This Edo-period bronze quail incense burner is a stunning piece of Japanese craftsmanship. The lifelike form of the quail, intricately detailed and gracefully curved, showcases the artistry of the era...

A white bronze sculpture of crashing waves supporting three glass orbs; an elegant form carrying good fortune from old Japan. It is 49 cm (19-1/4 inches) long and in overall excellent condition. Set it in the window and watch the orbs blow colorful prisms across the room.

A carved lacquer box which pays homage to Chinese literary taste while presenting itself clearly in a modern, Japanese way (for turn of the century lacquerware at least) by 2nd generation lacquer artist Ishii Yusuke enclosed in the original signed wooden box. The tsuishu lacquer technique requires applying layer upon layer of lacquer which is then carved through and polished, a painstaking process...

A sage, strikes a forever pose as he stares into the distance, robes billowing in the wind, contemplating the troubles of lesser beings, a fan clutched behind. This is a beautiful bronze sculpture dating from early 20th century Japan paying homage to the literati and Confucian traditions which formed the basis of Japanese ideology at the time. It is signed Kiyoshi with an engraved signature on the hem of his robes. The figure stands 39 cm (15-1/2 inches) tall and is in excellent condition...

A carpet made of recycled washi fragments which were daifukucho (merchant's record book) or letters, and kakishibu (persimmon tannin) painted for strength and waterproof. It was generally put over tatami mats protecting them from sun beam or dust. It has letters "Kanei 6 (1853)", very late Edo period. It has rips, holes and moth bites. 204cm x 192cm

A beautifully turned bowl lacquered burnt orange-red over a black foot dating from the late 19th to early 20th century enclosed in an old kiri wood box titled Negoro-nuri Kashiki followed by a signature. The faintest brush strokes in perfect lines swirl around the outside, and cross the bowl inside. The bowl itself is also signed in red on the base. It is 18 cm (7 inches) diameter and in excellent condition.

The size of Covered Bowl: 4 1/4" Dia x 3 1/4" High. Pretty Japanese Ko Imari Iroe Polychrome Porcelain Covered Bowl. The covered bowl is made from fine quality procelain as well as fine glazing. It has sometsuke design finely painted at the border geometric design as well as the center design inside. the cover and bowl has pretty design of Marumon design with flower on large Marumon by the color of green, turquoise color, Japanese red and gold. turquoise color enamel is thickly painted...

Vase in fine Satsuma earthenware enamelled in Osaka in Yabu Meizan's workshop at the end of the 19th century around 1890. The decoration is compartmentalized in 4 cartouches and represents the 4 seasons. The landscapes are meticulously painted, the details are surprisingly elegant and realistic. For winter, a snow-covered port is represented, the trees are heavy with snow, everything is motionless, padded. The cartouches are surrounded by a beautifully painted thousand-flower background...

The Muromachi period in Japan, known for its artistic and cultural flourishing, produced exceptional pottery and ceramics, including this exquisite e-Shino incense burner. Crafted with meticulous attention to detail, this piece exemplifies the refined aesthetics of the time. Its elegant form, featuring gentle curves and a graceful silhouette, reflects the harmony between nature and art...

Crabs clamber through the tangled bamboo leaves decorating the rim of this crushed fluted pottery bowl from the kiln of Wake Kitei (also read Waki) dating from the 19th century. This piece shows a great influence from the southern Island of Kyushu and Korean ware, not only in the literati style depiction of crabs, but in the glaze itself which is very much in the vein of Karatsu and or Gohon ware, as well as in the swirling whirlpool inside the footring...

An exquisite bronze image of an ancient sage, a gnarled staff supporting his crooked frame with a golden fan capped with silver feathers clutched in his right hand. The Detail is superb, from the evocative expression to the minute details on his robe and accoutrements. It is signed on the foot Seiun (Hara Souemon), a top quality bronze, expressive and detailed. The figure is 10 inches (25.5 cm) tall and in excellent condition...

A rare Seto Heishi (also read Heiji) bottle dating from the Kamakura period (1192-1333) wrapped in a custom made silk pouch with age darkened Kiri-wood box. Streaks of an unusual blue shidare glaze are visible on one side, Unlike the vast majority of Heishi bottles, this piece is no unearthed or excavated but has been passed down from generation to generation (as evidenced by the lack of inclusions or calcification)...

A yobitsugi Jar made up of various excavated kiln shards of central Japan dating from the Heian period (794–1185). It is roughly 32 cm diameter, the same height. Looking at the volume of debris and encrustations, it is likely that the upper most part of this tsubo, which is one piece, was buried in a kiln collapse, earth and stone fusing to the molten ash. During the Heian period, hole kilns were dug into hillsides, with a chimney bored down into the back...

Antique Japanese single section mizuya tansu (kitchen chest). Made of sugi (cryptomeria) wood with details in keyaki (elm)...

Antique Japanese cast iron lantern in the form of a cricket (or grasshopper). Crafted with long, elegant antennae. The lantern is made so it can sit over a light or candle, illuminating the cut out sections on it's wings.

Age: Taisho Period (1912-1926)

Dimensions: 5 1/4" high x 11" long x 5" wide

Antique Japanese cast iron lantern in the form of a rabbit. Sitting upright with long ears alert. The lantern is made to hold a candle, the light escaping through many round cast windows in the rabbit's body.

Age: Taisho Period (1912-1926)

Dimensions: 10 1/2" high x 9 1/2" long x 5 1/2" wide

During Japan's Momoyama period, spanning from the late 16th to the early 17th century, Bizen pottery flourished, producing exquisite pieces such as this “shimokabura” or radish-bulb-shaped sake flask (tokkuri). Crafted from locally sourced Bizen clay, this tokkuri embodies simplicity and understated elegance. Its unassuming form showcases the natural beauty of the clay, enhanced by a delicate ash glaze and distinctive markings achieved through specialized firing techniques. The t...

From a 2006 excavation site in Tokyo known to be occupied by the Owari Tokugawa clan—the most senior contingent of the Tokugawa clan that united Japan under one rule—this lovely Mishima tea bowl has been given a new lease on life with a gorgeous and detailed kintsugi repair with maki-e gold painting. Known to have been devoted patrons to cultural institutions, the Tokugawa’s governance and policies contributed greatly to the flourishing of arts, literature, theater, and urban ...