This porcelain plate was produced in Germany by the Ambrosius Lamm Dresden studio in the 1880s. It is titled “Vierte Nachtstunde” or Fourth Hour of the Night after Raphael. The plate is 9 ½ inches in diameter. It is hand painted with the night goddess holding an owl while suspended on clouds. The hand painting is finely detailed and the coloring is vivid. The border is hand gilded with an elaborate design containing lyres...

Wedgwood between 1878 and 1890. They are 4 ½ inches high with a diameter of 9 ½ inches. The design is from the aesthetic period in Imari style. Rich gilding, rust red florals and cobalt blue trim are combined to create these elegant porcelain serving pieces. The octagonal shape is uniquely suited to the pattern of decorated panels of cream and gold. Having the opportunity to own a pair of these compotes for perfect balance on a table or breakfront is rare...

This porcelain trinket box was produced in Germany by the Koniglich Porzellan Manufactur, or KPM, in the 1890s. The box is signed under the glaze with a blue scepter and a red orb over the glaze. There are hand painted numbers and a symbol. The porcelain is framed with gilt bronze ormolu. The lid is hinged to the bottom portion. It is decorated with an Art Nouveau design of swirling gilding and translucent enamel jewels in shades of peach and amber...

American sterling silver inkwell, ca 1880. Four gently curved sides on corner block supports. Cut ornament including scrolls, flowers, and chevrons. Sterling silver neck collar with imbricated leaf borders. Hinged bun cover same; top has chased garland, ribbon, crisscrossing horns of plenty, and laurel wreath surmounted by crown engraved with interlaced script monogram. Marked “Sterling” and Shreve, Crump & Low stamp. Very good condition.

Dimensions: H 5 x W 2 1/2 x D 2 1/2 in...

American sterling silver centerpiece bowl, ca 1870. Bellied with applied cartouche (vacant) and 4 shell-mounted scroll supports. Tapering shoulder engraved with scrolling leaf border. Open scrollwork side handles inset with cast medallion heads. One is a mustachioed man in plumed hat; the other a lady with noble visage. An unusual example of this popular and varied pattern. Marked “Sterling”. Very good condition.

Dimensions: H 5 1/2 x W 17 1/4 x D 12 3/4 in. Weight: 42.5 troy ounces...

Porcelain hand painted figure of a musician playing a lute(?). The original by Bustelli was modeled in the mid-18th century. This is a later copy, after 1887 when the factory was taken over by Albert Baumi and the old models revived. Nymphenburg shield and the numbers 59 and 0 impressed on the underside. 4 5/8 inches (11.7 cm) tall and 5 3/8 inches (13.5 cm) across the base.

Condition: undamaged except for three of the four tuning pegs and part of the red bow on his left shoe missing.

With the purchase of the lease on the Nymphenburg factory by Albert Baumi in 1887 the factory started to re-produce figures that had been originally made in the 18th century. This figure of a Turk, originally modeled by Bustelli, is one of those. Like many of the 18th century figures this one is not decorated with colors. 4 ¾ inches (12 cm) tall and 5 ¼ inches (13.5 cm) across the base...

A molded porcelain figure of a man in 18th century dress turned slightly to his right to warm his hands over a flaming brazier, emblematic of winter. The figure is marked on the base with the underglaze blue “F.” for Furstenberg. It also has the impressed marks A.a.M for a later production of the model which has the impressed number 85. 7 3/8 inches (19 cm) tall.

Condition: excellent except for the amputation of the fingertips of the right hand.

A pair of coffee cans, English, Staffordshire c 1810. Lavender blue and gilt with a vase and palmetto scroll motif. The edge of one can is slightly flaring and the lavender tone is a little lighter. Still, they are intended as a pair as proved by the gilders mark, which is the same on both cans, three plus one dot. Height "2 ½ / 6.5 cm. Condition: fine.

Stunning 18K gold and diamond cufflinks, c1900, depicting eagles, a great gift for that special French Cuff Guy. Stunning 18K gold and diamond cufflinks, c1900, depicting eagles. Eagles are often scene in mythological scenes w Zeus, the King of the gods, as a symbol of his strength and power. The cufflinks are hallmarked w the initials FC, referring to Frederick Courthope, a master goldsmith who worked in the Arts and Crafts tradition...

Essex crystal carving of a horse and jockey surrounded by rose diamonds. Perhaps they are symbolic of the winners wreath. The crystals are carved in reverse or intaglio into the flat back to create a three-dimension trompe l'oeil effect. The image is then painted in realistic detail. The pin measures 15/16 in diameter.

Lovely early Victorian bow pin of white woven hair set with turquoise in 15K gold. Hair jewelry was primarily of a romantic or loving nature. Queen Victoria was given a brooch made from her mother's hair for her 16th birthday. This pin measures 1 3/4" wide by 1 3/4" high by 1/4" deep.

Lovely drop rose cut diamond earrings in the pendeloque or pear shape. The pendeloque earring shape is a pear-shaped design used for diamonds and was a popular shape for both 17th and 18th-century French earrings. The earrings are day/night, meaning the tops and bottoms can be separated and the tops worn for conservative day time wear, and top and bottom together for special occasion wear. These lovely earrings, which glittered so beautifully in candlelight, are as beautiful today as they were ...

A beautiful and rare Shiebler sterling serving piece in the "Maintenon" pattern. Adding to the overall graceful form of the piece is the greenish-blue and white enameling on the handle and the white and pale lavender enameling on the gently curved bowl. While this form is quite uncommon it is generally found in plain silver and the addition of the enameling raises this to a rarity level. (It is generally acknowledged that some of the best enameling work done in the United States in this period c...

This wonderful lava ring was sold in Naples to travelers on the Grand Tour as souvenir jewelry in the 1820’s to 40's after the discovery of the ruins of Pompeii and Herculaneum in the 18th century. Made by Pompeian stone cutters, each of the seven round heads of the ring is distinctly carved and is of a different hue as well as a different mythological figure and comes from a different organic material sourced from Vesuvius. The cameos represent the days of the week, The grey cameo represents ...

This amethyst ring is a striking example of gold-work decoration that became popular in the second decade of the 19th century. A type of filigree work known as "cannetile" and named for the gold embroideries of the Napoleonic years, cannetile work made the most of a small amount of gold and required highly skilled goldsmiths. The amethyst stone is particularly eye-catching. The combination of the cannetile work next to the amethyst makes this an extraordinary ring. The ring is a US size 6.

Lovely 18K five stone opal ring with five perfect blue-tinged translucent Australian opals set in an embellished gold setting. Eight tiny diamonds nest between the opals. The ring is hallmarked Sheffield and dates to 1870. This is the opal ring you have been looking for. It is a size 8 3/4.

Wonderfully painted enamel ring depicting the love between Cupid and Psyche, the universal symbol of everlasting love. The ancient Greeks viewed the butterfly as a symbol of the immortality of the soul. The painting on the enamel ring shows the goddess Psyche, which means "soul" or "spirit", in the form of the butterfly, being chased by Cupid. The ring is 18K, circa 1910, size 6.5 and can be sized.