This unusual 19th century Japanese wood netsuke ¡°Oni hiding in the box¡± is 1 ¼ inches tall and 1 inch wide. It depicts an Oni hiding his head and upper body in a wood box (or a container for rice). He peeps through from a hole while his right arm sticks out from the other hole. There are two small kernels of rice on his bony back. A third kernel which should be on the side of the box is missing. The workmanship is superb. It is carved from unknown hard wood and is not signed...

This is Nobori-Paper used in a house in the Edo era. The pattern of this Nobori-Paper is Shoki. Shoki is an old Chinese soldier. This is made with paper. The rim of this Nobori-Paper is protected in hemp thread.� This is hardly left now. Most of left flags are textiles. This has many stains, damage, but there is value for a document very much. Size 223cmx 116cm (87.7 �g x 45.6 �g))

This is a part of Deer dance (folk dance) cotton Costume rare (1868-1912). It is very impressive and is like a folk handicraft. It has thin stain and damage. However, it is very good condition generally.Straw enters inside. size:64cm x 62cm (25.2" x 24.4" )

A wonderful Japanese scroll painting showing one peahen strutting underneath the cascading tail feathers of a peacock, standing upon a small rock structure. Pink and red peonies bloom around the two majestic birds. Attributed to artist Tani Bunchō (1763-1841). Size: (entire scroll) 88" height, 35.25" width (artwork only) 51.5" height, 28.5" width

Antique Japanese framed floral painting, with silver and gold flake accent clouds, of grape clusters on vines and large leaves, with red chop, possibly by Ogata Korin (1658-1716), Rinpa School.

Size: (entire frame) 28.5" L x 25" H (artwork only) 18.75" L x 13.5" H

Meiji Era futon-ji; indigo dyed cotton with tsutsugaki (free-hand drawn resist) image of the Three Friends of Winter: Pine, Bamboo, and Plum. L.150cm(59") x W.128cm(50"). Such bedding covers were given as part of a bride's dowry, commissioned with auspicious images or a family crest by the bride's family...

This mid 19th century, Tokyo School wood carved netsuke is 1 ¾” high, 7/8” wide and 3 /4” thick. It is not signed. It depicts a young boy wearing some kind of bib, holding his belly with both hands. It is in excellent condition.

We proudly present this outstanding Mugi-de Oribe Chawan.

Distorted half cylinder shaped (kutsugata) tea bowl with slightly flaring mouth made of light, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife. With the exception of the foot ring the bowl is covered with a clear (wood ash and feldspar) glaze inside and out...

Antique Japanese two-panel gold leaf screen with elegant, simplistic landscape scenes in black, with calligraphy and artist's signature. Unusual small size, very charming. Edo Period (circa 1800's). Size: 65" L, 11" H

Little distorted half cylinder shaped (kutsugata) tea bowl made of light, coarse, unrefined Mino clay.

The expertly thrown body is covered with the typical green copper oxide glaze inside and outside. A 'window' on the side has been left unglazed for decoration in iron oxide engobe under a clear ash glaze in a geometric pattern of squares and triangles and little circles. This is a typical late Momoyama design...

This very well designed and carved wood (boxwood) netsuke is 1 ¾” high, 2” wide and 1 ½” thick. It depicts three pods of a Japanese lantern plant (some people call it a Chinese lantern). Two big lanterns and one small lantern are arranged along a stem with a curly leaf which has a few insect bites. It is dated late 18th century and it is not signed. It is in excellent condition.

Here we present a tasteful kuro (black) Oribe kutsu chawan from the mid Edo period.

It has an interesting shape with fantastic black glaze and two different images on it. This bowl is unmarked, which was typical for tea bowls of this era.

We offer this tea bowl with a very good box (kiribako).

No cracks or repairs - except inborn kiln cracks...

This is a rare museum item. This is kimono for a child with design of blossoming cherries, fans, and hemp shibori tie-dyeing. It is the one at the Meiji era. It is kimono explained in this book. (Kyouto shoin's art library of japanese textile No.11 Japanese Tie-dyeingIt page 16) dyes it with a very valuable safflower. Moreover, it is very unusual and valuable that there is a motif of the rising-sun flag in the design. There are a thin stain and a small hole...

This 19th century Japanese unsigned hardwood okimono of SENNIN (hermit or immortal) is 2 1/8 inches tall, 1 inch wide and 1 ¼ inches in depth. He is carrying a basket of vegetables, and a small double gourd tied on his back. His right hand is missing; there are some chips on his nose, sleeves and both shoes.

This is Tsutsugaki Yogi of the indigo dyeing tea service set of the Edo era. The cotton is spun by hand and is very thick. A color of the cloth is deep green. The green dyeing needs a technique higher than the dyeing only for indigo plants. Therefore it is a color required to the item of the upper class. And this was drawn in a good balance in very powerful Tsutsubiki...

This is Rikushaku-kanban where cotton cloth spun by hand for Edo period was used for. This cotton has the good feel. As for this, a crest is a letter of Kotobuki. The letter of Kotobuki expresses words and a ceremony of the celebration. A letter and the pattern of the cross filler are dyed in Tsutsugaki. This has a stain in several places. Size 150cm x 129cm (59 "x 50.7")

Sold! Impressing black Raku tea bowl of the Raku family, made and signed by the 10th Kichizaemon Tan-Nyu.

The signed box is labeled “10th generation”, which means Tan-nyu (1795-1854). The reverse side of the lid has an appraisal of the grand tea master of Omoto-Senke.

A stunning tea bowl made from one of the most famous potter clans in Japan. Most pieces of Kichizaemon Tan-nyu are hold in museums...

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best...