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Erle Loran Painted Desert Fossil Beds Oregon browse these categories for related items... Directory: Fine Art: Paintings: Oil: N. America: American: Pre 1980: item # 631919 Please refer to our stock # 0121 when inquiring. ROBERT'S ANTIQUES AND FINE ART 417 TROUT GULCH ROAD APTOS,CA. 95003 831-684-2942 Th-Su Guest Book $7,000.00 |
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Painted Desert Fossil Beds Oregon. Studied with Hans Hoffman and shared his studio, N.Y. 1960's. One of a Series. A progression of instinctual artistic expressionism. 61" X 48" approx. From the Estate of Erle Loran with Estate Stamp. Credit "AskArt" biographical information. Erle Loran was born in 1905 in Minneapolis, Minnesota on October 3, 1905. After graduating from the University of Minnesota, Loran studied at the Minneapolis School of Art under direction of Cameron Booth. His talent was recognized early when in 1926, he won the Paris Prize, which provided him the benefit of a traveling scholarship to Europe where he lived in the studio of Paul Cézanne. This exposure provided much influence to Loran's life, where he saw the works of Picasso and other European modernists. But, it was Cézanne's work that motivated him. His fascination with Cézanne led him on a three-year odyssey through Cézanne country where Loran painted and photographed the countryside around Aix en Provence. It would be this experience that formed the foundation for Loran's 1943 book, "Cezannes' Composition". After returning from Europe, he exhibited extensively. In 1936, he moved to California where be began his long teaching career in the art department of the University of California, Berkeley. It would also be during this period that Loran would associate himself with modernist Hans Hoffman. Loran served as the department's chair in the early 1950s, and was awarded a University Citation upon retirement in 1973. His early paintings include lyrical abstractions in primary colors; however, his style has constantly changed with the times. Watercolor was Loran's medium of choice because it dried fast and was lighter to transport to his often-remote plein air locations, such as the ghost towns of California and Nevada. His landscapes, often to include a building or structure, were clean, fresh, and spontaneous. A sample of his works, 'Refined Oil Dock', 1941, is a delightful period piece showing an East Bay refinery with it's brick buildings and shacks of an oil company silhouetted against the Golden Gate Bridge. In the 1940s, as the war in the Pacific intensified along with domestic tensions, Loran's work transitioned from plein-air painting to studio work. During this period, landscape painters were occasionally seen as suspicious figures and sometimes mistaken for spies. Loran had such an experience when an armed soldier detained him. Shortly thereafter he decided to focus his painting on abstraction. In the late 1960s, his work became a fusing of Op, Pop, and Hard Edge. From this he moved to figurative painting and later to geometric designs and symbols. In 1960, while in New York City, Loran had further study with Hans Hoffmann who brought European modernist philosophy and techniques to the United States. David J Carlson, Carlson Gallery, California. Carlson's specialty is Post-World War II California artists, and he is preparing a catalogue for a 2004 traveling exhibition of these artists to several California museums. |
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