Pair of Chinese porcelain bowls decorated in famille rose enamels with an opposing long-tailed phoenix and five-clawed dragon chasing flaming pearls among clouds over green waves. An orange-red five-clawed sinewy dragon among flames is in the interior well. A six-character kaishu iron-red Guangxu mark is on the base. Probably of the period and circa 1900. Custom stands and a padded silk presentation box are included. 7 3/4” diameter, 3 1/4” high...

This is an exceptionally fine yoni, of great size and beautifully crafted. It measures 22" long, 9" wide, and is 6 1/2" high. Heavy weight, 10 pounds. The workmanship is excellent, all hand hammered and sculpted in perfect form. The top is adorned with raised ridges and lines, and the tail is perfectly flared. The center area is recessed, with a deep channel that extends to the end of the yoni. The yoni is a ceremonial vessel in the Hindu culture, and represents the Goddess Shakti...

Nice old Navajo bracelet, all hand stamped, on interior also, with applied crescent shapes around the central turquoise stone set in a straight bezel. Interior measurement 5 1/2", opening 1 1/4", outside measurement 6 1/8", and 1" wide band. In good condition, with wear to surface and slight abrasions to silver, turquoise in good condition, shows matrix and smooth shiny surface. Signed sterling on interior, with initials MEG or MEL. From collection of older Navajo jewelry. The interior stam...

Large Japanese Imari porcelain charger decorated in a free-form pattern of underglaze blue geometric, floral, and phoenix bird patterns with overglaze polychrome and gilt highlights. Two white floral areas in the center are raised in slight "moriage" relief, giving the charger a rich texture. The underglaze blue decoration on the back surrounds a six-character apocryphal Chinese Ming dynasty Chenghua reign mark...

An antique flattened flask from Oman once used to fill the powder-pan of a matchlock gun, after 1880 often used as amulets. Made of solid silver beautifully decorated with granulation and filigree work and some gilding. Condition: some traces of usage and wear to gilding. Dimension: 17.8 cm long, weight: 212 g.

A Mingei style sculpture of a sake-sprite (Shojo) making off with a barrel of rice wine on his shoulder dating from the 19th century. This architectural work was likely originally part of a gate, and would have been a welcome sign to thirsty fellows after a day of work. Carved from a single piece of hard Keyaki wood, It is in excellent condition. 28 x 12 x 5 inches (71 x 13 x 13 cm). Keyaki as a wood is known for its hardness, beautiful grain and pest resistance.

A perfect example of the Early Edo Tea aesthetic in this Chatsubo dating from the first half of the Edo period, a splash of black over rust with a white glazed waste from the Seto region around modern day Nagoya. It comes with an ancient wooden bung and wrapping cloth. The pot is roughly 27 cm (11 inches) tall and in overall excellent condition, with typical wear around the foot. No cracks or repairs...

Miniature Chinese late Qing to Republic period wucai tripod censer with compressed body raised on three tapered legs decorated in underglaze blue and famille verte overglaze enamels with a pair of confronted green and red five-clawed dragons chasing a flaming pearl among clouds and flames set against a white porcelain ground. Two upright loop handles are at the rim. A six-character underglaze blue kaishu form Ming dynasty Chenghua reign mark is on the front of the waisted neck...

Hints of the finest powdered gold gleam on the edges of this ghostly white tea bowl dating from the early Edo period. Iron-like freckles pepper the surface which is subtly clouded with soft color. The base is almost entirely covered in glaze, the glimpses of earth worn dark with age and use. It comes wrapped in a silk bag with an age darkened kiri wood box titled Hagi Chawan and named within Kan-no-yuki annotated by Yabunouchi Chikusojochi (1864-1942) 11th head of the Yabunouchi school of tea...

A lovely set of Dingyao Cup and Stand are well preserved.
They are in small sizes but in great condition .

Date: AD960-1127.

Cup width: 7.2cm,
Stand Width:8.1cm.

A custom-made cotton box is included

A set of figurines depicting a courtly Chinese couple by Miyanaga Tozan enlclosed in the original signed wooden box titled Choan no Haru from the Tang period tales. Each is expertly molded and painstakingly decorated in a Kyo-satsuma style signed in gold on the base of each. They stand roughly 13 inches (33 cm) tall each and are in excellent condition. The title calls to mind any number of ancient Chinese poems...

A young girl reaches up to steady herself on a branch laden with plum buds, not yet ready to open, as she presses down on the ice with her bright red shoes. This is an absolutely darling image by Chishima Kayo, which came to us as a silk makuri (never having been mounted) painting, which our restorer placed in this natural field allowing the painting to show itself.
Chishima Kayo (b. 1890) was a female artist of the Meiji to early Showa periods...

A rare set of five tiny Gosu cups for drinking Gyokuro steaped tea from the Shidehara kiln of Sanda in Hyogo prefecture dating from mid to later 19th century (Late Edo to Meiji). Fish circle the cups as they swim among water plants. Each cup is 2 inches (5 cm) diameter and in great condition.
Shidehara was a kiln established in the Sanda district of Hyogo prefecture in the mid 18th century. They created works based on continental styles of Gosu, Sometsuke, aka-e and later celadon...

A refined set of 5 later Edo Sake cups in a hybrid E-gorai style from the Kosobe kiln of Igarashi Shinbei decorated with pale blue designs (gnarled plum trees?) under thick cream colored glaze on very thinly potted clay blended with shiseki for great effect. This is likely the work of the second or third generation Shinbei, both known for their Korai-Utsushi (Korean style) wares...

Description: A Dingyao Dish was applied with characteristic creamy white glaze.
In elegantly curved rim, the dish was decorated in the center with carved floral pattern.
It was preserved in perfect condition except some burial stains were left on the surface.

Date: Northern Song Dynasty AD960-1127

Width :12cm.

A Custom-made cotton box is included.

Set of four Chinese Qing dynasty porcelain wine cups each decorated in underglaze blue and overglaze iron-red enamel with two four-clawed dragons chasing a flaming pearl. An underglaze blue geometric border is at the rim and blue waves surround the foot. The interior well holds five blue bats surrounding a shou (longevity) symbol. A six-character underglaze blue zhuanshu square form Qianlong mark is on the base. Possibly mark and period. There are faint lightly incised “CHINA” marks to ...

Pair of Joseon dynasty or later Korean wood wedding ducks with subtly modeled feathers covered in layers of oiled stained paper, the heads separately carved and inserted by their long necks into a hole in the body. Each has a typical rectangular recess on the base. The heads have circular eyes and slits in the long beaks. These were traditionally presented by the groom to the parents of the future bride and were displayed during the wedding. The male and female ducks and geese were believed ...

Chinese Qing dynasty ink and color on silk painting of a maiden in a garden setting seated on rockery and holding a flower under a willow tree. The ink inscription at the upper left states the painting was executed in the guimao year (1843) after Ming artist Tang Yin (1470-1524). Signed Wujin artist Tang Luming (1804-1874) and with two red artist seals, "Tang Luming yin" and "Lemin." An unidentified collector’s seal is at the lower left. Framed with UV Plexiglas. 19th century. Frame size...