Work 73-56 L (fish). This is the second of Makiís three huge prints that I have owned. This is Work 73-56 L (fish). Several aspects of this image are intriguing. My archive of Maki prints reveals that Maki produced over 100 different images in 1973. I have been able to account for many of them: 1 to 50 and 99 to 110. I had never known what went in the middle. Now I know at least one was work 73-56, the third huge print that Maki did. It is 3 x 6 feet. All the othersó73-57 to 73-98óremain to be ...click for details
I call this set of images The Zodiac but Maki formally called this Animal Song + the animal name in kanji. The actual prints here are Animal Song. Red Lantern Gallery in Kyoto distributed them. 1968.
In 1968 Haku Maki was commissioned by Red Lantern Gallery in Kyoto to produce the 12 animals of he Zodiac in a series entitled Animal Song. My research note 3 described this set briefly. This is an enhanced version. Maki did only 50 copies of each print; that was a normal run for Maki in that ...click for details
Late in life he. circa 1999, Japanese master printmaker, Haku Maki, did this shikishiban print It is called Z1 - 12 (WAZA); 7.25'' x 8.25''; Shikishiban is a nearly square format. Shikishiban are often mounted on a thick, light cardboard. Japanese people like to give them as presents. The print is in the US and will be shipped fiom there.
In 1968 Haku Maki completed his Animal Song series. It was 12 different prints, one for each year of the Chinese/Japanese zodiac. Each print had the title Animal Song and the kanji for the animal, which was not translated. This print, Animal Song [dragon], 14/50, is a beautiful Maki red. The dragon of the image is a very traditional Chinese character for dragon. In this print Maki used the theme dragon for the first time. This dashing abstract kanji seems to almost swirl out of the paper.
Wh ...click for details
dramatic kanji sun and splash This small Maki print epitomizes the Maki style at its height; the kanji streaks across the print, now it is blue now it is black; there is a strong black sun and a sharp yellow plash and the Maki seal. Yet it is not crowded. The maki seal at the right is a roll, the Maki of his name.
Haku Maki was a well-known Japanese print maker of the second half of the 20th century
About 20 of his work was called Big Red and a few Big Blue or Big Green. This is one of the rare big blue prints. By my reckoning he did about three true Big Blues, this is one of the 3. Until this true image appeared I only knew of a catalogue image which we enhanced into a nice blue here in Beijing. This is the Real Deal. The strokes of the kanji are strong and vibrant Yet the image is cramped on th ...click for details
In the 1960s Haku Maki was beginning his career as a modern print maker. He used ersztz titles for different series of prints: Cell, Animal Song for the Zodiac, Proportion Work, Figure and Emanation Flower Song was another. Here we show Flower Song 6, which I have just acquired, and Flower Song 3 which I have owned for a long time The others are not noteworthy. 13 x 17
48 x 34 cm
Around 1960 Haku Maki probably did the Ox as a woodblock print. He was then a young artist in Tokyo. He may have done some OX images before Michener did his now well known book, but probably not many: 510 were used in the book The Modern Japanese Print". The prints of Japanese artists included in the book are large-ish, it is not embossed. The print is in excellent shape - it is still tipped onto the original archival backing that was in the book.
In 1999 toward the end of his life, M ...click for details
Haku Maki was undoubtedly Japanís most prolific print maker of the second half of the 20th century. Many of his works were serious works of kanji and also ceramics. These three are perhaps a bit frivolous. The are actually pretty: each one has seeming globs of color The blue one on the left has kanji in the blue stone; the central one has a wonderful black kanji for Mountain in the center, and the one on the right four globs, each of a different color. And one splash.