An elegant Edo period Mokko-Gata bowl decorated in gosu floral motifs over yellow under a clear glaze from the kiln established by Chinese Ming émigré Chin Genpin (Chen Yuanyun 1587-1671) around 1660 in Nagoya under direction of the Daimyo of Owari Province Tokugawa Mitsutomo. The piece makes use of Seto clay covered in a combination of imported yellow glaze and local glazes mimicking the popular Annan Yaki of Southern China and Vietnam...

A patinated bronze okimono of a young woman with a beautiful face, dating around 1910. On her back a large basket and in her hand she was carrying a tool. Signed "Seiya" on the base. Dimension: 29.5 cm high, weight: 2.4 kg. Condition: tool broken off, few tiny areas with wear to the patina.

Loops of white decorate the dark pitted glaze of this quashed bowl from the kilns of Kyushu dating from the early to mid Edo period. The small foot is testament to dating, and there is much natural wear to the dark glaze. The vessel is 14 x 10 x 6 cm (5-1/2 x 4 x 2-1/2 inches) with an age darkened chip in the rim where it rolls over on itself. It comes in a silk bag enclosed in a black lacquered antique wood box...

Massive Chinese late 19th century two door elmwood wardrobe cabinet with carved lower apron in a natural finish. A separate two door hat cabinet fits on top of the chest. The interior of the chest features two interior shelves, one with two drawers. The hat cabinet has one interior shelf. A round brass lock plate is at the center of the doors and round brass hardware is on the door hinges. The doors and central bars lift out for easy transit...

Pierce-work combined with over and under glaze decoration create the perfect picture of spring on this bowl by Takahashi Dohachi enclosed in the original wooden box signed Kachutei Dohachi and titled Kenzan Yo Tsubaki Bori Hachi (Kenzan style Camelia patterned Carved Bowl). It is 20 cm (8 inches) diameter and in excellent condition...

Chinese Tang dynasty (618-907) pottery figure of a standing lady (often referred to as a “fat lady”), dressed in a long-sleeved, high-waisted, full-length robe. One boat-shaped shoe protrudes from the bottom of the robe. The sleeve of her gown covers her right hand while the left hand is exposed. Her hair is gathered in a double-topknot at the top of her head. Cold painted red pigment remains over the thin layer of white slip covering the red pottery...

Rarely encountered Chinese Tang dynasty (618-907) pottery figure of a court gentleman (often referred to as a “fat man”) wearing a scarf hat and dressed in a long, belted gown with one arm raised, his hand covered by his voluminous sleeve, and the other hand holding the belt. An acrylic stand is included. 14 1/4” high (excluding stand). Circa 7th to 8th century. Very good overall condition with nice detailing. From an Arizona collection. Purchased in Hong Kong in 1996.

The soft blur of blossoming plum, as if viewed in a dream, by Murashiam Yuichi. The evocative form, rising up in an arc to dominate the paper, seems powerful in comparison to the delicate petals clinging to new branches rising from the gnarled limbs. Ink on paper in green silk border, the scroll is 216 × 45cm (85 x 18 inches) and in overall excellent condition...

A set of six pierced silver zarfs with decoration in Niello, Ottoman coffee cup holders. Stamped with Tughra mark on body and foot, base with "Tremolierstich". Condition: some small repairs, two zarfs with a lost prong. Dimension: c. 5.6 cm high, diameter: 5.1 cm, weight: 227 g.

A crow stands stark against a dark landscape, the last vestiges of autumn clinging to frozen branches as the landscape settles with snow. Below water surrenders to gravity as it drops into the unseen depths. Ink and light color on silk in a green silk border patterned with tangled vines and featuring stag antler rollers. It is 19 x 76-1/2 inches (48 x 194 cm) and in overall great condition...

Massive scrolled late Qing dynasty Chinese ancestor portrait executed in ink and color on paper depicting a civil official and his two wives. The official is dressed in formal attire and is seated on an armchair draped with a tiger skin. A Mandarin rank badge showing the official’s rank in the civil bureaucracy is on the center front of his cobalt-blue surcoat. The long tail appears to designate the bird as a paradise flycatcher, indicating an official of the 9th rank...

A very rare Nana-sun plate with swirling hake-me design from the kilns of Utsutsukawa dating from the early to mid Edo period wrapped in a ragged bit of sarasa dyed cotton cloth and enclosed in an age darkened wooden box titled Utsutsukawa-Yaki Kashibachi - Ikko (Sweets dish-1) It is 7-1/2 inches (19 cm) diameter. Thinly potted, there is a tiny chip in the rim, otherwise is in perfect condition; exceedingly rare for this type of pottery...

Japanese pencil-signed limited edition sosaku hanga woodblock print known by the title "Cat and Green Leaf" featuring a seated black cat set against a wood grain patterned background with several prominent green leaves by Kiyoshi Saito (1907-1997). The artist's red seal is at the lower left portion of the image. Circa 1950s. Pencil-signed and numbered 29/300 in the bottom margin. Paper size: 16 1/2" x 11 3/8” (image size: 15 5/8" x 9 3/8”)...

Japanese Meiji period three-case boxwood inro carved on the front with two oni or animal creatures peering out from the trunk of a tree...

Ducks are the only life in this landscape of frozen rice paddies by Shirakura Niho enclosed in the original double wood box (Nijubako) signed Kanyu (the name he used later in his career). Teh composition is very minimalist, relying on the diagonal lines of paddy walls to define the foreground, only a haze of color to intimate the hills beyond. Judging by the style this likely dates from the 1940s and is an exceptional work by this innovative artist. Ink and pigment on silk in a superb border ...

The village lies buried deep in snow, the coldest depths of winter, but as if from snow clouds above, faith in warm days too come flutters down in the words of a poem.
Uguisu wa miyako ni ideshi...Nightingale takes flight for the capital
Yamasato ni.......................In the mountain village
Ume hitori Koso...................A solitary plum
Saki nioi kere....................Blossoms fragrantly
The poem is by Otagaki Rengetsu, written in her distinct cursive scri...

A rare opportunity to pick up a perfect condition Mingei pot from the former Yonezawa Clan's Narushima-kiln of Imaizumi on the border between Yamagata and Fukushima prefectures, one of the Edo period Daimyo feudal kilns, dating from the later 19th to opening years of the 20th century. It is 7-1/2 inches (19 cm) diameter, 6-1/2 inches (16 cm) tall and in fine condition with no chips, cracks or repairs. Very similar in appearance to nearby Tsutsumi-yaki of Sendai, the lesser lip between the gla...

White Robed Kannon by Zen Wako (also Chon Fua Fan/Chow Wha Whang), Oil on panel, 22 x 27,5 cm (9 x 11 inches) in the original frame.
Zen Wako was born in Pyongan (modern day North Korea) in 1909, while that country was under Japanese Influence, and one year before it was officially annexed by Japan. He was first recognized in 1929 when his work was accepted into the Korean national Art Exhibition. In 1933 he came under the influence of Nishida Tenko (1872-1968), a spiritual figure in Jap...