Small but exquisite scroll paintings in colors and gold on silk. The background in the upper halves in gold. Aizen Myoo sits on his typical lotus throne carried by a vase full of jewels, surrounded by a circular, red, flaming nimbus. Around the jewel filled vase scattered sacred treasures. Daiitoku Myoo is riding a long horned buffalo who jumps over waves. Colors and gold on silk. Rich brocade mounting with the chrysanthemum and the paulownia crests. Japan, Edo period, 18th century.
Painted silk: 9 ½ x 16 7/8 in. (42.7 x 23.6 cm).
Restored tear in the upper half of the Daiitoku-painting, otherwise good conditions.
Wooden storage box.
Mizusashi in the shape of a Chinese boy, holding Hotei’s large bag. Over brownish beige very fine stoneware a layer of mottled brown glaze, over which a blue-green finely crackled flambé dripping glaze. The inside with brown mottled glaze, the bottom left free. In the bottom the impressed mark in an oval cartouche of Kato Shuntai. Japan, 19th century.
Height: 3 ¼ in.; diameter: 6 in. (8.3; 15.2 cm)
Box, inside of cover inscribed with authentication of piece as a mizusashi in the shape of a karako in ao-Oribe, made by Kato Shuntai from Seto. Authentication signed by Matsumori An.....
Kato Shuntai (1802-1877) worked in many ceramic styles. The splashes of flambé crackled glaze are very typical for his works (Shuntai-yaki). His works and the works of his ancestors can be found in museums around Japan and the US.
Gourd shaped ewer or water dropper. Cream colored stoneware with finely crackled clear glaze, on which a decoration of blossoms and lucky symbols along a meandering stream between mountains in red, green, blue, yellow, aubergine enamels and gold. Kyo yaki, or Kyoto Satsuma. Japan, 19th century. The stopper is missing.
Height 4 7/8 inches (12.3 cm).
Spout broken and restored with silver band, few abrasions in enamels, otherwise very good condition.
Reddish brown shrine with three very fine sculptures: Benzaiten in the middle, to her right Daikoku, and Bishamon to her left. Benten is seated on a lotus, depicted in her 8-armed appearance, holding a jewel, her other attributes are lost. On her head a crown with jewels and the snake-shaped Ugajin. Bishamonten stands on a demon and holds a pagoda, his staff now lost. Daikoku stands on two rice bales and holds a hammer and a bag. All of them on separate rock shaped bases. Excellent carving with extremely fine painting. Japan, 18th century.
Height: 9.5 inches; width: 8.75 inches (24 x 22.2 cm).
On the back two old paper labels. One is the address label of B.H. Collins , Coins and Curios in Washington, DC. The other label is a catalogue description of this piece (with correction).
Inside: most attributes lost, otherwise very good condition. Box with finely engraved hardware: few traces of usage, mostly very good condition.
Eijer, Dieuwke, Kagamibuta, Mirrors of Japanese Life and Legend, The Baur Collection / Heinz Kaempfer Fund (Geneva / Leiden), 1994. 95 pages, numerous b/w and color illustrations. Extensive description of the history, materials, techniques of kagamibuta, its subject matter and kagamibuta makers, richly illustrated with excellent photos of pieces from the Baur Collection and from private collections. The appendix contains a list of kagamibuta makers with their signatures and biographic information.
New, in original shrink wrap.
Set of three identical keman, made of gilt bronze. Decorative hangings from a Buddhist temple, possible from a Shinto shrine. Fan-shaped with a design of two pairs of family crests set between karakusa (winding weeds). The knotted cord around the family crest in the center in gilt bronze repoussé. The openwork design is very carefully executed, the details engraved, backgrounds decorated in nanako. From the lower half of each of the frames three solid brass balls are suspended (originally five balls each), in imitation of bells. The chrysanthemum crests could point to the imperial family, the second set of crests show the chrysanthemum with a double plum blossom in the center. Although not identified, it indicates that the family was in a closer relation with the imperial family. The keman were probably hanging in their family temple. Japan, Edo period, 19th century.
Height 10 ¾ in. (27.8 cm); width 14 in. (35.6 cm). Height incl. ring and balls 15 in. (38.1 cm)
Some of the eyelets from which the balls were dangling broken and two balls per keman missing (one ball separately), gilding rubbed (on the reverse the gilding is better preserved than on the front), otherwise excellent condition.
Finely carved wooden figure of the bodhisattva Monju, sitting on a lotus throne on the back of a lion. Behind him a finely carve mandorla in ajour. The lion is standing with each foot on a lotus base, mounted on a base plate, his long tail stretched out, almost straight. The figure decorated in green, red and gold lacquer. Japan, Meiji era.
Height to tip of mandorla: 14 in. (35.5 cm); length: 8 ¼ in. (21 cm) ; width: 4 7/8 in. (12.2 cm).
Some lacquer chips at the feet of the base, some tiny, old chips at the mane and at the clothes, unimportant repair at stick of mandorla. All in all very good condition.
Bowl of conical shape. Cream colored stoneware, turning red where glaze did not stick. Cream colored glaze with patches of greenish gray, where the glaze is a little thicker. In these spots the glaze shows a fine crackle. Inside incised with a single circle. Six spur marks. China, Song dynasty.
Height 2 1/8 in. (5.7 cm), diameter 7 in. (17.6 cm).
Two repaired chips, some surface scratches and frittings in the glaze. Basically very good and stable condition.
Wooden figure of a lion, companion to Monju bosatsu, with a lotus base on his back. The lion stands on high and slightly stiff legs, all feet positioned on a small lotus base. On his back the Bodhisattva Monju was seated, today missing. Carving made of several blocks of wood, a technique that is called yosegi saiku and that was widely used for complex sculptures like these. Tail is loose, lotus base is in two segments, loosely joined onto the back with a wooden peg. The rather folky character of it makes it an extremely charming piece. Japan, Muromachi period, 15/16th century.
Height 17 ½ in., length 21 in., depth 6 ½ in. (44.5 x 53 x 17 cm).
Some edges of the different blocks chipped, chip to lotus base, chips to the tips of mane on head and to hair tufts at legs. Basically very good and stable condition.
Set of ten small white porcelain condiment bowls (cups) for kaiseki-style dinner. Each miniature bowl individually shaped with slightly compressed sides and a small spout. With overall white glaze and brown rim, each painted with flowering plants and vegetables in underglaze blue, brown, and black, and with gold lacquer details. Each bowl with seal imprint TÔZAN at the bottom. Japan, 18th/19th century.
Circular base 1 inch diameter (2.5 cm), 1 ½ in. high (4 cm), 2 1/8 x 2 3/8 in. at the rim (5.3 x 6 cm).
In fitted wooden box (tomobako), 6.5 (H) x 15 (W) x 36.5 (L) cm.
Inscribed, sealed and signed on the lid (TÔZAN tsukuru = made by) with red seal imprint. Each wrapping cloth stamped with 4 x 2.8 cm red seal imprint TÔZAN.
Items located in Europe.
Set of five black lacquer, circular dishes. Each dish decorated with a plant of the season: flowering plum beside waves, young ferns and grasses, flowering Malvern plant, red maple trees at a hill, and bamboo beside the full moon. All on glossy black lacquer ground, the decoration in shades of gold, silver, red and brown sprinkled lacquer (hiramakie), and with gold powders. Decorations in the style of Ogata Korin. Made for Heiando by Wanyo. Japan, ca. 1985.
Diameter: 6 ½ inches (16.5 cm).
In fitted wooden box, 7 ½ x 7 ½ x 4 inches (19 x 19 x 10.2 cm), inscribed on the lid KÔRIN-sai-gahen-maki-e, ichimonji meimei-sara (Dishes individually decorated in KÔRIN style).
Signed and sealed inside the lid HEIANDÔ & seal Heiandô, and Wanyo (?) & seal Wanyo.
Items located in Europe.
Set of two tokkuri of bulbous shape, one with slightly everting rim. Light brown stoneware, all sides covered with almost transparent glaze with milky streaks. Unglazed clay under finger- and thumb-marks from dipping into glaze. Both with square seal imprint (unread). Attributed to Matsumoto Hiroyuki. Japan, ca. 1985.
Bottle A: h 4 1/8 in, diameter 2 7/8 in. (10.5 and 7.3 cm); bottle B: h 4 3/8 in. diameter 3 1/8 in. (11 and 7.8 cm).
Items located in Europe.
Small box, probably for incense. Square format with rounded corners, flat cover with rounded edges. On the cover against a black lacquer background with some clouds of gold sprinkle, sits a bird on a flowering plum tree. The trunk of the tree and the clouds extend onto the lower part of the box. The plum blossoms in a vibrant red with details in gold. Inside and bottom of box in dense silver togidashi. Japan, late Edo period, 18/19th century.
L 3 5/8”, w 2 5/8”, h 1 1/16” (9.2 x 6.8 x 2.5 cm).
Former paper labels on inside and bottom of lower compartment. Few minor traces of usage, as to be expected.
Inventory numbers in red lacquer: 84.113-A and –B. Ex coll. Toledo Museum of Art.
Expressive mask of Hannya, the demon-woman, with wide open mouth and tongue coming out between the fangs. Wood, lacquered in black and strong red. The eyeballs in gold. Paper label on back. Four holes for string, as is usual for this type. Japan, 19th century.
Height approx. 11 in. (28 cm), width 6 ¼ in. (16 cm), depth 6 in. (15 cm).
Lower jaw restored.
Storage jar of hexagonal shape with a dripping tea dust glaze over a fine dark brown clay. In the side the name of Asakura Sansho (or Yamaki) has been stamped, partly covered under the glaze. Bottom impressed with a leaf, which burnt during firing. Japan, late Edo, early Meiji period.
Measurements approximately: height 8 ½ in. (21.5 cm), diameter at widest point 10 in. (25.5 cm), diameter at bottom 6 ½ in. (16.7 cm).
The name of Asakura Sansho is also connected with Tanba ware. A hexagonal jar from an earlier period, signed with the same name, in typical Tanba clay and glaze was found as well. This family may have worked in a variety of styles.
Ex collection CC Wang.
Stone stupa, or gorinto, made of four pieces, stacked loosely on top of each other. Momoyama period, 16th century.
Height approx. 24 in. (60 cm).
Tip of top part with chip, otherwise very good condition.
Rare pair of shrine guardians in the shape of foxes, both sitting on a two tiered elevation. The right one holds a moving jewel in its mouth, the left one a stick. Middle brown, dense wood with a beautiful patina where hands touched the backs and heads of the foxes and the bases. Red staining on inside of ears, inside the mouths, in nostrils. Crystal eyes. Bases made of the same wood. Bases inscribed: Hono, Osaka, shinshachu (in faith of mankind); Hokkinin (sponsors), Osaka, Minami Horie, jogo: one base with the name Umezaki Jisaburo, the other with the name Shimezaka Jihei. The bottoms of the bases signed in black ink: Sowajima … minami … Shitakawa Yasujiro chokoku (carved by Shitakawa Yasujiro). Japan, Meiji period.
Height with base: ca. 27 in. (ca. 70 cm), height base: ca. 9 ¾ in. (ca. 25 cm).
Fox with jewel: short crack at right hindpaw, cracks in the body that show less or worse, depending on temperature/humidity, few abrasion and chips at feet. Fox with stick: cracks in the body that show less or worse, depending on temperature/humidity, few abrasion and chips at feet, stick of later date. All in all very good condition.
Minami Horie is a district in Osaka, west of the quarter of Minami, where the bunraku, kabuki and no theaters are. The pieces must have been standing in front of a Shinto shrine that no longer exists today.
Very unusual tall vase with short neck and everted rim, decorated with a drinking scene. A green eyed cat, dressed in a striped kimono holds out a giant sake cup and is being served by a white mouse in female attire. He is attended by two more mice in female dress, who take care of the food on a small table. Decoration in enamel and gold on a finely crackled celadon glaze. The background sprinkled with gold flakes. The shoulder and the high foot are decorated in stylized flower designs. The everted rim decorated with cherry blossoms. Unknown kiln/region. Japan, late Meiji or Taisho period.
Height 11 inches (28 cm).
Restoration at rim, hole drilled in bottom (formerly mounted as lamp). Otherwise excellent condition.