of the Ming- and Qing Dynasties (1368-1911) from the collections of the Museum of the Province Liaoning, Shenyang, China. Exhibition Catalogue, 1985, in 3 German museums: Staatliche Kunsthalle Baden-Baden, Museum fuer Ostasiatische Kunst, Koeln, Museum fuer Kunst und Gewerbe, Hamburg, 13 Jan. – 4 Aug. Baden-Baden, Germany, 1985.
250 pp., 27.5 x 23 cm. Paper. German language. 23 colour plates, 152 b/w illustrations.
Perfect condition.

Almost all the 80 paintings illustrated and discussed in this catalogue, entitled ‘Im Schatten hoher Baeume’ (In the shadow of old trees), are shown here for the first time outside China. Many of them have never been published before. They all are from the collection of the Museum Province Liaoning, Shenyang, which is internationally known for the quantity as well as the high artistic level of its collection.
Although the exhibition focuses on Literati paintings, from the 15th century onwards, examples of various styles and subject groups were selected. The exhibition was planned in cooperation of Chinese and German experts, among them Prof. Lothar Ledderose, Art-Historical Institute, University of Heidelberg, Nora von Achenbach, Herbert Butz, Gerald Holzwarth, Burglind Jungmann, and others.
Introduction by Roger Goepper, Axel von Saldern, Katharina Schmidt, for the exhibiting museums, and Lothar Ledderose for the exhibition.
Table of contents, p. 9. An essay by Lothar Ledderose, Die Malerei der Literaten (On Literati Paintings), pp. 10 – 21. Historical map of China, era names of the Ming and Qing dynasties, pp. 22 – 23.
Colour plates, pp. 25 – 48. List of painters, with reference to the catalogue numbers, p. 49. Exhibition objects, pp. 50 – 239.
Index of Chinese names and descriptions, pp. 240 – 245. Bibliography, pp. 246 – 248.

Item location: Europe.

Four copies available.

All Items : Traditional Collectibles : Books : References : Antiques : Pre 1990 item #678370 (stock #B 085)
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Muneshige Narazaki, Hokusai, Masterworks of Ukiyo-e, The 36 Views of Mt Fuji, Kodansha International Ltd. Tokyo, New York, S.F. 1982.
96 pp., 26 x 19 cm. Paper. English text. 57 colour plates.
Perfect condition, one ex libris ‘Rolf M. Degener’.

Well-known, but always fresh and astonishing are the ways Mt. Fuji is presented by Hokusai. Whether dominating the entire print or being just visible at the horizon above human activities, depicted in cool, clean colours and dramatic angles – this series must be considered as a masterpiece. On a map of Japan the locations of the views of Mt. Fuji is superimposed with the plate numbers in this book. On a Map of Edo from 1805 are printed the plate numbers of the remaining views. This is an eminently readable and enjoyable book.

Item location: Europe

All Items : Traditional Collectibles : Books : References : Antiques : Pre 1970 item #678240 (stock #B 084)
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Speiser, Werner, Lackkunst in Ostasien Herausgegeben im Auftrage der Herbol-Werke–Herbig-Haarhaus AG, Koeln.
Holle Verlag, Baden-Baden, Germany, 1965, 375 pp., 25.5 x 21 cm. Cloth. German language. 37 colour plates, 256 b/w illustrations.
Dust cover faded and slightly worn at spine, slight foxing at page edges, otherwise perfect condition.

Lackkunst in Ostasien (East-Asian Lacquer Art) is one of the first overviews written in German language on the subject of lacquer. The book begins chronologically with illustrations of more than 2000 years old Chinese lacquer objects, continuing to Chinese, Japanese, and Korean lacquer boxes and screens of later epochs. Samples are shown of all kinds of techniques and styles, including lacquer paintings by Shibata Zeshin. The majority of objects shown here were owned by two rivalling industrial-lacquer producing companies: the Herberts and the Herbig-Haarhaus companies, in Wuppertal and Cologne, Germany. Owner and director of both companies were interested in lacquer art and began in 1937 to exhibit family treasures. Later they systematically bought lacquer objects at auctions and exhibitions. During the 2nd World War a large part of the Herberts collection, especially lacquered furniture, was destroyed. However, smaller items of Chinese and Japanese lacquer art, being easier to transport, and perhaps more precious, were stored in rural places and survived. Beatrix von Rague was responsible for the collection of one company during the years 1952-1959. Edith Straesser was responsible for the other company-owned lacquer museum from 1967 until 1987.
In 1982 the lacquer collections of Dr. Kurt Herberts were acquired by the BASF Lacke + Farben AG, who now exhibit them in their Museum of Lacquer Art in Muenster, Germany.
Appendix: Zeittafel (Table of Chinese dynasties, reigns of Japanese emperors, Korean eras, from 1600 B.C. to 1925 A.D.), pp. 356-359. Bibliography, pp. 360-364. Index, pp. 365-374, Museums and collections presented, p. 375. Table of contents, p. 376.

Rare early reference. Item location: Europe.

All Items : Traditional Collectibles : Books : References : Antiques : Contemporary item #678062 (stock #B 081)
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Sumitani Koichiro, Lacquer of Sanuki – the roots of the craft empire, Kawade Shobo Shinsha, 2005.
395 pp., 26 x 18.5 cm. Paper. Japanese text, English captions. 200 ills., 156 colour plates.
Perfect condition.

A lavishly illustrated overview of a variety of Japanese lacquer objects produced on the island of Shikoku, Kagawa prefecture. Colour illustrations present brilliantly carved lacquer objects decorated in the striking black and red sanuki technique, other objects and screens are decorated in the kinma technique, imported from Burma (today Myanmar) in the 17th century. Shown are also colourful incised zonsei lacquers. Many reading helps (furigana) for names, techniques, etc., found throughout the text.
Pages 16 – 84 focus on Tamakaji Zôkoku (1807 - 69), a brilliant master of carved lacquer, kinma-lacquers, and colourful zonsei-nuri. This is followed by examples of work and short biographies of various Kagawa Lacquer masters of the 20th century (see list below).
Pages 32-35 and 148- 157 deal with the well known Yamanaka lacquer shop in Osaka, the base of Yamanaka & Co., in New York (founded 1894), and its Boston branch (1899).

Illustrations of works by such craftsmen as (in alphabetical order): Akashi Bokkei, works dated from 1947 to1990, Bunkidô Kokusai, brother of Tamakaji Zôkoku, Bunkidô Ransai (kinma, zonsai), Gotô Tahei, 1913, Ishii Keidô (Sakamoto Sessai), 1926 – 1933, Isoi Joshin, kinma, carved lacquer,1922, 1933, 1946, 1959, Isoi Masami, 1964, 1974, 1988, 1994, Kagawa Sôseki, 1946, 1955, Kamada Kadô, 1941 - 1945, Kitahara Senroku, 1927, 1934, Kubota Tsune, 1982, Manago Jitsuya, 1967, Mori Zôdô, 1931, Takahashi Kanzan, 1920, Takagi Yoshitsugu, 1922, Sasa Chikusen, 1951, Tamakaji Zôkoku, works dated from 1839 to 1854, Tamakaji Tôsha, works dated from 1881 to 1895, Tanizawa Fujimatsu, 1933 – 1941, Ônishi Tadao, 1955 – 1963, Ôshima Tadashi, 1957, Ôta Hitoshi, 1983 – 1998, Otomaru Kôdô, 1924, 1929, 1934, 1975.

Bibliography, focusing on Tamakaji Zôkoku and his workshop. Citations from magazines (Shikkokai zasshi, etc.), readings of inscriptions on works and storage boxes, transciptions of notes by Tamakaji Zôkoku, pp. 326-355. (Zôkoku) Setsudô, pp. 355-359, Hyakku-kaen, Miki Hachigorô, pp. 360-361, Mori Zôdô, pp. 361-362, Kagawa-ken kôgei gakku (Kagawa pref. Handicraft school), Kagawa-ken bijutsu tenrankai (Kagawa pref. Fine Arts Exh. Assoc.), pp. 362-363, Isoi Joshin, pp. 363-365, Otomaru Kôdô, pp. 365-368, Akashi Bokkei, pp. 368-369, Ônishi Tadao, pp. 369-370, Kagawa Sôseki, p. 370, Isoi Masami, p. 370, Ôta Hitoshi, pp. 370-371, Tamakaji Zôkoku, abbreviated genealogies, pp. 371-372, Tamakaji Zôkoku, genealogy, p. 371. Conclusion, pp. 375-379.
Bilingual list of plates with measurements and relevant information, pp. 382-290. Index, in Japanese with furigana.

Item location: Europe. This is a low priced book