Fine Song Dynasty Brown glaze bowl. There is a small chip to the rim, but otherwise in very good condition. High resolution images may be emailed on request.

A rare bowl by Ninnami Dohachi from the Sangama kiln dating from the later Edo period wrapped in a silk pouch and enclosed in a fine custom made Kiri-wood collectors box. Deeply impressed into the base is the six sided Sangama kiln mark. It is 5-1/2 x 5 x 3 inches (13 x 12.5 x 9 cm) and is in excellent condition...

Large Thai 14th - 15th Century Sawankhalok Jar

This stoneware jar, or bottle of globular form was made during the 14th - 15th centuries at one of the Sawankhalok kilns. It is particularly heavily-potted. Around the shoulder and lower body are repeated bands of lightly incised lines. There are two small loop handles at the neck. It is coated in a finely-crackled greenish-grey glaze that falls short of the foot revealing the dark reddish brown stoneware body...

The golden orb shines out like the light of Buddhism from between the dark clouds on this exquisite 19th century image by Wada Gozan, priest of Jinko-in Temple. Ink and gold-pigment on silk in a patterned silk border with wood rollers in a period kiri-wood box titled Tsuki no ga Yokomono Ippuku (1 wide painting of moon) Wada Gozan koto (of Wada Gozan), annotated by Kuten. It is 25 x 48-1/2 inches (63.5 x 123.5 cm) and is in overall fine condition, with a minor wrinkle in the lower border...

A superb example of the mastery of Bizen Saiku-mono sculptures by Nishimura Shunko dating to the pre-war era. The musculature and bone structure of the creature is clearly visible, and it wears a cloak of ash glaze like fur, the tail actually covered in dry “goma” textured ash, and the lower extremities showing a fine assortment of Hi-iro flame colors on the raw clay. Stylistically there appears to be some influence of the pottery technique of Okinawan Shisa (lions)...

A fabulous large porcelain vase by Daimaru Hoppo (Hokuho) enclosed in the original signed and compartmentalized wooden box complete with a rosewood base. The vase is a perfect example of the Sinophile aesthetic that permeated Japanese art in the early 20th century. The simplified form rises from to frets decorated with stylized cicada under a belt of archaic figures and yotsu-domoe (yin-yang) symbols. It is 14 inches (35 cm) tall plus the base and is in excellent condition...

Japanese shin hanga woodblock print titled "Kansai District: Seta Bridge" by Hiroshi Yoshida (1876-1950) dated Showa 8 (1933). 1st edition impression with "jizure" (self-printed) seal in the upper left margin. The artist's black ink brush signature and red seal are at the lower right. The print is pencil-signed in the lower right margin. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #182...

A very unusual vase by Teishitsu Gigei-In (Imperial Art Academy Member) Ito Tozan I enclosed in the original signed wooden box showing decidedly Art Nouveau styling. It is 20 x 8 x 32 cm (8 x 3 x 12-1/2 inches) and is in excellent condition.
Ito Tozan I (1846-1920) began as a painter in the Maruyama school studying under Koizumi Togaku...

Occupation era original Japanese shin hanga woodblock print titled "Moonlit Night at Miyajima" by Kawase Hasui (1883-1957) dated in the lower left margin Showa 22 (1947). The artist's black ink signature and red seal are at the lower right corner of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower left corner. Paper size: 15 1/4" x 10 1/2" (image size: 14 1/8" x 9 1/2"). Very good overall condition...

Occupation era original Japanese shin hanga woodblock print titled "Carp Flag at Toyohama, Kagawa Prefecture" by Kawase Hasui (1883-1957) dated in the lower left margin Showa 23 (1948). The artist's black ink signature and red seal are at the lower left corner of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower right corner. An additional Watanabe seal is on the back at the lower right corner...

Japanese limited edition sosaku hanga woodblock print depicting three chickens titled “Jealousy” by Kiyoshi Saito (1907-1997) dated 1952. Pencil-signed and numbered 91/300 in the bottom margin. Visible paper size: 14 3/4" x 10 1/4" (image: 13 3/4" x 9 1/4)...

Pair of Chinese late Qing dynasty Guangxu period hexagonal form hat stands with melon form vent holes decorated in underglaze blue on a white porcelain ground with various figures interspersed among auspicious objects. Scrolling vines are at the top of one. The interiors are glazed with only the footrims left unglazed. Circa 1900. 10 1/2" high each. Very good overall condition. One had a small professionally executed repair to an edge that is not visible to the eye or under black light. T...

Chinese or Vietnamese wooden Christian cross with beautiful lotus and vines decoration inlaid in engraved mother of pearl. Condition: center with chipped area (please see photo no. 7) and few lost inlays, rearside with paper residue. Dimension: 46.7 cm x 24.2 cm x 1.8 cm.

DPRK / North Korean Museum Book Neolithic, Koryo Dynasty etc..

The great leader Comrade Kim Il Sung said: "Our nation, celebrated for its long history and brilliant culture, has contributed a great deal of scientific creations and inventions to the treasure house of human culture since the ancient times."

Part of the introduction to this fine book. This is the most recent publication of a fine selection of exhibits from the Korean Central History Museum that stands in Kim Il Sung Square...

In lobed melon shape, this silver box features fine repousse designs all over the surface, with an applied branch holding various flowers and leaves. Underneath the branch is a large leaf with numerous pointed ends, all stamped and decorated. It measures 5 1/2" high, 5 3/4" in diameter and weighs roughly 11 troy ounces. Stamped T900 on the base. The lid fits tightly, and the box is in good condition, no apparent dents, losses, or other damage. It is probably Turkish, though similar forms are...

Rare pre-earthquake "chirimen-e" (creped) Japanese “mitsugiri-ban” format shin hanga woodblock print by Takahashi Shotei, also known as Hiroaki (1871 - 1945) titled “Starlight Night” published by Watanabe circa 1918. Red Shotei seal at the lower right. Paper size: 5 3/8" x 12." (margins included). This image is cataloged as #M-17 on the informative website www.shotei.com. For image comparison, their section on variant print designs illustrates both the pre-earthquake and post-earthquake...

Japanese Meiji period woodblock print by Tsukioka Yoshitoshi (1839-1892) depicting the torture of a politically dissident woman titled “Muraoka, Head Lady-in-waiting of the Konoe Clan Bound with Rope” from the series “Personalities of Recent Times” published by Yamato Shimbunsha in 1887. Known image size: 12 15/16" x 8 13/16." Purchased at and framed by Robyn Buntin Gallery, Honolulu in a very high end frame. Visibly in very good overall condition with embossed highlights evident. Not...

Japanese Edo period woodblock print titled “Azuma Shrine and the Entwined Camphor” (#31) depicting boats passing through the Jukkengawa Canal with cherry blossoms lining the embankment from the series “One Hundred Views of Famous Places in Edo” by Utagawa Hiroshige (1797-1858) published by Uoya Eikichi (Uoei) in 7/1856. Paper: nearly 14” x 9 3/8” (image: 13 3/8” x 8 5/8”). Very good color and overall condition. There are tape stains to the margin edges verso that show through ...