JAPANESE CASTLE

Hidden contemporary art of watercolor painting on red paper, with a Japanese painter’s signature of "Ta" by Ohmura Tatsuya, approx. 79 x 108.8 cm (31.10 x 42.83in). Rip as seen in photo #8 and simply repaired with duck tape from the backside as seen in photo #9. Some creases as is. *Fixed with some small magnets on the wall so that no holes at the corners...

JAPANESE DOLLS

Looking for something? Made of straw, paper, and plastic. Showa period, 20th century, Japan. H 14 cm (5.51 in).


selected by Jinta




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KITSUNE

A pair of the fox-formed messengers of Inari god, with such lovely faces. Pottery. Showa period, 20th century, Japan. H 11 x 5 x 4cm (4.33 x 1.96 x 1.57in). The condition is as is as seen...

TWO SHEDS UNDER A TREE

Vintage oil painting on canvas, with such poetic atmosphere in the dark, 1960 as signed, obviously coming from the studio of a Japanese painter, Yamada Yasuo (1933-2023) though no his own signature...

A beautifully crafted image of a cormorant seeking fish by Ishida Rainosuke enclosed in the original signed wooden box dating from the early 20th century. The bird is 38 cm (15 inches) long and both bird and fish are in excellent condition. A very interesting treatment of the position of the back foot shows the bird kicking, as if speeding up, eye on the prize...

A bronze vase dating from the mid Showa period by Ono Tsuneo of Takaoka enclosed in the original signed wooden box. It is 26 cm (10 inches) tall and in perfect condition.

Japanese shin hanga woodblock print titled "The Great Buddha in Kamakura" by Okuyama Gihachiro (1907-1981) dating 1949. The artist's black ink signature and red seal are in the lower left corner of the image. Two red seals of the publisher Kyoto Hanga-in and Shinagawa printer are beside it in the lower left margin. The title is in the upper left margin. Paper size: 16 1/4" x 11 1/2" (image: 15 3/8" x 10 5/8"). Never framed...

Japanese limited edition sosaku hanga woodblock print titled "Into the Woods” by Shiro Kasamatsu (1898-1991) dated 1955. The artist's black ink signature and red seal is within the water at the lower right corner of the image. The small rectangular "Shiro hanga" seal is in the lower right margin corner. The print is titled in kanji ("Woods") and dated 1955 in the lower margin. The numbered edition 88/100 is in pencil at the lower right margin corner with a watermark beside it...

Japanese shin hanga woodblock print by Toshi Yoshida (1911-1995) titled "Irozaki Morning" dated in the left margin Showa 36 (1961). The artists's black ink signature and red seal are at the lower right corner. The print is pencil-signed and titled in English in the lower margin. Paper size: nearly 11" x 15" (image: 9 9/16" x 13 3/16"). Never framed and in very good overall condition. The paper is slightly wavy.

Early edition Japanese shin hanga woodblock print titled "Boats at Shinagawa, Night" (aka “Shinagawa Coast”) from the series “Tokyo Views” (Tokyo Fukei) by Tsuchiya Koitsu (1870-1949) dated in the right margin "5th month of Showa 10" (1935). The black ink signature and red seal of the artist are at the lower right. The seals of the publisher Doi Sadaichi (used 1933-1945), carver Ikeda, and printer Matsushita are in the lower left margin...

An antique Japanese manju sagemono carved from a stag antler rose. The top showing attributes of the Seven Lucky Gods, the bottom with leaves. Nice patina, the green silk cord is replaced, due of the material the rim section is partially not even. Condition: traces of age. Dimension: diameter: c. 4.6 cm, c. 1.8 cm wide.

This is an attractive early satsuma Koro or incense burner with very fine workmanship. I believe it may be pre-1900 because it appears to have been made with thicker mercury fired gold. Lid and bottom piece are both marked with a museum inventory number. The lid has been repaired and it looks quite good. The images show where it was broken. It stands about 4 1/2 inches tall and 4 1/2 inches wide. It is signed but I do not recognize the signature.

Japanese Late 20th Century (late Showa to Heisei Period) shigaraki ceramic vase by artist Miyoshi Kentaro (1953-2018). Small cabinet or bud vase with wonderful textured surface and splendid kiln produced glaze effect...

Meiping vase measuring 7 3/4' high, signed by Chikusai with Shimazu red crest, high relief enamel decoration of baboo trunks and leaves, with floral and foliate elements, with Gosu blue colors. Excellent condition, no chips, cracks or wear (slight loss of gilding on lip). Very artful, lovely design from all sides, with especially high relief of the enamel work.

Exquisite repairs in overlapping gold wave designs on colored lacquer drape upon the rim of this 17th century chawan tea bowl. The white clay is covered with millet colored glaze upon which have been scrawled simple designs like the character for person (hito). The bowl is 10.5 x 10 x 6 cm (4-1/4 x 4 x 2-1/2 inches) and is in excellent condition, in a modern kiri-wood collectors’ box.

Namiamidabutsu sho (Praise to the name of Amiddha Buddha) is scrawled in faint verse down the upper right, while on the left is a warning, kono tori, minasama goyojin goyojin (all those on this path, be wary be wary…) The two scripts are separated by a grave marker at the base of which lies a skull and scattered bones among the unkempt dried grasses. A very unusual seal in the shape of a Buddhist ewer hugs the right edge. Early to mid Edo period in the style of Hakuin Eikaku (1686-1768)...

A horrifying image of a ghostly apparition accompanied by a Buddhist verse engraved into this long bamboo incense container by Ishii Matetsu. It is expertly crafted. The verse reads:
Katsu!
Dokusei Dokushi Dokko Dokurai
The literal translation sounds quite cold, but in Buddhist teaching it means: We enter the world alone; we depart it alone. Do not depend upon others for your happiness, rely upon yourself and live your life in your way to the fullest...

Large format (dai-oban) Japanese shin hanga woodblock print titled “Blue Parrot” by Ishikawa Toraji (1875-1964) from the series “Ten Types of Female Nudes” carved by Yamagishi Kazue and self-published by the artist in 1935. The black ink Ishikawa signature and red seal are at the lower right section of the print. Paper: 14 1/2 x 19 1/8" (plate: 11 3/4" x 14 7/8"). Very good overall condition with full margins and silver mica highlights evident. One closeup photo was taken with a flas...