19th century good size angel skin coral ojime (slide bead for tightening the cord going from netsuke to inro) of simple ball shape. Rather unusual material, nice patina on the surface, few beautiful very slight pink areas. Diameter 5/8 inches.

19th century rock crystal ojime (slide bead for tightening the cord going from netsuke to inro) in modified egg shape. Does not photograph well. All lines inside the material are not cracks, but natural features of the stone, pleasant patina on the surface. Length 1 inch.

19th century glass ojime (slide bead for tightening the cord going from netsuke to inro) in ball shape with pink body and leaf and white cherry flowers. Beautiful surface, very pleasant patina, large central hole. Diameter 5/8 inches.

A small late Ming Dynasty underglaze blue porcelain dish featuring a flower basket design. In excellent original condition with no cracks, no hairlines, and no repairs. Measures 5 7/8 inches diameter, 1 inch high.

Pair of Old (1900's) Japanese Mixed Metal Vase

Each is 4.8 inches (12.2 cm) tall by 2 inches (5.3 cm) wide. Total weight is 777.5 gram

They have rubbing of gold, oxidation, pitting, surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

This is a Japanese antique indigo dye cotton shibori kimono of asamai of the taisyo era. It has several faint stains. But that is no damage. Size:Length:150cm / 59inch Width:: 128cm / 50.3inch

Two very well-painted miniature Tibetan paintings on treated cloth (not paper). One wrathful, one tranquil. The larger of the two measures 3-1/4" X 4", while the smaller of the two, the wrathful one, measures 3-1/8" X 3-1/2". Minor rubbing, as seen in the photos. No retouching or repainting.

In some regions of China, women made separate pairs of heels for their lotus shoes. That way, the heels could be worn with different pairs of lotus shoes, depending on the occasion, or mood. The heels had loops for straps which were used to tie the heels into place on the shoe...

Antique Japanese 6-panel byobu screen painting depicting a noble woman's carriage (gosho-guruma) parked under a blossoming cherry tree (sakura). The tassel cords are untied. The yoke rests on a black lacquered stool. The cart is decorated with irises and peonies with raised rimpa paint. The sudari is shut closed with chrysanthemum pattern curtains billowing out. Painted in mineral colors and raised gofun on gold leaf...

During the Qing Dynasty, the feathers of the kingfisher bird were used to create ornaments for woman to attach to clothing and/or wear in their hair... Through the 1800's These ornaments were made and formed with heavy paper (light weight cardboard...) They had large areas of feathers and the edges of the paper form were bordered with gold paint...and the ornaments were often domed By the early 1900's the bird were becoming rare almost extinct ...so intricate and smaller sections of fea...

This early South Coast textile incorporates a two-headed serpent motif, together with a human (or divine) being with arms raised high (sometimes referred to as "the oculate being," because of the prominent, bulging eyes.). Classic south coast imagery, most probably Nazca (Nasca). I included a photograph of a much later related image, dating to perhaps as much as one thousand years later, to show the continuity of the imagery...

Length: 3.5 cm (1.4 in)
Width: 2.9 cm (1.2 in)
Height: 1.8 cm (0.7 in)

Early Chinese toggle of a recumbent foo dog; natural material; good patina with wear; age lines on the base; good condition

Length: 3.5 cm (1.4 in)
Width: 2.9 cm (1.2 in)
Height: 1.8 cm (0.7 in)

Early Chinese toggle of a recumbent foo dog; natural material; good patina and age wear; good condition

19th century long wooden netsuke of nyoi - a Buddhist scepter carved as a length of a reishi fungus with three fungus heads. Did not photograph well. Nyoi, or Ruyi scepter is a traditional symbol of scholarship and transmission of knowledge, and reishi fungus represents the fabled Fungus of Immortality. Carved out of dense beautiful brown rosewood, elegant design in Japanese taste, great depiction of fungus texture, wonderful patina and excellent sheen to the surface from being handled...

A 19th Century Japanese six panel screen of Nara preparing for the Matsuri Wakakusa Yamigaki festival. This elegant bird's eye view of the city of Nara in the Edo period depicts a scree of village life in preparation for the traditional rice festival. Dancing and drinking are on display and the excitement fills the air with anticipation. The Nara temple is the major sponsor of the activities. The temple is open to patronage and veneration. This festival celebrates the rice harvest for the city...

Early 18th C Edo period Japanese byobu painted screen of scholars in retreat. It is composed of 2 panels. The screen has a predominate gold leaf ground on gofun paper. Paint composition is a mineral rimpa paint. The subject matter is a belief of mythology made real. Shu-ton (a scholar's attendant) found a longevity turtle that is believed to be 1000 years old. This turtle is also known to be a messenger to the gods. The expression on the master's face reflects wonderment...

Japanese 17th century Momoyama Period six panel Byobu painted screen of the Tale of Genji. This remarkable screen is in great form painted with rimpa polychrome mineral paint on gold gilt gofun paper. The composition is complex and it allows the viewers to have a bird's eye view of the scene and events amidst swirling clouds...

A mid-century 18th C Japanese Tosa school six panel byobu painted screen. Rimpa paint of gofun paper with gold leafed clouds dividing each of the scenes. The screen begins by exposing us to the art of seduction by listening to poetry. The proper approach to a desired lady was through poems written on scented paper of the finest quality by an elegantly dressed go-between of appropriate social ranking...