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Catalogue: Antiques: Regional Art: Asian: Japanese: Devotional Objects (98)

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Zushi, Kokuzo bosatsu, lotus pond, Japan, early 19th c.

Catalogue: Antiques: Regional Art: Asian: Japanese: Devotional Objects: Pre 1837 VR   item# 1123140 (stock# 10660)

Zushi, Kokuzo bosatsu, lotus pond, Japan, early 19th c.
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Circular hand shrine, or zushi, in two halves. On the inside, one half shows, carved, the bodhisattva Kokuzo with a sword in the right and a jewel in his left hand. He sits on a lotus base, placed on a rock. Details of the carving and the background painted in gold, black, iron red and malachite green. The other half shows a two-toned gold painted decoration of a lotus pond, a rock and a cloudy sky. The outside left plain. Comes with a custom made wooden stand. Japan, Edo period, early 19th century.
Japan, Edo period, early 19th century.
Diameter: ca. 1 ¾ inches (4.4 cm).
Scarf tip on the right side of figure missing, scarf on the left repaired, sword repaired (all original pieces), otherwise very good condition.



Zushi with Amida sanzon, Seishi, Kannon, Japan, 19th c.

Catalogue: Antiques: Regional Art: Asian: Japanese: Devotional Objects: Pre 1900   item# 1123123 (stock# 10659)

Zushi with Amida sanzon, Seishi, Kannon, Japan, 19th c.
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Hand shrine, or zushi, of the triptych type. Inside, in the middle section sits Amida Nyorai on a lotus base, flanked by Seishi and Kannon bosatsu. Inside the left panel, and inside the right panel tennin (apsara) flying over a lotus pond. Image of Western Paradise.
Sandal wood. The outside covered in a dark, translucent lacquer, sprinkled with clouds of nashiji and on the front two kiri-mon in slightly raised gold-takamakie and the overlap in the middle decorated with gold lacquer karakusa over silver lacquer background, imitating engraved hardware. The inside carved in raised relief in different levels, the background covered in lapis lazuli, the carving decorated with gold paint and touches of malachite. Silver hinges in the shape of butterflies.
Japan, Edo period, early 19th century.
Height: ca. 3 ½ inches; width when open: 5 ¾ inches (9 cm; 14.5 cm).
Lapis lazuli somewhat rubbed, all in all very good condition.



Zushi with Amida Buddha, Japan, early 19th century

Catalogue: Antiques: Regional Art: Asian: Japanese: Devotional Objects: Pre 1900   item# 1122107 (stock# 10658)

Zushi with Amida Buddha, Japan, early 19th century
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Hand shrine, or zushi, in the shape of a lotus pod, carved in two halves. On the inside, on one side the sitting figure of Amida Nyorai on a lotus base, his hands in mudra in his lap, against a gilded background. The other half of the lotus bud is inscribed in black ink on a gold lacquer background with the mantra Namu Amida Butsu. Comes with its original brocade pouch. And with a custom made wooden stand. Japan, Edo period, early 19th century.
Very light, soft wood, undecorated. On the outside carved in the shape of a lotus flower in a late stage, showing the seeds in the pod in the center. On the inside, on a gold background there is a relief carving applied. There is a inventory number in black ink on the rims of bowl and cover 32.45.9.A and 32.45.9.B.
Japan, Edo period, early 19th century.
Diameter: 2 7/8 inches (7.3 cm).
Very good condition.



Zushi with Amida Buddha, Japan, around 1800

Catalogue: Antiques: Regional Art: Asian: Japanese: Devotional Objects: Pre 1837 VR   item# 1122085 (stock# 10657)

Zushi with Amida Buddha, Japan, around 1800
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Hand shrine, or zushi, in the shape of a lotus bud, carved in two halves. On the inside, on one side the standing figure of Amida Nyorai on a lotus base, his hands in mudra. The other half of the lotus bud is decorated with a mutsume pattern (imitating a triaxial weaving) in kirikane (very thin strips of gold foil). Japan, Edo period, early 19th century.
Very light, soft wood. On the outside red lacquer, covered with leaf gold, that is partly rubbed off again. On the inside much of the carving is decorated with brush applied gold, and kirikane for the background of both halves.
Japan, Edo period, late 18th, early 19th century.
Total height: 4 ½ inch (11.4 cm).
One hand of the Buddha missing, the other glued, lower lip chafed. Few chips and dents at edges, all in all very good condition.



Bronze sculpture, Daiitoku Myoo on buffalo, Japan, Edo

Catalogue: Antiques: Regional Art: Asian: Japanese: Devotional Objects: Pre 1800   item# 1060677 (stock# 10647)

Bronze sculpture, Daiitoku Myoo on buffalo, Japan, Edo
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P.O.R. 

Very rare bronze sculpture of Daiitoku, one of the five Myoo. He is represented with six heads (three large, three small), six legs and six arms that are holding the different attributes, while he is sitting on the back of a reclining buffalo. Here, Daiitoku holds two of his hands clasped together. In the others he holds a staff, chakra, sword and trident. Mandorla with flames stuck into the back of the buffalo. Brown bronze with green corrosion. Japan, Edo period, 18th century.
Measurements: ca. H 12.25 x L 9 x W 7 inches (ca. 31.75 x 22.8 x 17.75 cm).
Tips of the top flames on the mandorla missing and a bit bent, otherwise excellent condition.

Daiitoku (Sanskrit Yamantaka) is an emanation of Amida Buddha; he is positioned in the West; the white buffalo is a symbol of enlightenment; he has the power to eliminate evil and to establish goodness and to defeat poisonous snakes and dragons.


Pair of komainu, bronze, Japan, Meiji period

Catalogue: Antiques: Regional Art: Asian: Japanese: Devotional Objects: Pre 1900   item# 1060337 (stock# 10644)

Pair of komainu, bronze, Japan, Meiji period
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P.O.R. 

Very unusual pair of komainu or guardian dogs to a Shinto or Buddhist shrine. The left one with the mouth open and drooping ears, the right one with its mouth closed and with the ears perked up. Very fine and smooth bronze cast with rich brown patination. Makers mark engraved into the bottoms. The name consists of a single character that can be read in a variety of ways: Yasushi, but also Hiroshi, Yutaka, Toru or Akira; followed by “saku” or “made by”. Japan, late 19th century.
Height: left 9 inches, right 9.1 inches (22.8 and 23.2 cm).
Excellent condition.



Zushi with figure of the Dragon King of the Sea, Japan,

Catalogue: Antiques: Regional Art: Asian: Japanese: Devotional Objects: Pre 1900   item# 1060247 (stock# 10643)

Zushi with figure of the Dragon King of the Sea, Japan,
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$ 2,000 

Small Buddhist shrine, containing a wooden sculpture of Ryujin, the Dragon King of the Sea, standing in waves, while holding a bowl of tide ruling jewels in his hands. On his back, its head resting on Ryujin’s head, sits a dragon. With its claws holding on to Ryujin’s shoulders and waist. Soft wood with decoration in black, colors and gold. On the back signed: Komatsugawamachi Inose saku. Bottom of zushi inscribed with a number (). Japan, Meiji period or very late Edo.
Case: height 8.25, width 4, depth 3.75 inches (21 x 10.3 x 9.5 cm).
Sculpture: few small chips and repairs. Zushi: Traces of usage, conform the age and use of such shrines - lacquer chips, cracks, dents and abrasions. Both shrine and sculpture in very good shape over all.

Very rare subject matter.


Figure group of Shomen Kongo and attendants, Japan, Edo

Catalogue: Antiques: Regional Art: Asian: Japanese: Devotional Objects: Pre 1837 VR   item# 1045502 (stock# 10637)

Figure group of Shomen Kongo and attendants, Japan, Edo
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p.o.r. 

Wooden group of Shomen Kongo, the green faced diamond deity in 8-armed configuration, standing before a flaming mandorla, accompanied by two children. Shomen Kongo tramples on two demon figures, the whole group standing on rocks, placed on a rectangular base. In his eight hands he holds a trident, sword, bow, arrows, something unidentifiable that should have been a rope (lower left hand) and an object that replaces the cakra (upper left hand). Shomen’s features: Third eye; in his crown the head of a monkey, the monkey being his messenger; skull necklace on his chest; snakes around his waist, wrists and ankles and a tiger skin bound around his waist. The boys are carrying a cup and flask(?). Polychromed wood, eyes of Shomen inlaid, crown gilded copper. Bronze fittings around corners of base, engraved with flowers. Japan, Edo period, 18/19th century.
Approximate measurements height: 29 inches; width: 15 ½ inches; depth: 11 inches.
Restaurations, few breaks, few missing tips, few lacquer chips.

Shomen Kongo originally was a plague spreading demon, but after converting to Buddhism, he became a guardian against wild animals, sickness and love spreading demons and wild weather deities. In the Edo period, he was venerated as a guardian against tuberculosis.


Wooden figure of Daruma, Japan, 19th century

Catalogue: Antiques: Regional Art: Asian: Japanese: Devotional Objects: Pre 1900   item# 1038116 (stock# 10632)

Wooden figure of Daruma, Japan, 19th century
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$ 850 

Sculpture of Daruma, sitting wrapped in his garment. Typical meditation posture. Kiri (Paulownia) wood. Unsigned. Japan, Edo period, 19th century.
Height: 10 ½ inches; width: 6 inches (ca. 26.6 x 15 cm).
Some minor rubbed spots, some fritting at edges, beautiful patina, very good condition.



Painting, nehanzu with phallic substitutes, Japan, Edo

Catalogue: Antiques: Regional Art: Asian: Japanese: Devotional Objects: Pre 1800   item# 1006752 (stock# 10619)

Painting, nehanzu with phallic substitutes, Japan, Edo
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Very rare painting of death of Buddha, in which a golden penis is substituted for the Buddha, female private parts for the Malla women and two grief-stricken penises for the leading disciples of the Buddha, Ananda and Mahakasyapa. They sit in front of a six-panel screen decorated with sala trees. The three-headed deity behind the bier is holding a dildo and other pleasure bringing paraphernalia. Scattered around are a rooster and a hen, two mandarin ducks, eels, clams, daikon, ginger, scallions, mushrooms and other creatures that are symbols of union in happiness, fertility or contain sexual allusions. Very rich painting in black ink, mineral colors, gold and gofun on silk. Japan, Edo period, 18th century.
Measurements: painted area 17.5 inches x 25.25 inches; mounting 53.5 x 30.25 inches.
Few light brown spots, tiny insect hole in gold, otherwise excellent condition.

This type of painting fits in the catagory of mitate nehanzu, parodic nirvana images, as were being produced since the medieval period. They should not be seen as objects that ridicule Shaka or Buddhism. We see in this genre priests taking the place of Shaka, poets, famous actors and vegetables. For more on the subject, see D. Max Moerman, Dying Like the Buddha: Intervisuality and the Cultic Image, in: Impressions, No. 29, 2007-2008, pp. 24-57.

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