Rare Chinese Northern Wei Dynasty Painted Pottery Pack Horse (AD 386 - 534)
This very rare pottery model of a pack horse, or pony, was made during the Northern Wei Dynasty (AD 386 - 534). It is made from a grey pottery that has been "cold painted" with traces of red and white pigments remaining. Note the detail of the saddle bags and pack...
Chinese Tang Dynasty White Pottery Horse & Rider
This unusual model of a horse & rider was made during the Tang Dynasty (AD 618 - 906). It is made from a creamy-white pottery that has been "cold painted" in various coloured pigments. Note the detail of the overweight rider's clothing and hairstyle.
Height 33.5cm (13 inches)...
Chinese Tang Dynasty Painted Pottery Horse & Rider
This attractive pottery model of a horse and rider was made during the Tang Dynasty (AD 618 - 906). It is made from a buff-coloured pottery that has been "cold painted" in a base coat of white pigment on top of which have been applied various coloured pigments. The rider is a musician, a drummer, and is in the act of beating his drum...
Fine Chinese Western Han Dynasty Painted Pottery Figure (206 BC - AD 8)
This tall pottery figure was made during the Western Han Dynasty (206 BC - AD 8). It represents a male servant or attendant. It is "heavily-potted" and made from a grey pottery that has been "cold painted" in various coloured pigments, much of which still remain...
Rare Chinese Tang Dynasty Painted Pottery Horse & Rider with Oxford TL Test
This very rare pottery model of a horse & rider was made during the Tang Dynasty (AD 618 - 906). The body of the horse, complete with the rider, has been made in a two-piece mould. the join running along the horse's neck and back and the sides of the rider. Note the detail of the rider, his clothing and his hands...
Fine & Rare Large Chinese Han Dynasty Glazed Granary Jar with Cover
This rare pottery model of a granary was made some 2,000 years ago during the Han Dynasty (206 BC - AD 220). It is coated in a very attractive amber glaze that varies slightly in colour around the vessel. The unusual shoulder and top presumably represent a two-tier tiled roof. It has its original cover with moulded floral pattern and two purpose-made holes...
Two silk Fukusa wrapping cloths designed and or hand painted by Kamisaka Sekka enclosed in the original signed wooden box dating from the Taisho period. The first is an emboridered wrapping cloth with patterns of flowers and grasses designed by Sekka, 13 x 14 inches (33 x 35.5 cm) in excellent condition complete with red cloth obi. For an identical piece see Kamisaka Sekka: Rimpa Master - Pioneer of Modern Design by Kyoto National Museum of Modern Art 2003 p. 103 fig 23...
This Toba-e E-maki appears to be a 19th century Gi-ga follower of the later 18th to early 19th century Osaka "Manga-ka" Nichosai (Matsudaira Heisaburo). His humorous images of Hell were quite popular, known as Kakuyu painting. Overall the genre has many names, Gi-ga being all encompassing, Toba-e being descriptive of this particular style, and Kakuyu-fu being the style of Nichosai. It ends with a simple stamp which reads Fish (Gyo/Sakana). It is 11 by 174 inches (28 x 442 cm)...
A comic scene in ink on paper of boys herding oxen by Nagasawa Rosetsu spreads across these two low screens. The central characters, one in the lead the second astride one of the behemoths crossing a bridge is distracted by a butterfly floating by above while the beast in front steps on its own rope, pulling his head back to the viewer with a quizzical expression. Other oxen and boys populate the background...
A small round heavily lacquered box made to contain incense carved with Peonies by Imperial Artist Suwa Sozan I enclosed in the original signed wooden box. Layer upon layer of lacquer has been applied over time, each subsequent layer allowing for drying, then the entire is carved through with the floral motif. This would likely have been years in the making. This kogo is 3 inches (7.5 cm) diameter and in perfect condition signed underneath Sozan...
A pair large Chinese silk kesi tapestries, once mounted as hanging scrolls with silk brocade border and backed with paper. Showing immortals and gods of the Daoist Pantheon in a landscape setting...
A dark forest rises in a field of white, as if still covered in frost or snow, over which is draped a poem brushed in the exquisite script of the poet-nun Otagaki Rengetsu,
Itsu to naki, Tokiwa no sato ha, Hototogisu shinobu hatsune ni, Uzuki wo ya shiru?
With the first cry of the Cuckoo, in this village of Tokiwa
Will the people realize, Spring has arrived?
To the extreme left, the cuckoo flies off the page. Ink on paper in forest green silk extended in a beige with black ...
The Heron Maiden coquettishly covers her face, the intimation of snow in the vacant background with large occasional flakes falling in the fore on this large work by important 20th century artist Kitano Tsunetomi. Pigment on silk in the original silk border with solid ivory rollers (these will be changed if exporting). It comes in a later collector’s double wood box. The scroll is 46 x 206 cm (18 x 81 inches) and in overall fine, original condition. There are faint scattered foxing marks t...
Kannon (Guanyin) the bodhisattva of compassion, is depicted by two of the most famous painters of the early Showa period on this pair of presentation cloths by Hashimoto Kansetsu and Tomita Keisen. Keisen’s loosely brushed image of a cherubic Kannon sits in the center of an Enso Zen circle. The calligraphy on the left reads "Entsu", a Buddhist term combining the kanji for circle and authority, loosely meaning knowledge of the circle of Buddhist Doctrine, the cycle of life and of all things et...
Japanese limited edition woodblock print by French artist Paul Jacoulet (1902-1960) titled "After the Dance" (Apres La Danse. "Celebes") published June 29, 1940. This image is illustrated on page 59 (plate 67) of “The Prints of Paul Jacoulet” by Richard Miles, 1982. It is described on pages 104-105. The print is pencil-signed and bears the red butterfly seal at the lower left corner of the image. The seal of the carver and printer (Maeda/Fujii) is at the lower right margin corner. A red...
A brush, ink stick letter knife and ink stone are set into a compartment inside this flattened bamboo shape carved from Zitan wood with a poem engraved into the lid signed on the back side Hokkyo Sessai and enclosed in a wooden box. Lifting out the lid by means of the strap, one finds the knife tucked into the handle, the brush, stone, and ink laid out and ready to use. It is 34 cm (13-1/2 inches) long. The ink stone, firmly embedded in the wood, has cracked, otherwise all is in excellent co...
Japanese shin hanga woodblock print by Hasui Kawase (1883-1957) titled “Kegon Falls, Nikko” from the series "Collection of Ukiyo-e Designs" first published by Bijutsusha in 1927. Dated on the image above the signature. No publisher's seal. Paper: 15 1/8" x 10 1/4" (14 1/4" x 9 3/8"). Very good color and overall condition with only minor discoloration on the back and margin edges. Pencil notation on the back at the bottom. Color illustrated as plate 170, page 369 in Volume 2 of “Kawas...
Menuki wirh gold and silver metal, presenting an octopus with a towel-like tissue. Japan Edo (1630 - 1868) 19th century
7 x 3 cm
