An Edo period suit of raw iron with all matching parts, featuring 16 plate helmet with two lame shikoro and large fukigaeshi. The mask is fantastic, a real stunner with dramatic features and a large mustache. It has five plate sode and a go-mai-do cuirass of five iron plates, with kusazuri of leather scales. The sangu are all matching, very nice on dark silk tightly woven iron scales, with a crest in brass on the back of the hands...

Japanese late Meiji period Imari porcelain lidded serving dish or bowl decorated in underglaze blue and overglaze polychrome enamels with gilt highlights. The center of the densely patterned brocade lid features a butterfly among gourds. The bowl is decorated entirely in underglaze blue (sometsuke) and holds three floral sprays about the circumference. The interior is undecorated. Measures about 8 ¾” diameter by 5 7/8” high. Late 19th to early 20th century...

Japanese Meiji period painting on silk finely rendered with three birds perched on a tree branch set against a rising full moon. Signed “Gokyo” (artist unidentified) with a red seal below. Appears to date from the 19th century to circa 1900. Measures 47”V x 19 3/4”H. Very good overall condition with minor discoloration from foxing and a faintly visible horizontal soil line at the mid-section. The painting is executed on fine silk gauze...

A suit of Edo period armor featuring a Kebiki Ni Mai Do Gusoku, a 2 piece hinged armor of 8 closely knit rows of scale plates. 7 rows of 5 kusazuri hang from the do. It has a 32 plate Suji Kabuto with a tehen Kanamono vent in the shape of a stylized chrysanthemum and prominent Fukigaeshi, with 5 Hineno Jikoro cascading down the back. The helmet has typical chipping to the edges of the lacquer. The bowl retains 90 percent of the original liner and sweatband with the original ties...

A massive tiger defensively nudges the female deity on this amazing 19th century silk Fukusa. Hand-painted and composed from patchwork patterns of lavish antique brocades and featuring glass eyes and metal teeth and claws sewn into the fabric of the creature. The piece is backed with red rinzu silk patterned with cranes and plum blossoms. It is 23-1/2 x 25-1/2 inches (59 x 64 cm) and is in fine condition. It comes wrapped around a pillow in a large kiri-wood box.

A stunning box covered entirely in mother of pearl upon which is the crescent moon in lead under maki-e gold florals. Inside Rimpa style dear rest in lead and gold maki-e on a ground of red-tinted Nashiji. The box is in excellent condition, likely dating from the mid 19th century. It measures 22 x 24.5 x 5 cm (8-1/2 x 9-1/2 x 2 inches).

Five Japanese Edo period woodblock prints depicting famous samurai from the series “Abridged Stories of our Country’s Swordsmanship” (Honcho kendo ryaku den) by Kuniyoshi (1797-1861) published by Kazusa-ya Iwazo circa 1845-1846...

A loosely brushed image of a Kingfisher perched on dilapidated lotus stalk decorates the crackled gohon pale glaze of this gourd shaped Mizusashi fresh water jar by Takahashi (Ninnami) Dohachi. It features a black lacquered wooden lid. There are cracks in teh lacquer of the looping handle. The signature is consistent with works by Ninnami Dohachi (Dohachi II) from the mid 19th century...

A lovely hand formed bowl in the shape of an inverted mushroom with brush strokes (Kushi-me) defining the gills and the bulbous stipe laying like a handle to one side. A speckled yellow glaze (typical of Maiko) covers the sandy clay, with a drape of green and white seeping like milk from one side. It is roughly 21 cm (8 inches) diameter and in excellent condition, stamped on the base Mahiko (In traditional writing the character for Hi is interchangeable with the character for I as is Fu and U)...

A fine Edo period portrait of a sinewy middle aged samurai proudly seated before a pair of swords, a table upon which rests an ink stone and book at his right elbow. Exquisite detail in the figures face and fine lines and shadows in the clothing are reminiscent of portraits by the great artist Watanabe Kazan. The portrait is signed Higashiyama Giryo and dated Tenpo 3 (1832) and the epitaph is signed Raijo. The portrait appears to be of a samurai named Kanda Hojo...

MASK

Aged wood carving mask with such mysterious fascination that would be actually once used for Kyogen play or some kind of folk theatrical performances, Edo period, Japan, 14.8 x 10.3 x 3.5 cm (5.82 x 4.05 x 1.37in).


selected by titcoRet




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Late 19th Century or Early 20th Century Japanese Evil Kutani Welcome Cat Maneki Neko

This evil cat is 6 inches tall, and 3.25 inches wide.

It is in good condition with no repairs, chips, nor cracks.

Our Guarantee: We stand behind all of the items that we place on Trocadero. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Two Meiji period Ostrich eggs hollowed and decorated with rich lacquered Maki-e designs of Uminosachi (treasures of the sea) on one, and Royal Crests among scrolling vines on the other. They come in a custom collectors compartmentalized kiri-wood box, one with the original Meiji period stand, the other with a more modern brass wire stand. They are roughly 6 inches tall each (16 cm). The Tai fish has cracks in the thick lacquer, but it is stable, and features a glass eye. More photos availabl...

Meiji (1868-1912) Japanese Bronze Dragon Head for Water Fountain

The dragon is 5 inches tall, and 6 inches wide.

It is in good condition with no repairs, nor cracks, except small chips at this tooth (as seen in the photos).

Our Guarantee: We stand behind all of the items that we place on Trocadero. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally ...

Vertical oban depicting a fox attacking a man and child by Utagawa Yoshiiku (1833-1904). A three-eyed ghost gazes menacingly at the scene from the upper right corner. The banner at the top, which is being held by a flying angel, reads "#445 from the Tokyo Daily News." The date of "8th month of Meiji 6" (1873) appears in the right portion of the calligraphic description of the scene taking place. Newspapers, which were introduced into Japan in 1870, became very popular in the Meiji Period. Woodb...

A large pair of 19th c. (Edo p) votive Inari Fox images representing the god of fortune. They are 16.5 x 10 x 24 cm (6-1/2 x 4 x 9-1/2 inches). One holds the key to the treasure house in his mouth. One would have been standing over a Buddhist jewel, however that is now missing.
Inari Okami is the Japanese kami of foxes, of fertility, rice, tea and Sake, of agriculture and industry, of general prosperity and worldly success, and one of the principal kami of Shinto. In earlier Japan, Inar...

Wild chrysanthemum rise along a brief poem on the cream-colored sides of these Tokkuri by Seifu Yohei enclosed in the original signed wooden box titled Seizan Sakabin. They are 15 cm (just under six inches) tall and in excellent condition. There is a pre-firing imperfection in the rim of one of the Tokkuri.
Seifu Yohei I (1803-1861) founded the Seifu dynasty in Kyoto. He was born in powerful Kaga-kuni, modern day Kanazawa prefecture. After apprenticing with the second generation Dohac...

Japanese Meiji period Yokohama woodblock print depicting Okiyo, the daughter of a gardener in Mukojima, meeting with a foreigner who desired her to be his concubine. This print is illustration no. 661 from the newspaper series “Yubin Hochi Shimbun” (Postal News) by Tsukioka Yoshitoshi (1839-1892) published by Kinshôdô (Kumagai) the 4th month of 1875. 14 1/2"V x 9 3/4"H. Excellent color and very good overall condition with margins evident. The print has been stored away from sunlight and...