A very attractive and scarce Tabloid seal, Northern Mesopotamia, c. later 4th. millenium BC.
The serpentine seal engraved with cruciform and stylized scorpio pattern. Fine thick drill.
Size: 20 x 17 mm.
Condition: Good VF Smooth wear and intact with nice earthern patination.
Provenance: Gustav Oberländer (1926-2012), Oberländer aquired his massive and important collection between 1985 - 2000s, bought at reputable dealers and from old collections...
A larger hemispheric stone seal with a dome and elaborate line below the drilling on the top, Mesopotamian, Uruk period c. 4000-3000 BC.
The seal is carved with a later version of the archaic 'grit' pattern, where it looks like horisontical script-lines.
Very nicely made in an attractive and very hard green-black stone.
Size: 28 mm. in diameter, 14-15 mm...
A larger serpentine stone stamp seal of the gable type, Ubaid period of Anatolia and Syria, c. 4th. millenium BC.
Recent research clearly indicates that highly advanced city cultures allready existed in the Ubaid period of Anatolia and Syria in the early 4th. millenium BC and perhaps even before that. This predates the Mesopotamian Uruk period, so it's a question who inspired who?.
Nice seal in hand engraved with a horned animal.
Size: 35 mm. long and 23 mm...
Width of Bowl: 10 cm (4 in)
Height of Bowl: 5.9 cm (2.4 in)
Width of Lid: 9.2 cm (3.7 in)
Height of Lid: 3.2 cm (1.3 in)
Overall Height: 8.1 cm (3.2 in)
Quality Chinese porcelain famille rose lidded bowl; decorated with polychrome florals on the bowl and lid; Tongzhi marks on both bases; probably Guangxu Period; good condition
Impressive red stone Jasper Gable seal, Greater Mesopotamia,, probably a Levantine workshop, 4th. millenium BC.
A nice depiction of either a hering pattern or a stylized scorpio?
Size: 33 mm. long.
Condition: Near Very Fine, some minor losses to edges.
Provenance: Gustav Oberländer (1926-2012), Oberländer aquired his massive and important collection between 1985 - 2000s, bought at reputable dealers and from old collections...
South Asia, India, ca. 18th-19th century.
A solid cast bronze alloy figure depicting Krishna the "Butter Thief" as a youth holding a ball of butter that he stole from his stepmother. Baby Krishna or Bala Krishna is crawling with a ball of butter in his right hand. As mischievous children/babies, Krishna and his older brother Balarama stole jars of butter and yogurt from their families and neighbors.
Size: 63 mm. tall. - weighing c...
Late Meiji/Taisho (1890s-1910s) Japanese wooden nyoi - a Buddhist scepter made out of a branch with a natural knobby formation at its head. Nyoi, or Ruyi scepter is a traditional symbol of scholarship and transmission of knowledge. Wonderfully simple piece in Japanese taste, on a short side (usually nyoi are 12 inches or slightly longer), beautiful wear and patina...
Cloisonne enamel vase on hammered copper base. The meticulously positioned wires are in silver, as are the borders. The decor is simple, showing a bridge between two hills but exceptional because of its historical interest. Indeed it is a vase commemorating the bold construction of an aqueduct by a Japanese electricity company in the 1900s. The Chinese characters written below must relate the event, date it and also probably give the name of the creative artist or that of the enameling workshop...
An unusual Tibeto-Chinese cloisonne gau box having a domed and hinged cover with a multi-colored scroll pattern surrounding a central cartouche. The cartouche features the Tibetan character “hum” which translates as “the spirit of enlightenment” or “the enlightened mind”. This gau would have been worn by a high ranking lama...
A Delft blue and white pottery vase in the form of a leaping carp, a model known in 17th century Japan. Base with "AK" mark. Please refer to a similar vase in the Sunory Museum in Tokyo (https://www.suntory.com/sma/collection/data/detail?lang=en&id=389). Dimension: c. 18 cm high. Condition: 3 chips.
A large and fine archaic style serpentine stone stamp seal of the gable type, Ubaid period of Anatolia and Syria, c. 4th...
Top quality Korean tea bowl called Gohon Hanshi Chawan from Joseon dynasty (17th century) which was imported to Japan in the Edo period.
Similar bowl was sold at Christie's in 2011:
https://www.christies.com/en/lot/lot-5498073
Gohon tea bowls represent the quintessence of the aesthetics of what tea bowls have to be at that moment.
This is the type of Koryo tea bowls which were made by the order from Japan in the 17th and 18th centuries....
Very rare lacquered wooden box, inlay of the "hundred precious items" type. The decoration represents sages and animals in a landscape, antiquity and friezes of stylized dragons. The inlays are mainly in mother-of-pearl, but also in stone, steatite and above all a superb lapis lazuli of a rare blue stained with green, details are in sculpted cinnabar lacquer and also inlaid, others are in tinted bone and horn, and finally details are painted with gold powder. Chinese work from the Ming period. T...
Lacquered wooden box. Decor of a painted landscape, colors and details powdered with gold. Chinese work from the end of the Ming dynasty, 17th century. The lacquer has withstood the centuries well, it bears the beautiful wrinkles of the retraction of the wood, typical of this period. Worn decor, broken wooden base, glued. No restored parts or hidden defects. The condition is visible on photos. Inside 2 Chinese characters painted in cinnabar red lacquer. Length: 415mm
A pair of 19/20th Chinese turquoise porcelain parrots bird with original wooden stands , in excellent condition. H 25cm. (With out stand) $1250
Interesting conoid shaped stamp seal in black stone, probably serpentine, engraved on the base with a deer with large antlers and on the upperside with unidentified engravings. Greater Mesopotamia area and porabably from the Ubaid/Urum period 4th.-3rd. millenium BC.
Super nice stylized engraving of the deer! There's certainly some engravings on the upperside as well but uncleaned and unresearched.
Size: 255 mm. in diameter and c. 18 mm. tall.
Condition: Good Ve...
19th century Indian bronze devotional sculpture of Daksha with a head of a goat and his hands in the anjali mudra. Daksha was the father of Sati, the wife of the Lord Shiva. Shiva have not been invited to a great sacrifice to be performed by Daksha. Feeling greatly humiliated on behalf of her husband, Sati went to the banquet and threw herself on the sacrificial fire. Upon hearing about it, Shiva tore a hair out of his head and threw it on the ground: from this hair rose a great warrior and hero...
Late 19th century Indian bronze votive sculpture of monkey God Hanuman with a club and what looks like a fruit in his hands. Hanuman personifies ingenuity and faithfulness - his strength and courage helped Rama to defeat demon Ravana. Very nice casting, pleasant patina. Height 2 inches.