Description: A beautiful Imperial blue-ground porcelain bowl in large size was painted to the exterior with five-clawed dragon motif. In iron-red, the imperial motif of dragons were paired with Phoenix and decorated with patterns of tendrils flowers and weeds. A real imperial porcelain was in quite large size and very unique colour. Date: Qing Dynasty, Guang-xu mark and period (AD1875-1908) Width: 25.5cm Condition: very good except some kiln defects within the foot rim.

Description:

A black-glazed covered cosmetic box was in lovely melon shape.
It was preserved good with fine black sheen when pinpoint shrinkage condition was found on the glaze,.

Date: Ming Dynasty, 15th century,

It is in quite good size of..
Width: 13cm, Height: 8.5cm.

A CUSTOM-MADE SILK BOX IS INCLUDED,.

DANCING TANUKI

Japanese okimono made of natural wood that applies the form created by natural forces to its main body with the minimum human processing, is motif of traditional Shigaraki ware tanuki (raccoon dog) statue with characteristic big balls between legs, Showa period, 20th century, H 32.5 x W 16.5 x 18.5 cm (12.79 x 6.49 x 7.28in)


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Chinese Ming Dynasty Longquan Celadon Tripod Censer

This attractive and quite rare three-footed censer was made during the 14th / 15th century most likely at the Longquan kilns, Zhejiang province. The wide body stands on three short integral feet. Incised bands encircle the mouth and base. It is coated in a finely-crackled celadon glaze of good colour save for areas on the inner surface and base where the unglazed pale brown porcelaneous body is revealed.

Diameter 12 cm...

A rare okimono from the Kairakuen Kiln of the Tokugawa branch family dating from the early to mid 19th century. The box label attributes these to Eiraku (presumably Hozen, who was tasked with helping to further the ceramic production of the kiln). The rooster is roughly 7 inches tall the same in length (18 cm). Dating from the later Edo period, they come in an old wooden box with a cloth cover and are in excellent condition...

A circular pale celadon jade pendant, carved and pierced with a parrot perched on a flowering prunus branch. A quite identical plaque was sold 8 November 2013 by Christie's, London South Kensington. Condition: fine. Dimension: diameter: 5.2 cm, approx. 0.3 cm thick.

A dry ink on paper image of mushrooms growing up along a garden stone dated 1874 by Tani Nyoi (1822-1905). The scene is signed Nyoisanjin, and dated the second month of 1874 hemmed in by origami cranes on cream satin in a field of rough pale green silk and features dark rosewood rollers. The style is very much in the literati tradition predominant during the early Meiji. The dry vigorous strokes evoke a sense of fleeting solidity, as if wind were about to blow the light paper away...

A Tang dynasty Changsha bowl, rounded side with deep center and unglazed base, bowl decorated with calligraphy motif in brown color motif, bowl covered with creamy glazed PERIOD : Tang Dynasty (618-906 AD) MEASUREMENTS: 5 cm tall, 14.5 cm wide. CONDITION: a tiny frit to the rim, no chips, cracks, or hairlines and free from restorations.

Description: A charming nephrite green jade bracelet was from Song Dynasty. Kept in perfect condition when incursions with brownish tint were left on the surface, the bracelet was in plain form without any motifs. An attractive piece that can add more focus to your wrist. Date: Song Dynasty(12th century) Width:(outer rim 7.6, inner rim 5.8cm)

A Rare Yuan 14th century miniatur Qingbai glaze boat decorated with detail two fisherman with erotic human passenger. Covered with bluish white qingbai glaze. Perfect condition. Size :8cm wide.4,5cm high.

A beautiful Meiji period Japanese carved Ivory figure of a bride exqusite detail signed by the carver. In pristine condition measuring 9 inches tall or 23 centimeters. A fine addition to any collection

A fine antique Chinese carved zitan wood statue of Buddha or a Bodhisattva beautiful patina and fine carved details. Finest quality one solid piece of rare Zitan wood measuring approx. 16.5 inches tall or 42 cm. A fine addition to any collection.

Stoneware jar with black glaze and brown spots. H. 12 cm, diameter 14,5 cm. Minor chips to the inside of the mouth rim. Song Dynasty (960-1279)

A large 17th to 18th century Buddhist sculpture of a Rakan (arahat), well sculpted, his naked torso gilded in gold with robes and shoes in black lacquer, carrying a large urn which is an active incense burner. The sculpture is 2 feet (61 cm) tall and in overall fine condition. There are minor losses to the lacquer and gilding typical of age, and a repair to his left foot. Both little fingers are missing from his hands; these could be repaired if desired at additional cost.

Description; A rare Yaozhou plate was uniquely glazed and formed a star-like pattern. In a special glazing form, the ware was molded as an oval shallow basin. When the foot ring was shaped with steep wall, the bowl's surface was dipped in the white pigment first then was slipped with black glaze. It was then formed the star-like motif in the cavetto. Iridescence phenomenon was obvious on the glaze when the burial residue was adhesive to the body clay. Date: Tang Dynasty(AD618-906), Width: 16.1cm...

A delicate image of a Zari-gani fresh water shrimp by Oishi Junkyo enclosed in a period wooden box. The poem reads:
nanigotomo
naseba naratefu
kotono wa wo
Mune ni Kizamite
Ikite Kishiware.
Whatever happens, no matter the hardships and pain, Set it in your heart to live with Spirit! This little fellow looks up to the challenge, a stern look on his face and his dukes up, ready to battle giants. What a fitting image for this artist...

Many stories were written based on Yoshitsune (Minamoto family) and Benkei. The "Kanjincho", the Kabuki adaptation of the Noh play "Ataka" was first performed at the end of the Edo period in 1840. Danjuro VII played the roll of Benkei in the same costume that you see on this doll for the first time. Danjuro VII brought many fresh ideas and techniques to Kabuki play. This costume was one of the results which brought quality costumes to Kabuki from the Noh play...

Description:
A Changsha ewer pot was rarely kept with the original cap.
Being applied with yellowish glaze, the ewer was decorated on the body with characteristic brownish stripes.
Intriguingly made to imitate a fowl, two wings and a tail were squeezed to the body. They were also the characteristic form for the Changsha wares.
The glaze was transparent and in greasy look while immensely spread crackles were yielded and were accompanied with incursioned earth...