Catalog (85)

Sake Shop, undated, purchased from a Kyoto gallery in 1978

Signed and titled in pencil on lower margin, very good color and condition

Paper size: 10 x 13 in.; image size: 7 ¾ x 10 ½ in.

Kyoto Storefront, undated, purchased from a Kyoto gallery in 1978

Signed and titled in pencil on lower margin, very good color and condition

Paper size: 10 x 13 in.; image size: 7 ¾ x 10 ½ in.

Farm scene, issued ca. 1960s

Printed from a single block on thick paper. The block is inked in different colors with shading effects to imitate a stencil print.

Overall size: 9 x 12 in.

Village scene, possibly Nara, issued ca. 1950s, non-limited edition.

Pencil signed in the image beneath red artist’s seal, very good impression and color, untrimmed, full margins, light toning in margins, white tape residue on back of margins, printer’s seal on back of margin.

Overall size: 11 ½ x 17 in., image size: 10 ½ x 15 1/8 in.

Leaf from sketchbook depicting a thatched hut with tree on verso, dated 1940

Dated Jan. 7, 1940 (Showa 15) on lower right, good condition, slight browning on edges

Overall size: 8 ¾ x 11 ¾ in.

A study of fruits and vegetables, dated 1944

A leaf from a sketchbook dated Showa 15 (1944), unsigned, minor wear, toning on back

Overall size: 11 ½ x 16 ¼ in.

A “modern” print collage design depicting fragments of ancient temple roof tiles; a stylized Shinto shrine compound all overlaying a background scene of samurai warriors, issued ca. 1930s

Excellent impression and color including bronze powder printing—clouds and warrior highlights, very slight creasing to upper corners, not backed.

Overall size: 11 3/8 x 14 in.

Album leaf with sleeve illustration for kimono, produced ca. 1930

Very good impression and color, thick paper, very minor soiling on margins, remains of backing tape

Overall size: 10 x 14 in.

Scene from a Noh play, published 1922-1926

Signed Kogyo on lower left, fan-shaped publisher’s seal, fine impression and color, visible woodgrain, lacquer printing on lower stage platform, light mica dust on edge of mountains, very slight wrinkles to lower corners, overall good condition

Oban tate-e: 10 x 14 ¾ in.

Portrait of a Noh actor from the series “100 Noh Plays” published 1922-1926

Fan-shaped publisher’s seal on lower left, no signature, fine impression and color, visible woodgrain, very slight diagonal crease from top center to lower right edge, good condition

Oban tate-e: 10 x 14 ¾ in.

Scene from a Noh play from the series “100 Noh Plays” published 1922-1926

Signed Kogyo with publisher’s seal on lower left, very good impression and color, very light soiling on upper edge, minor wear

Oban tate-e: 10 x 14 ¾ in.

Scene from a Noh play from the series “100 Noh Plays” published 1922-1926

Signed Kogyo with artists’s seal on L.L., very good impression and color, two light marks on lower left, light ripple in upper right corner, large red collector’s seal on verso

Oban tate-e: 10 x 14 ¾ in.

Woodcutter pausing for a drink of sake, issued ca. early 1900s

Hirafuku Hyakusui was a noted painter and illustrator in Nihon-ga style, and was a professor at Tokyo School of Fine Arts and a member of Imperial Fine Arts Academy.

Publisher’s information on lower left with the number 21, good condition

Shikishiban: 9 ¼ x 9 ¼ in.

Illustration of ceremonial flower arrangements, issued early 1900s

Very good printing and color, very heavy paper with remnants of thin backing, very minor soiling overall

Overall size: 9 ½ x 14 ¼ in.

Sen Sha Fuda—Pilgrim’s temple charm placard, issued early 1900s

Five individual “fuda” pasted side by side on a backing

Very good impression, good condition

Overall size: 6 ¼ x 10 in.

Sen Sha Fuda—Pilgrim’s temple charm placard, issued early 1900s

Very good impression and color, light staining in margins, light staining on verso

Overall size: 6 ½ x 8 ½ in.

Sen Sha Fuda—Pilgrim’s temple charm placard, issued early 1900s

Produced by the Tokyo Nai Fuda Club, Very good impression and color, good condition, light center crease, light glue residue on verso

Overall size: 6 ¾ x 8 ¼ in.

Early 1900s

This is a design for a kimono textile that has skillfully incorporated the stylized woven fabric texture as part of the design as seen in the central field of flowering iris plants. The upper field appears to be a design of snowflakes, and the lower of an abstract water pattern. This was probably a leaf from an album of kimono designs. The print is of very good color, impression and condition on very thick paper, with some odd nicks and small tears on the edges, but not affecting the printed area.

Oban tate-e: 10 3/4 in. x 14 ¾ in., Image size: 7 1/8 in. x 8 ½ in.