Exceptional tripod censer in hard porcelain with a polylobed shape. The censer in the shape of a flattened melon with twelve slices, each decorated with a dragon painted on top in green, manganese and yellow enamels. Below Makuzu Kozan has chiseled his signature in relief which is very important, in fact it is much more complicated to chisel in relief than in hollow...
Shabti for Iset Ta - Hemdjert (2)
Faience Ushabti “Iset Ta-Hemdjert” the Great Royal Wife of Pharaoh Ramses III.
Death figure with uraeus and youthful curls, as well as with remains of the eight-line surrounding inscription.
Queen “Iset Ta-Hemdjert” had at least two children, Ramses the successor to his father, and
Amunherchepeschef (Ramses VI), who became king after the death of his brother and nephew (Ramses V...
Victorian Classical sterling silver goblet. Made by Elkington & Co. Ltd in Birmingham in 1859. Ovoid bowl on knopped cylindrical stem flowing into raised foot. Bowl has engraved vertical scrolled frames inset with leafing scrolls surmounted by scallop shells, except one, which is vacant in place of the shell. Foot has leaf and flower garland on stippled ground. Beading. Gilt interior. Fully marked. Very good condition.
Dimensions: H 7 1/8 x D 3 1/4 in. Weight: 6.8 troy ounces. #BY830
Edwardian glass tobacco jar with sterling silver cover. Made by S. Kirk & Son Co. in Baltimore, ca 1910. Jar has curved sides with cut bead-and-reel fluting and short inset neck; star cut to underside; Cover curved with allover floral repousse on stippled ground. Fully marked including maker’s stamp (1903-24) and no. 189. Very good condition.
Dimensions: H 7 3/4 x D 5 3/8 in. Weight (silver only): 4.8 troy ounces. #BZ221
Victorian sterling silver water pitcher. Made by Tiffany & Co. in New York. Globular bowl and drum-form neck with small lip spout; c-scroll handle with stylized flower-head mounts. Bowl has embossed border of imbricated leaves or chevrons, a bold motif popularly known as Wave Edge. Neck applied with same. Fully marked including maker’s stamp, pre-1875 pattern no. 3077, and director’s letter M (1873-91). Very good condition.
Dimensions: H 7 3/8 x W 7 1/2 x D 6 in. Weight: 22 troy ounces...
Statue of a standing woman in formal dress, with an unusual necklace supporting a Christian cross. Wood, with fine glossy patina. India, 19th century. Height: 18.5 cm. The statue is nicely mounted on a custom stand. Abrasion due to age, otherwise good condition.
Unusual Pottery sweets dish in soft green glaze by the 11th generation head of the Raku Family Keinyu, enclosed in the original signed wooden box titled Chagata Kobachi. Covered in crackled pale green glaze, it is 11.5 cm diameter, 8 cm tall and in excellent condition...
Height: 41 cm
Width: 9.5 cm
Weight: 1.2 kg
Large Chinese carved female form holding a garland of flowers; noble head-ware; natural material; good condition
Zabuton, a floor cushion made of hand-spun cotton and vegetable indigo dye. One side has kasuri pattern. It has four layers of cloth and sashiko (quilting) with white cotton yarn. Generally, in good condition but has wear or breaks in hems. Early 20th century. W:58cm, L:59cm.
Small furoshiki, made of hand spun cotton and vegetable indigo dye. It has tsutsugaki auspicious motifs, "Sho-Chiku- Bai", the pine tree, the bamboo and the plum bloom. In excellent condition. Late 19th early 20th century. W:69cm, L:77cm
Late 20th century emulation of a Song Dynasty of Guan Yao glazed vase. If you don’t have $2000,000 for an original this the nest best thing. Excellent condition with fine celadon glaze and well potted. H: 21cm/8.2in and D: 14cm/5.5in.
Mid- 19th century netsuke depicting Kokusempu Riki (Li Kui in Chinese) - one of the Suikoden heroes - holding a huge axe. Loosely based on historical events, the Chinese book called Shui-Hu-Chuan (Suikoden in Japanese, The Water Margin in English) it tells the story of a group of 108 rebels living at the edge of Liangshan Marsh who helped to protect the poor and oppressed. Kokusempu Riki (Li Kui in Chinese) was a priest, who was expelled from the Hakuryojin Temple...
An ancient Egyptian Scaraboid, more than 2,300 years old, from the famous Mitry collection (see our Homepage). It is 3/8” long (9 mm) and made of steatite, an easy-to-carve stone that hardens when heated. Scarabs empowered life and resurrection and were often placed under mummy wrappings to protect the body and to help it resurrect. This Scarab comes in a jewelry display cup.
An ancient Egyptian Scarab, more than 2,300 years old, from the famous Mitry collection (see our Homepage). It is 7/16” long (11 mm) and made of steatite, an easy-to-carve stone that hardens when heated. Scarabs empowered life and resurrection and were often placed under mummy wrappings to protect the body and to help it resurrect. This Scarab comes in a jewelry display cup.
A finely patinated and uncleaned silver foliage figure of the seated Buddha on a tall draped Throne, Thailland, 18th.-19th. century AD.
Size: 14,8 cm. tall.
Intact but some wear and tear as usual with the type.
Ex. old Danish Estate Collection.
An elegant and highly attractive wooden Buddha with remaining gilt, of the earliest preserved type of Thai Buddhas made of wood, all the way back in the 16th.-17th. century AD.
The buddha in exceptional preservation for the old age, with a lovely patina!
Size: 13,4 cm. tall.
Ex. Old Danish Private Collection.
A lovely old silver and torquise mounted Conch shell, Tibet, 18th.-19th. century.
Attractive and substantial Buddhist antique. Thick silver folliage mount with animals and a demon masks. Mounted with torquise stones, one missing.
Size: Approx 22 cm. long and 10,5 cm. wide, weighing a good 680-700 grams.
Ex. Danish Private Collection.
A very unusual and rare Pair of antique, lightly Patinated, heavy Bronze table candle sticks adorned with Oak leaves and Acorns. Size: 24.5 cm (9.5"), 19th Century
A rare and charming FRENCH antique GILT BRONZE FAUN, depicted as a boy sitting. The Faun has a head garland decorated with grapes and vine leaves. Good condition. It comes with a cone-like black wooden stand.
Total height with stand
14.5 cm (5 3/4"). Late 19th Century.
Very rare, Gulong Miao children’s jacket from Guizhou. This is a side opening style, made from all hand woven cloth (except for the inner sleeve lining) with hand embroidered anthropomorphic figures, on a calendared greenish cotton ground. This pattern was only used on children’s clothing from this Miao subgroup. Excellent condition. Width: 75cm/29.5in (sleeve tip to sleeve tip) Length: 39cm/15.3in (collar to bottom). Free shipping.
This is a very attractive and richly decorated Japanese cloisonne vase. At fist glance one would think it was made by Namikawa Yasuyuki because of the mottled colors and glow to the enamel. There are both silver and gold wires used in the designs. It is not signed but it is so similar to a Namikawa piece that we believe it was made by Shibata, his student. It stands 6 inches tall and is quite heavy because of the thick enamel. The vase may have had a lid at one time but I can't say for certain...
This is a beautiful early Japanese satsuma vase. It is made in the style and quality of mercury/gold fired Meizan pieces, except it stands 18 inches tall. It also features a basket weave design and extensive enamel work. It's unsigned and a very heavy piece. The bottom edge is rough so a stand or protection will be needed to keep it from scratching surfaces. This rare piece belongs in a museum.
19th century netsuke of a Buddhist monk sawing off the horns of an oni (little mischievous demon) who is holding its hands in a praying attitude. The subject is Oni no Nembutsu - a demon who saw the light of Buddhist teachings and decided to become pious. Wonderful faces, great detailing, beautiful patina, very pleasant yellowing to the surface. Signed SHOKYUSAI on the bottom - the artist is listed on p. 969 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick...
19 century netsuke of a boy making a snowman in a form of the Zen Buddhism patriarch Daruma (yuki-Daruma), with his hand prints all over the snowman. Excellent carving, especially facial expressions - delighted of the boy, and intense concentration of Daruma, very nice patina. The hair knots of the boy and the eyes of Daruma are inlaid with dark horn, beautifully etched textile patterns. Superb patina, old age lines. Signed MASAHIRO on the bottom...
This antique serving spoon from the Georgian era has a berry motif in the gold-washed interior of the bowl (the wash is very pale and doesn’t show up in the photos). By its hallmarks, it was made in London during 1768-1769. The maker’s mark is a script “BB”. It measures 8-1/2" x 1-3/4", and weighs approximately 56g. So beautiful! The photos are part of the description; please examine them carefully. Thanks! We do lay-away. Shipping, handling, and insurance within the USA included.
A large two-colored Egyptian eye of Horus amulet. Made of turquoise glazed composite, the pupil and eyebrows accentuated in dark brown. Dating c. to the 22nd to 25th Dynasties, 946 - 657 B.C. Condition: traces of age. Dimension: c. 3.3 cm long, 2 cm high, 0.5 cm thick.
A lovely chawan made of three separate excavated shards connected by lines of gold dating from the Kamakura to early Muromachi periods (13th to 14th centuries). It is 15.7 cm diameter, 7 cm tall and in excellent condition, enclosed in an old wooden box.
Pair of 19th Century Japanese Kutani Porcelain Vase with Immortal Figure Marked
They are 14.2 inches (36 cm) tall by 6 inches (15.2 cm) wide. Total weight is 8.7 Lb.
They have dark spots, skip glaze, excess clay at the bottom, rubbing of gold, and surface wears (as seen in the photos).
Our Guarantee: We stand behind all of the items that we sell...
19th (can be as early as 18th) century Tibetan banded agate bead of elongated seed shape. Beautiful stone with wonderful contrasting layers, excellent patina from wear, very pleasant to hold. Length 1.63 inches.
This pretty shaker is made from emerald-green glass with a gold-toned metal top. It is unmarked, but we were told by a glass specialist that it is from England, and circa 1900. It’s approximately 5” tall and 2-3/8” across the bottom. The top/lid has cut-outs in the shape of stars – really charming! It is in excellent condition. The photos are part of the description, so please examine them carefully. Thanks! We do lay-away. Shipping, handling & insurance within the USA included.
Dry lacquer mask of the traditional Gigaku Theater, finely carved and lacquered to depict an elderly man (old widower) with a long aquiline nose, full red lips forming a smile, elongated earlobes, and deeply carved wrinkles...
Exceptional Meiji Period wood carving of Daikoku, one of the seven lucky gods, known as the god of abundance. He stands on two full rice caskets and carries a bulging bag of treasures and happiness. 22cm tall x 13cm wide x 9cm deep. Ask for shipping quote.
An antique Japanese small Choba Tansu (merchant chest) made of Kiri (Paulownia) wood. All original hand forged iron hardware with hardened wooden nail construction. Two sliding doors open to a spacious storage area where the merchant stored the books and records. Three drawers of varying sizes for additional storage.
Age: Meiji Period: 1880-1890)
Dimensions: 26 1/4" Wide by 23" High by 15" Deep
An antique Japanese 1 section Nihon Matsu Tansu made of lacquered Keyaki (Zelkova) and Sugi (Cryptomeria) woods. All original hand forged iron hardware including the Gumbai style handles and the Peony with Leaves lock plate. 2 large drawers provides abundant linen or textile storage. Originally used in Japan to store silk kimonos.
Age: Meiji Period (1880-1890)
Dimensions: 42 1/2" Wide by 22" High by 17 5/8" Deep
Antique Indian Kangra School miniature painting of Annapoorani Amman. A scene where Annapurna (the goddess of Nourishment and a manifestation of Parvati) seated on a throne, gives food to her consort, Shiva. The story goes that Shiva challenged the need for all materialistic things including food. Parvati, in order to prove to Shiva that food was essential (especially to his followers) disappeared, creating a state of famine. Humans and gods suffered. Shiva went in search of Parvati and f...
Antique Chinese Peking glass bowl in a brilliant yellow color. Foliate form with six sides. Each lobed section is carved with a different type of flower ranging from lotus to narcissus.
Dimensions: 3" high x 7 1/4" wide
Antique Japanese gosho ningyo doll. Called a "palace doll" as these were once given as gifts from the Emperor and Empress to young princes and princesses. These young baby dolls represent a hope for happiness and prosperity. Made of ceramic and painted with gofun (a paste made from fine itabo oyster shell powder). The gofun was applied in many layers before carving, shaping, polishing and finally painting the details on. This doll is painted with royal gold and purple robes. It's face and h...
Japanese antique 15 ken (plates) jingasa hat for a ashigaru foot soldier. Made of iron with large rivets and edged with oxidized silver. Comes with a custom metal stand.
The samurai class in feudal Japan, as well as their retainers and footsoldiers (ashigaru), used several types of jingasa made from iron, copper, wood, paper, bamboo, or leather.
Age: Edo Period (1603-1867)
Dimensions: 23" high (including stand) x 15 1/4" wide
A beautiful and rare Antique Régence coffee service, complete with silver coffee pot measuring about 12” in height, a creamer measuring 7” in height,and a sugar bowl, measuring 7” in height. The set with delicate repoussé work, shell design feet, acorn finials, and a dragon spout. The handles on the coffee pot and the creamer in ebony wood.
Crane. Painted with ink and pigments on silk. Signed Furunobu and sealed. It is attributed to Kano Furunobu.
Kano Furunobu was a painter from the middle of the Edo period.
He is the fifth generation of the Kobiki-cho Kano family. He learned painting from his father. He succeeded his father as a painter for the shogunate. He is conferred a Hoin.
Some light marks, foxing, and light crease are present on the painting itself, otherwise the painting is in good condition with the age. So...
Rich green glaze covers this elongated delicate undulating bottle from the Kosugi-yaki tradition of the Kaga region near modern day Kanazawa city. This bottle is roughly 20 cm (8 inches) tall and in excellent condition.
Kosugi ware is a type of pottery that was produced in Kosugi Town over four generations for about 80 years, from around the early Bunka era (1810-1820) to the Meiji 20s (around 1890). In the hilly area south of Imizu City that connects Ikeda, Hirano, Ueno, and Hashimotojo,...
Shabti for Iset Ta - Hemdjert (1)
Faience Ushabti “Iset Ta-Hemdjert” the Great Royal Wife of Pharaoh Ramses III.
Death figure with uraeus and youthful curls, as well as with remains of the eight-line surrounding inscription.
Queen “Iset Ta-Hemdjert” had at least two children, Ramses the successor to his father, and
Amunherchepeschef (Ramses VI), who became king after the death of his brother and nephew (Ramses V. The grandchildren of "Iset Ta-Hemdjert...
Large Victorian Classical sterling silver tray. Made by Dominick & Haff in New York in 1890. Rectangular with curved corners. Fluted sides and gadrooned rim. Stylistically restrained with nice heft. Fully marked including dated maker’s stamp, retailer’s stamp (JE Caldwell), and no. 772S. Very good condition.
Dimensions: H 1 1/8 x W 24 x D 18 in. Weight: 145 troy ounces. #BZ212
Art Nouveau glass vase with engraved silver overlay. Made by Alvin Corp. in Providence, ca 1900. Conical mouth and neck, and bellied bowl. Overlay in form of dense leafing scrollwork and flowers; asymmetrical scrolled cartouche engraved with interlaced script monogram. Silver fully marked including maker’s stamp and no. R387. Very good condition.
Dimensions: H 8 x D 4 in. #BZ165
Edwardian Classical sterling silver centerpiece. Made by Tiffany & Co. in New York. Round and plain bowl; engraved egg and dart rim mounted with four scroll-mounted acanthus leaves. Large turned-down cast open rinceaux collar. Domed open cast leaf foot mounted to plain and round base. Turn-of-the-century sumptuousness. Fully marked including maker’s stamp, pattern no. 14342 (first produced in 1900), and director’s letter T (1892-1902). Very good condition.
Dimensions: H 6 3/4 x D 17 in. V...
Pair of English Neoclassical sterling silver candlesticks. Made by Tiffany & Co. in New York, ca 1916. Each: Tapering column on dome flowing into stepped and concave base. Tapering socket with detachable bobeche. Ribboned swags. Fine fluting that shimmers in candlelight. Fully marked including maker's stamp, pattern no. 19187 (first produced in 1916), director’s letter m, and phrase “Reproduction Original by John Parsons & Co. Sheffield 1784”. Very good condition.
Dimensions: H 11 3/4 x ...
Late Meiji (1890s - 1910s) Japanese ivory chashaku (tea scoop used for powdered tea during tea ceremony) of elegant slender shape. Comes in original chazutsu (inscribed bamboo case). Delicately carved, in great condition, beautiful patina, very pleasant to the touch. Chashaku length 7.25 inches, case length 9.25 inches.
Very tall bottle with elongated foot, tapering body, long thin neck, and bulging rim.
Ceramic
Greek, Hellenistic Period, 4th-2nd century BC
H. 25 cm (9.8 in)
Broken neck reconstituted. Some wear and accretions on the body.
Swiss private collection. Acquired in the German art market, June 2008.
The authenticity of the object is unconditionally guaranteed.
Tall bottle with flat base, piriform body, and long cylindrical neck ending in a flared rim.
Unguentaria are small ceramic or glass bottles frequently found in burial contexts. Their most common use was probably as a container for oil. The unguentarium is sometimes referred to as lacrimarium (tear-container) or balsamarium (balsam-container). All three terms reflect different assumptions about their use.
Ceramic
Greek, Hellenistic Period, 4th-2nd century BC
H. 17.2 cm...
A very large and impressive Neolithic period stamp seal, provenanced to Amüg-Ebene near Antioch in Western Mesopotamia / Eastern Anatolia, c. 6th. millenium BC of even earlier.
Rectangular seal of grey stone with a long ridged pierced handle and a grit pattern in the base.
Size: 40 mm. long and 23 mm. wide, c. 12 mm. tall.
Condition: Near VF, one corner chipped, lightly affecting the imprint. With earthern deposits.
Comes with the original 1995 ID ca...
Good black glazed with large swathes of russet jug circa Ming Dynasty bottle with two lugs. There are a few chips on the lower edge of mouth. This kind of ware was the “coke bottle” of their day, common place household/kitchen items, almost every home would have a few. No reason (after a good cleaning and sanitation) you couldn’t reuse for your favorite poteen, bai jiu or single malt. H: 21cm/8.2in and D: 14.5cm/5.8in.
Lovely traditional red silk satin child’s jacket with floral sprigs, circa first half 20th century, maybe even earlier. Excellent condition, except for the trim all hand embroidered and hand sewn. Old commercial trade cloth cotton lining. Would look good as a wall hanging. Width straight across shoulder 63cm/24.8in and H: 37cm/14.5in. Free shipping
Song Qingbai bowl with high foot rim and thick classic aquamarine Qingbai glaze, there is a 1cm hairline off the mouthrim (noted in last enlargement) otherwise good condition. The glaze is absolutely fabulous. D: 14cm/5.5in and H: 7cm/2.8in
This extremely rare Inca carved Llama bone blood cup depicts a battle scene. One figure is holding a copper tumi knife and the other is holding a knife. It is 3 1/4" tall and 1 5/8" wide. It is in very nice condition. Excellent age on surface. Both dressed in full battle regalia locked in mortal hand-to-hand combat. Patina is beautiful. Circa A.D. 1200-1400. Old museum number on bottom "115". From the Len Weidner Collection. This is one of the largest and finest collections in the country. Len a...
A carved wood figure of a wandering priest, robes billowing in the wind, his large straw hat full of holes, signed Yasuchika on the back. Dating from the late Edo to Meiji period, it is by a member of the Tsuchiya Yasuchika lineage. The figure is 31 cm (12 inches) tall and in excellent condition, complete with walking stick.
Lace collar, probably linen. Was offered for sale in 1908 in London by the Windsor auction house, appraised by a certain Mr Knox as being a rose point lace, Venetian work from middle 17th century or a later French copy from the period of the reign of Louis XIV. The lace is kept in a wall display frame, it is placed on a Chinese silk background with secret embroidery, visible only in raking light. On the back of the frame is stuck the original of the expertise. I made a more readable copy.
Good ...
Black-glazed Apulian plate of shallow floor with three stamped palmettes at center. The flat lip, slightly curved on top.
Standing on a low foot in two degrees. Faint imprint from the foot of another dish on the floor.
Covered with a fine black glaze. The expert modeling and the application of a glossy black glaze suggest that the plate was inspired by metal examples.
Ceramic
Greek Apulian, 350-300 BC
D. 14.8 cm (5.8 in)
Intact with excellent black glaze...
Wooden lectern covered with black lacquer, decorated with Japanese seignorial emblems (Mon) with gold powder. The emblems are treated in three different versions, all three of excellent lacquer quality in a very elegant style. The lectern can be dismantled into 4 parts, the box, the drawer, the top and the axis, the elements are assembled using mercury-gilded copper frames, which are finely chiseled with scrolls of stylized plants on a nanako background. This simple “Mon” decor but of superb...
Old mask of the Noh traditional theater representing the character of Yamauba or Yamamba, with an emaciated face, dishevelled hair, and a sinister smile. The mask is made of wood, painted to ehance its features, and with brass eyes. The mask is signed. Japan, early 20th century. Height: 21 cm. Some abrasion due to age and wear, otherwise very good condition. The mask is nicely mounted on a custom stand.
NOTE: According to legend, Yama Uba or "The Mountain Witch" is a demon from Japanese folklo...
Statue of a household protecting ancestor, sitting on a rounded base, his head with an unusual pointed top, his hands in "namaste" posture. Wood, with fine age patina. Nepal, 19th century. Height: 35 cm. Strong abrasion due to great age, otherwise good condition. Provenance: collected in Kathmandu in 1974.