19th Century Meiji Period Japanese Black Lacquered Box with River, Bamboo, Flowers, and Fireflies. A gem of high quality with gorgeous fine details. 9.25 x 6.75 x 1.5 inches, 23.5 x 17 x 4 cm. Excellent Condition.

19th Century Meiji Period Japanese Noh Theater Mask of Okina, the Happy Old Man, portraying a happy man of wisdom and joy in many Noh dramas. This Noh mask is carved by Ko-Ikiu III from a long line of Noh mask carvers. It is finely lacquered over paloma wood. Signed with original case. This mask is in Perfect Condition. 7.5 inches tall (15 inches with beard) x 6 inches wide, 19cm tall (38cm with beard) x 15cm wide.

Meiji Period Japanese Bronze Sculpture of Senju Kannon, the 1,000 armed Bosatsu of Compassion, the deity of pure bounty, omniscient and omnipresent. This divine sculpture holds its foremost hands in the Anjali mudra (hand position), universally used by people in Asia for salutation, it evokes an offering (of one's good feelings, of one's person, of art, etc.). This is a fantastic, masterfully rendered find for the Buddhist art collector. 13.5 inches, 34 cm. Excellent Condition.

19th Century Meiji Period Japanese Bronze Sculpture of a Falcon with open wings landing on a rock with waves. This is an exciting work, featuring one of the most revered birds of Japan. The falcon's deep gaze pulls you in. 19h x 20.5w inches, 48h x 52w cm. Excellent Condition.

This old Chinese ethnic minority needle case is hand carved with geometric marking from end to end. Needle cases were essential tools for all indigenous cultures and frequently became important objects of decorated folk art.

Description:

An excellent bronze sculpture of a mantled eagle was finely cast.
By vibrant posture, the fierce bird spreads her wings when resting on the rock peak.
The wings and the base were detachable.

Date: 19th century,

Provenance: Japan,

Dimensions: Wing to wing:58cm, height: 51.5cm

Condition: perfect.

Burmese 18th/19th century marble Amida Buddha with his hands forming the gesture of "welcoming to paradise" which signifies Amida's descent from heaven to great the souls of devotees (Vitarka Mudra). Beautiful details to the face and robes. Size: H 25" x L 18" x D 10"

A beautiful and unusually decorated porcelain teacup and saucer. This piece, made by one of the Staffordshire manufactories, features birds on the saucer and the cup interior, along with wonderfully painted morning glories, roses, and other flowers. Simply a charming item in superb condition, with no apparent wear.

An artifact of past Chinese Culture, this old Abacus has hand made beads of what appears to be clay, specifically stoneware. The frame is a dark hardwood, probably walnut. It is approx 5 long.

This antique toggle was sourced from China. I suspect that was originally from Tibet. The carved circular markings on bottom of 2 of the sides of the toggle are more typical of the ethnic minorities.

Toggle is almost 2 inches long and .5 inches x .5 inches.

Hand colored copper plate etching, trimmed and glued on old cardboard, beneath with an old label in French, written in ink: "Arc de triomphe a Canton en Chine". Designed by P. van Blanckaert and etched by G.G. Winckler in Augsburg Germany, in the second half of the 18th century. Depicting the view of a triumphal arch at Canton. Condition: Trimmed, mounted on cardboard, small but old fissure, lightly stained. Dimension: Etching 27,5 cm x 40,8 cm. / cardboard 35,2 cm x 48,5 cm.

This matched set of Japanese lacquer consists of a 10 inch diameter shallow serving bowl and 5 plates, 5.75 inches in diameter. Each piece has a silver rim and nashiji finish with a decorative motif of bamboo leaves with abalone shell inlay flowers.

This porcelain tea cup and saucer was produced in England by Royal Crown Derby in 1912. There are date ciphers that indicate this date. The set is made of high quality bone china. It is decorated in a Japanese Imari pattern. The decoration is hand painted and ornately gilded. The decoration on the cup and saucer is bold and vivid. There is some slight wear in the well of the saucer. This cup and saucer is in otherwise excellent condition.

This porcelain tea cup and saucer was produced in England by Copeland in the late 19th century. The saucer is 6 inches in diameter and the cup is 2 inches high. The porcelain is fine, white bone china. The saucer is deep and the cup has a handle that sweeps up over the rim of the cup. Both pieces are trimmed with cobalt blue borders and elegant hand painted gilding. There are tendrils of hand colored flowers spilling across the interior of the cup and across the saucer...

This pair of boots were made for the child of a wealthy Han family of the late Qing dynasty. They were made from a pale peach colored silk fabric and hand embroidered with silk thread using a satin stitch. The color on lower part of the boots, especially on the outside, has faded to a soft golden color. This would be due to sun exposure during use as the upper part of the boots would be covered by the childs pant legs...

A wonderfully rendered pottery Staffordshire portrait bust of the philosopher John Locke. The name is incised on the back of this piece. Raised on a faux marble socle, the figure is effectively modelled and strongly colored. The condition is superb, with no chips, cracks, restoration, inpainting, or enamel loss. The whitish lines on his robe were intentionally done to highlight folds...

A superb oil on canvas American folk art painting depicting a man orating about temperance. He is standing beneath trees which are arching to almost form a bower over him. A courting couple is on either side of him, with a church in the background. The symbolism of the couples probably reflects the belief that marital and family relations improve in temperance households. Note also that the orator is holding a bottle in his left hand, probably just after having poured the contents on the ground...

Pair of English brass Georgian telescopic ejector candlesticks, c.1800. Size: 6.75" - 9.25" height x 3.5" x 3.5". Condition: Some tiny stress cracks to the top of the lower section of one candlestick (see photos detail). Also, one stick requires extra effort to get it to remain in the fully extended position and probably required some sort of new dampening material to keep it in place.