A vermilion Negoro lacquered tray with fluted corners on an elongated stem with heavy round foot in black lacquer dating from the Muromachi period with the temple name Zentoku-in written in red on the base. It is 27 x 27.5 x 25 cm tall (10-1/2 x 10-3/4 x 10 inches). Originally undoubtedly square, the discrepancy in width is due to shrinkage against the grain over the centuries. It comes in a late custom made wooden storage box...

A boxed set of fifteen unique bowls with lids for clear soup made for the Lord of the Yanagisawa family enclosed in a wooden box dated the 7th month of 1730. What makes this set quite unique is that each bowl is singular, a different design, color, shape or technique. But throughout is the one continuous symbol, the four petaled crest of the Yanagisawa clan.　The box is titled Yakatasama, Go Suimono wan, Yangisawa Shimono and on the side Jugonin-mae...

Five matching boxes covered in black lacquer decorated with togidashi feathers in silver and gold enclosed in the original wooden box signed Shunji (active Meiji-Taisho period) and titled Hane-no-zu Maki-tabaco Shoshi (Feather decorated tabaco chest). Each faceted wood box has been covered in polished ink-black ro-iro lacquer, the diaphanous feathers then created on the surface with powdered gold and silver; then all is covered again in lacquer and polished through to reveal the design...

A sheer cascade of silver mist drops into the darkness beyond a golden outcrop harboring an ancient pine laden with blossoming wisteria vines. Togidashi, taka-maki-e and kirigane, this is a breathtaking box dating from the 19th to opening of the 20th century. Inside is elegantly decorated with drifting clouds of golden mist. Overall in excellent condition, enclosed in a period wooden box. It is 23 x 21.5 x 4.3 cm (9 x 8-1/2 x 1-3/4 inches).

An Ancient wooden casket for Buddhist ritual implements lacquered black and decorated with lotus flowers in silver and gold on scrolling vines with an inscription beneath stating it was donated in the New Year of Kenmu 2 (1334). The lacquer, originally black, has oxidized to a mellow chocolate color. It is 33.5 x 18.5 x 13 cm (13 x 7-1/2 x 5 inches). As one may imagine there is a great deal of wrinkling of the lacquer from shrinkage, some losses and much wear to the edges...

Gold willows drape over the highly unusual silver-tinged blue lacquer surface of this water container by Tonami Sosai II enclosed in the original signed wooden box titled Uwajima Nuri Seigin Yanagi Te-oke Mizusashi (Silver Blue Uwajima Lacquer, Willow, Bucket Shaped Mizusashi). The outside is a shimmering blue tinged with silver, while inside is black covered in powdered silver flake. A striking combination...

A fine Persian cover of rectangular form. The center with crimson velvet, voided with flowers in lozenge shaped lattice, the woven silk edging with boteh pattern on blue. The reverse with printed cotton lining and eging in woven wool fabric. The velvet composed of several pieces and apparently prior of the other fabrics, possibly of Italian origin, 17th century (please compare to 1937.1265 in the "Art Institute Chigago"). Condition: traces of usage, stained, wear, old mends. Dimension: approx...

Mother of pearl flowers rise among the large leaves of a paulownia tree on this small lacquer box and tray dating from the early 20th century enclosed in the original signed wooden box by Yoshida Rissai. The workmanship is flawless, with a fine sense of depth brought on by the mother of pearl lined with gold powder and set against a ground of golden mist on black. Inside is a rich, red tinged nashiji ground...

A 16th to 17th century (Momoyama to early Edo period) candle-stick of vine or root set onto a hollow carved base and covered in black and red lacquer with a metal stud and drip pan. It is 11 inches (28 cm) tall and in overall fine condition, with wear typical of centuries of use.

Japanese shin hanga woodblock print by Toshi Yoshida (1911-1995) titled "Raicho" (Thunderbird) depicting a rock ptarmigan (a type of grouse) and chicks dated in the left margin Showa 5 (1930). The artists's black ink signature and red seal are at the lower right corner. The print is pencil-signed in the lower right margin. The date and kanji title are in the left margin with the English title below in the lower left margin. Paper size: 10 3/4" x 16" (image: 9 5/8" x 14 3/4"...

The rim decorated with geometric motifs, at the top a face representing Eshu, the messenger deity who acts as a medium between the human and the spirit world. H. 27,5 cm, W. 33 cm. The board has been well used and shows a good amount of wear and a great patina. Nigeria, first half 20th century. Provenance: Ursula Voorhuis, The Netherlands. She owned one of the biggest Yoruba collections in the world and did a lot of field research and collecting in the 60’s and 70’s.

Japanese Meiji period cylindrical pawlonia (kiri) wood domaru (tree-trunk) hibachi with a relief design of flowering grasses in gold maki-e lacquer and shell inlay. A gold lacquered bird flies on the back. Original copper liner. Late 19th to early 20th century. 8” high x 11 1/2" wide. Very good overall condition with only minor losses to the shell inlay.

The gist of the script is Taoist, something to the effect of: This is my life, I am neither overtly talented nor gifted with genius, like a sail boat alone tossed among the waves I drink freely of sake untouched (unfettered) by others seen only from a distance. Ink on paper in a the rough silk border preferred by Literati artists with exquisite turned ivory rollers enclosed in a period wooden box (the rollers will be changed for something suitable if exporting)...

Japanese limited edition woodblock print by French artist Paul Jacoulet (1902-1960) titled "Birds of Paradise. Menado, Celebes" (Les Paradisiers Menado, Celebes) published December 25, 1937. This image is illustrated on page 53 (plate 46) of “The Prints of Paul Jacoulet” by Richard Miles, 1982. It is described on pages 98-99. The print is pencil-signed and bears the red tea jar seal at the lower right edge of the image...

A male front Mandarin square with a tiger, denoting the 3rd military rank...

The largest vase I have ever seen for sale by Miyagawa (Makuzu) Kozan enclosed in the original signed wooden box titled Seika Sansui taki-ho-ga Kabin (Blue and White Vase decorated with waterfall Mountain Scene). It is 54 cm (21 inches) tall 36 cm (14 inches9 diameter and in excellent condition, signed on the base.
The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imperial Court by the tenth generation head of the Kyo...

The richest blue bamboo rises majestically against the bright yellow ground of this exceptional vessel by Miyagawa (Makuzu) Kozan enclosed in the original signed wooden box titled Kiyu Seika Takenozu Kabin (Vase with Blue Bamboo Design on Yellow Ground). It is 33 cm tall (12-1/2 inches) tall, 23 cm (9 inches) diameter and in excellent condition, signed on the base.
The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imp...

Verdant foliage of the Imperial Paulownia (Kiri) tree in crisp cobalt rises majestically on this tall vase by Miyagawa (Makuzu) Kozan enclosed in the original signed wooden box titled Seika Kiri no Zu Kabin (Blue and White Vase with Paulownia Design). It is 30 cm (12 inches) tall and in excellent condition, signed on the base.
The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imperial Court by the tenth generation hea...

A large basin in striking cobalt designs by Miyagawa (Makuzu) Kozan enclosed in an unsigned wooden box. The central figure is a soaring phoenix spiral n elaborate plumage surrounded by clam shaped scallops in which leaping carp vie for the prize. About the rim 3 dragons battle for the flaming pearl. Outside serpentine vines intertwine about voluptuous flowers over phoenix. All together a sumptuous and royal aura. It is roughly 32 cm (12-1/2 inches) diameter and in excellent condition. A si...

A raw-clay-bodied globular vase decorated with comic deer in overglaze enamels by Miyagawa (Makuzu) Kozan enclosed in the original signed wooden box titled Akebononoiro-do Shika no zu Kabin (Vase of Sunrise-colored Clay decorated with Deer). The farcical creatures are punctuated by the fellow caught in the act of chewing his hoof (or was he having a scratch?) He looks back at the viewer with wide eyed and sheepish. The vase is 24 cm (9-1/2 inches) diameter and in excellent condition.
...

The Shishimai dance tradition is common throughout east Asia. A single, or sometimes a pair of dancers, don the costume and parade through the street biting people, especially children, on the head. This is believed to ward off misfortune and evil spirits, and make a child overcome fear. An incense burner by Miyagawa (Makuzu) Kozan in the shape of a shrouded Lion Dancer in vibrant colors enclosed in the original signed wooden box titled Ninsei-I Shishimai Gata Koro. The koro is 14 cm (rough...

Fine Rare Chinese Yuan Dynasty Burnished Black Pottery Round Box

We have recently been lucky enough to have acquired a collection of very rare examples of burnished black pottery items made during the Yuan Dynasty (AD 1279 - 1368). Such items are relatively unknown and very little has been published about them. They are found in the northern provinces, particularly Gansu province in the north-west.

This fine-quality black pottery black has a highly polished/burnished surface making it pa...

Fine Rare Chinese Yuan Dynasty Burnished Black Pottery Dragon Cup & Saucer

We have recently been lucky enough to have acquired a collection of very rare examples of burnished black pottery items made during the Yuan Dynasty (AD 1279 - 1368). Such items are relatively unknown and very little has been published about them. They are found in the northern provinces, particularly Gansu province in the north-west.

This exquisite cup and saucer set has smooth burnished surfaces, very smooth to ...

Rare Chinese Yuan Dynasty Burnished Black Pottery Meiping

We have recently been lucky enough to have acquired a collection of very rare examples of burnished black pottery items made during the Yuan Dynasty (AD 1279 - 1368). Such items are relatively unknown and very little has been published about them. They are found in the northern provinces, particularly Gansu province in the north-west.

This vase, or bottle is of meiping form. It is particularly "heavily-potted" and stands on an int...

Rare Tall Chinese Eastern Han Dynasty Decorated Glazed Jar

This attractively-shaped pottery jar was made during the Eastern Han Dynasty (AD 25 - 220) and comes from Shaanxi province in the northwest of China. It is made from a red pottery, quite heavily potted, has a wide body, narrow neck and trumpet-shaped mouth. Simple decorative incised lines surround the neck and shoulder. The outer surface and inner mouth have been coated in an amber-coloured glaze with green glaze added in places to f...

A Fine Chinese Tang Dynasty Sancai Glazed Pottery Groom with Oxford TL Test

This very fine pottery model of a foreign groom was made during the Tang Dynasty (AD 618 - 906). It is made from a highly-fired white pottery that has been coated in different coloured glazes, as well as the facial features being finished in cold-painted coloured pigments. The figure has a beard and moustache and wears a flowing cloak with distinctive head gear. His right arm is raised as though holding the reigns of...

Rare Large Chinese Han Dynasty Bronze Xian (Published)

This exceptionally large and rare bronze xian (steamer) was made during the Han Dynasty (206 BC - AD 220) and actually comprises three separate vessels that combine to form the xian. The middle section sits within the lower section, and on top sits the upper section, the part that has the grill in its base to allow steam to enter the vessel. Each section is decorated with raised bands and a pair of taotie ring handles. The surfaces are c...

Chinese Eastern Han Dynasty Amber Glazed Pottery Stove

This pottery model of a stove was made during the Eastern Han Dynasty (AD 25 - 220). It is made from a reddish pottery and coated in a thick and attractive amber glaze. It has been made from moulded sections that have been luted together. There are three integral cooking pots with moulded decoration including fish, geometric patterns and a kneeling female figure with a pot. To the underside unglazed surface is a network of ancient root/p...

Fine Chinese Tang Dynasty Saddled Horse with Oxford TL Test

This fine-quality pottery model of a horse was made during the early part of the Tang Dynasty (AD 618 - 906). It is made from a relatively highly-fired pale-coloured pottery, varying from a pale grey to a pinkish-brown in colour (this colour variation is often seen with earthenware that is more highly-fired than other pieces). It has been "cold-painted" in various coloured pigments. The two pigments that have survived the most are t...

Fine Chinese Tang Dynasty Painted Pottery Horse & Rider

This attractive pottery model of a horse & rider was made during the Tang Dynasty (AD 618 - 906). It is made from a relatively highly-fired pottery that has been "cold painted" in various different coloured pigments. The horse stands alert with its head turned a little to its left. The riders sits erect with his hands held out as though holding the reins. Note the clothing of the rider, especially the head covering.

Height 35 cm (13...

Fine & Rare Chinese Northern Wei Dynasty Painted Pottery Horse & Rider

This rare and attractive pottery model of a horse & rider was made during the Northern Wei Dynasty (AD 386 - 534). It is made from a buff-coloured pottery that has been "cold painted" in a base coat of a creamy-white pigment on top of which are yellow and black pigments. The horse stands upright with its head turned to its left. Note the detail of the rider's clothing. Judging by the position of the rider and the two purp...

Korean 19th Century / Choson Blue & White Porcelain Jar in Box

This porcelain jar of globular form was made during the 19th century toward the latter part of the Choson (Joseon) Dynasty. The underglaze blue decoration comprises floral patterns and two bands surrounding the neck. It is quite "heavily-potted" and there are couple of firing bubbles, no doubt due to the thickness of the clay. There is kiln grit embedded within the glaze to the base.

Diameter 13 cm, height 11 cm. There is m...

Tall Chinese Warring States / Qin Dynasty Grey Pottery Jar

This large and attractively-shaped pottery jar was made during the Warring States period (475 - 221 BC) or possibly during the Qin Dynasty (221 - 206 BC). It is "heavily-potted" and made from a relatively high-fired dense grey pottery. It is decorated with two wide bands of repeated impressions that surround the upper and lower shoulder. There are also fainter decorative impressions that partially surround the body at the waist.

...

Large Chinese Warring States Impressed Pottery Jar (475 - 221 BC)

This large and attractive pottery jar was made during the Warring States period (475 - 221 BC). It is made from a relatively high-fired dense grey pottery. The whole of the surface of the upper body has been decorated by impressing cord into the soft clay and then incising horizontal bands as the jar was turned; a simple yet very effective method of decoration.

Height 30 cm, diameter 28 cm. Condition is very good. There a...

Vietnamese 16th Century Green Glazed Bowl

This rare bowl was made during the 16th century. Apart from the unglazed stacking ring and base it is coated in an apple-green glaze, the depth of colour of which varies according to its thickness. There are small areas around the inner wall where the glaze has not covered but this appears to be unintentional.

Diameter 16 cm. Although not immediately obvious, a section of the wall has been broken out and re-stuck.

*** TO ORDER THIS ITEM PLEA...

Fine Vietnamese 14th / 15th Century Moulded Bowl

This rare bowl was made during the 14th - 15th century and is coated in a finely-crackled yellowish-brown glaze, the depth of colour varying according to its thickness. Around the centre is a wide unglazed stacking ring, and around the inner wall are various moulded leaf and floral patterns. Apart from unintentional glaze splashes, the foot remains unglazed.

Diameter 17 cm. There is minor glaze loss where the glaze is at its thinnest, but...