Specialties
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Tsuba
Antiques:
Regional Art:
Asian:
Japanese:
Swords and Related:
Pre 1900 item# 718976
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Yasumi
808.368.5275
Sold: Berkeley $900
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Iron tsuba of oval form decorated with a gold-inlaid low-relief design of stylized waves, the edge mounted in silver with a rope-pattern border; with kiri wood storage box and well-credentialed appraisal for insurance replacement value of $950. 2.75 by 2.375 inches.
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Baroque cultured pearl necklace
Estate Jewelry:
Strands:
Pre 1980 item# 717104
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Yasumi
808.368.5275
Sold: Irima Y64,600.
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41 Japanese Akoya pearls, measuring 7.2 to 7.8 mm, in a strand with a barrel-style yellow metal clasp stamped 14k and with the manufacturer's trademark stamp; the necklace is strung with knots in between and measures 18 inches long, including the clasp.
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Production
Fine Art:
Mixed Media:
Contemporary item# 715798
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Yasumi
808.368.5275
$900.
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Second in Scott Groeniger's Taiyuan City series. Quoting the artist: "This work was made while I was working in Taiyuan City, in Shanxi Province. Taiyuan is like the film BLADE RUNNER made real, a city at the beginning of its own localized apocalypse, 3.5 million people building constantly, living their lives, and quickly running out of water. It is ranked among the most polluted cities in the world. This abysmal quality of life is largely caused by industrial waste and the mining and b ...click for details
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I Do. Well I Don't.
Artisan and Design:
Paintings:
Contemporary item# 713254
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Yasumi
808.368.5275
$2,000.
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"Hawai'i knows that Mainland franchises erode the foundations of its uniqueness. Struck with a kind of psychic paralysis, Hawai'i responds with the hugely popular window sticker: "Ainokea, I do what I like." With the case all but closed, how can art respond to such ambivalence? Kirsten Rae Simonsen and Scott Groeniger's "I Do. Well I Don't" answers directly. With a globally spoken style of "visual pidgin" they create an island from abstracted pe ...click for details
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Consumption
Fine Art:
Mixed Media:
Contemporary item# 713213
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Yasumi
808.368.5275
$3,000.
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Recent work from Honolulu digital artist Scott Groeniger; excerpt from David A.M. Goldberg's review for the Honolulu Advertiser, 2007.11.11: "Scott Groeniger's "40-60#1: Consumption" tries to steal back some of the cult of design's fire with his global-pop, vaguely didactic mash-up of Buddhist petroleum industry architecture, Tezuka's Atom Boy meets Bob's Big Boy, and the threat of China emerging from the static-colored sky described in the first sentence of Wi ...click for details
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