Massive 18” high Japanese Meiji period “cong” form Satsuma earthenware vase finely decorated on the four rectangular sides in polychrome enamel and gilt highlights with vertical scenes of figures in landscapes featuring the four seasons. The base holds a square four-character “respectfully made by Ryuzan” mark. Circa 1900. 18” high, 7 1/2" square; weight: 17 lbs. Very good overall condition with some typical wear to the overglaze pigments and gilt, particularly at the rim...

Japanese Meiji period bronze model of a striped tiger standing on rockery preparing to attack a coiled striking snake. Square form Genryusai Seiya mark to base. Custom lacquered wood stand included. Circa 1890. Measures about 15”H x 16”L x 9 ½”D (excluding wood stand). Very good overall condition with excellent naturalistic detail and a nice dark brown patina. This bronze sculpture is from an old Scottsdale, Arizona collection.

FIREWORK MOLD 1890

Old wooden ball mold for making 'hanabi' (traditional Japanese firework), with aesthetically many random cutting tracks for peeling the papers off, signed as Meiji 23 (1890), D 10 cm (3.93in)


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11 3/4" high late Meiji period (19th century) Japanese silver wire cloisonne bottle form vase with flaring mouth superbly decorated around the circumference at the base of the neck with a ferocious flaming three-clawed dragon with gaping mouth set against a red background. Flowering plants and a single butterfly decorate the bulbous bottom. Copper rims are at the mouth and base. The traditional blue counter-enamel is in the interior...

This antique Japanese wooden Buddha stands on its own a intricately carved base. The golden lacquer is worn away in some areas showing the under coat of black lacquer. This Edo period Buddha stands 8 inches tall including the stand.

This Imari dish is 18 5/8 inches in diameter, probably with the original "tomobako" box dated "the third year of Ansei", 1857. The design is divided into three repeated sections with Karako boys. The enameling is of good quality, underglazed blue with gold in a lovely soft tone which can only be found on pieces as old as the Meiji period. The date shown on the box is 3 years after the arrival of Commodore Matthew Perry in the black ship demanding the opening of the county...

Japanese Meiji period three-case boxwood inro carved on the front with two oni or animal creatures peering out from the trunk of a tree. The back holds a bearded man holding a sword or knife. All three have inlaid eyes. A wood ojime bead and a netsuke in the form of a smiling tiger is attached to the string. A two-character “Nissho” signature within a circular cartouche is embedded on the bottom. 19th century...

Waves thrash about in a playful frenzy below the calm watchful eye of a full moon partly blanketed by dark clouds in this extraordinary painting signed Kagyo dating from the later 19th century. It is bordered in ivory colored brocade embellished with clouds extended in golden brown silk and features ivory rollers. The scroll is 21-1/2 by 79 inches 855 x 200 cm) and, aside from minor bands of yellowing of the silk expected of age, is in fine condition...

This antique ivory bookmark is shaped and colored on one side to appear as a woman wearing a kimono. There is a long cord with small pierced ivory ojimi and tassel attached...

Japanese Edo period carved wood polychrome and gilt Buddhist figure in the form of Bishamonten, one of the Guardian Dieties of the Four Directions (representing North). A protector of the Buddhist faith, Bishamonten is clad in armor and holds a stupa believed to carry the ashes of the Buddha, and by extension, the teachings of the Buddha. He is depicted standing on a gilt base atop a lion-type creature to symbolize the subjugation of evil in the world...

Flora in heavy pigment decorate the gold leaves of this two panel Rimpa screen dating from the late 18th to early 19th centuries. Tinges of red bring a brush of Autumn to the various grasses and flowers. Heavy veining on the gold as well, evidences the age and brings to vivid life the scene in the fore. The screen has been restored at some time in the distant past with some repairs performed then, and is bordered with patterned blue silk in a natural wood frame...

A collection of six unique antique sake cups from various regions in Japan, each enclosed in an old wooden box.
1. A rice bale shaped Kosobe yaki bowl in thin bluish-white glaze stamped on the base, probably second or third generation (see below).
2. A Soma Yaki small bowl of pinched form with speckled green glaze from Fukushima. Soma Yaki has a four-hundred-year history.
3...

A late Edo period (19th century) image known as the Nehanzu, death of the Buddha...

An impressive, Mingei carved wood kiseruzutsu (a pipe case or holder worn similarly as a sashi netsuke) with snake and frog decoration - quite appropriate for the 'year of the snake' and a tiny compass with inlaid into one corner. Depicted are a snake coiled around a weathered log apparently in ready ambush for a frog perched on the other end - both with pierced bone or stag antler inlaid eyes. A stag horn decorative embellishment also inlaid into the log (possibly suggesting a bone remaining fr...

Two Edo period finely executed Japanese lacquered wood dishes, each decorated with a gold "mon" (family crest), pawlonia, and scrolling foliage set against a brown/black ground. The wood grain is clearly visible. 19th century. Each measures just under 8" diameter. Very good overall condition with only minor flaws. There is a small lacquer drip or imperfection on the back of one. Included with purchase is the original certificate of authenticity dated May 5, 1967 and provided by Z. Izuoka, ...

An antique Japanese manju sagemono carved from a stag antler rose. The top showing attributes of the Seven Lucky Gods, the bottom with leaves. Nice patina, the green silk cord is replaced, due of the material the rim section is partially not even. Condition: traces of age. Dimension: diameter: c. 4.6 cm, c. 1.8 cm wide.

A conical Jingasa battle hat 6-1/2 inches (16.5 cm) high, 14-1/2 inches (37 cm) diameter entirely gilded outside with genuine gold. Inside is lacquered black and retains the tie holds for the liner. There is some writing within, and a maru-ichi crest. There is damage to the peak and edges, but is quite impressive looking, and was likely used by the immediate vanguard of the Daimyo. One of two variations we have, they are from Omi province, just outside of Kyoto in old Japan.

Rare Japanese Edo period woodblock print pentaptych depicting five 16th century Takeda warriors involved in the Kawanakajima campaigns against the forces of Uesugi Kenshin by Kuniyoshi (1797-1861) published by Ebisuya Shoshichi (Kinshodo) circa 1845. Each warrior is surrounded by biographical text written by Shotei Kinsui. From left to right, the seated warriors are Takeda Shingen wearing his horned helmet and holding his war fan, Yamamoto Kansuke Haruyuki in monk’s robes holding a closed fa...

The bowl is 5 inches (13 cm) diameter2-1/2 inches (6 cm) tall and in fine condition. Oku yama no, Hana no Shirayuki, Nagare-kite, Haru no sue kumu, Kawazura no Sato (From Deep in the mountains, fallen petals white as snow, Flow past the village, like the last vestige of Spring). Much has been written about the life and work of poet/artist Otagaki Rengetsu. Born into a samurai family, she was adopted into the Otagaki family soon after birth, and served as a lady in waiting in Kameoka Castle in...

A rare Barbizon landscape oil painting by 19th century American woman artist lived in New Orleans died in 1891. Oil on canvas measuring Approx. 20 x 30 inches framed in fine antique gilt frame.

A large sweets dish decorated with blossoms by Eiraku Zengoro XII (Wazen) enclosed in a custom made wooden box. The bold pattern is fitting this bold artist. It is 9 inches (23 cm) diameter, 4-1/2 inches (11 cm) tall and in fine condition.
Eiraku Zengoro XII (Wazen, 1823-1896) was one of the most influential potters of his time, setting the stage for the revival of and modernization of Kyoyaki, based on models by Koetsu, Kenzan and Ninsei. Although named Sentaro, he was more commonly ref...

An unusual Ryoku Odoshi Ni-Mai-Do Gusoku armor of pleated horizontal plates and Armadillo scale mae-ate reminiscent of the leather covers on the front of older O-yoroi with an inscription inside the box lid attesting the armor to the property of Prince Arisugawa Taruhito. It features a black lacquered 62 plate suji kabuto with simple brass Tehen Kanamono and 6 lame shikoro with arisugawa crest on the fukigaeshi and genuine armadillo tail maedate. The mask is a Me-No-Shita Ho with prominent mou...

A brush, ink stick letter knife and ink stone are set into a compartment inside this flattened bamboo shape carved from Zitan wood with a poem engraved into the lid signed on the back side Hokkyo Sessai and enclosed in a wooden box. Lifting out the lid by means of the strap, one finds the knife tucked into the handle, the brush, stone, and ink laid out and ready to use. It is 34 cm (13-1/2 inches) long. The ink stone, firmly embedded in the wood, has cracked, otherwise all is in excellent co...

Rare Japanese Meiji period woodblock print triptych of the Tokyo-Ueno/Yamashita Train and Ueno Station from the series “Famous Places in Tokyo” by Utagawa Kunitoshi (flourished 1847-1899) dated 1st month of Meiji 22 (1889). The triptych is bound in the original folder and has not been exposed to sunlight. "Enlightenment" prints of the 1880's - 1890's promoted modernization and illustrated the westernization of Japan. The Japanese built their first railroad in 1872. It became a symbol of ...

A good 19th century carved and lacquered wood Noh mask representing the character role of Ko Omote (young woman). The well oxidized wood visible on the inside of the mask exhibiting the knife strokes of the anonymous artist. Generally good condition and the lacquer strong and stable. In the interest of full and detailed disclosure: Some natural age checking of the wood on the figure's left side also conveying to the lacquered surface on the face. Similar age cracks in the lacquer on either side ...

Koi frolic, splashing gold and silver waves as they leap and battle for the top of this stacking food dish dating from the later 19th century. The design is striking! Outside is polished black loaded down with gold and silver maki-e with applied kirigane cut gold squares. Inside is festive red. The box (assembled) is 25 x 23 x 38 cm (10 x 9 x 15 inches). Some minor dings but overall, very nice condition for something which has seen use.

An antique, splendid hand painted 3-1/4" high lidded dresser or vanity jar, possibly for powder or storage. This Japanese Royal Nippon item features lush gold trim with jewelling and it depicts finely hand painted red and pink roses with foliage. It is signed with a Japanese seal signature on the bottom. It is in excellent condition with no chips, cracks, crazing, losses, damage or repairs other than a bit of light gold wear and a couple of small paint misses on the lid. All items are thorough...

Historically important Japanese woodblock print triptych depicting the landing of foreigners of the “Five Treaty Nations” in Yokohama by Utagawa Yoshikazu (flourished 1850-1870). The print features soldiers and civilians from America, England, France, Russia, and The Netherlands grouped together with their respective flag and label. Two Chinese compradores, who facilitated trade, are in the foreground and western ships line the harbor in the background. The print is signed “Issen Yoshik...

This Toba-e E-maki appears to be a 19th century Gi-ga follower of the later 18th to early 19th century Osaka "Manga-ka" Nichosai (Matsudaira Heisaburo). His humorous images of Hell were quite popular, known as Kakuyu painting.　Overall the genre has many names, Gi-ga being all encompassing, Toba-e being descriptive of this particular style, and Kakuyu-fu being the style of Nichosai. It ends with a simple stamp which reads Fish (Gyo/Sakana). It is 11 by 174 inches (28 x 442 cm). Very interes...

Oban diptych by Taiso Yoshitoshi (1839-1892) titled “The Story of the Strong Woman Takashima Oiko of Omi Province” from the series "A New Selection of Eastern Brocade Pictures." The print depicts Takashima Oiko leading Saeki Urinaga home in an effort to strengthen him for a wrestling match. The artist's signature and Taiso seal are at the lower left. The lower left margin contains the date of "Meiji 22" (1889). The title cartouche is at the upper right. Published by Tsunashima Kamekichi. T...

Antique Japanese pottery teabowl with Sakura and Momiji tree Kyo ware made by the 2nd Rokubei Kiyomizu (1790-1860) about 160-170 years ago. The seal of the potter is stamped on the bottom. Original box is provided. Size Dia. 4.8"(12.3cm) x Height 2.5"(6.3cm) Condition Very good condition. No chips, no cracks.

A heavy hand forged iron candle-stand from a Buddhist temple in the shape of a burning jewel. It is 90 cm tall, 57 wide, base and legs 20 x 39 cm and dates from the 19th century. Very thick and heavy iron work.
Due to size the cost of shipping will be accrued separately for this item.

An ancient Japanese scroll featuring a blue eyed neko-tora (cat-tiger) prowling over a boulder peering out through sheets of pouring rain. This is a very unusual subject; I have never before seen a tiger depicted with blue eyes. Due to 250 years of isolation the Edo period Japanese artists had never seen real tigers and were forced to conjure up these feline images from their own imaginations. The painting has been remounted in green brocade embossed with vines, extended top and bottom in a s...

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) depicting a kabuki actor portraying a samurai. His sword rests on the ground and his matchlock musket leans against the wall. Firearms were introduced to Japan by foreign traders in the 16th century. The maru-ni-chigai-Takanoha family mon is on his kimono. This crest, which consisted of two crossed hawk feathers, was used by two Edo period samurai families. This image was published by Maruya Seijiro in 1854. The ce...

This pair of Japanese handmade long square cut nails are 5" long and appear to have never been used. The nail heads are solid and shaped into a hemisphere. The silver colored decorative metal escutcheons have scalloped edges and markings to represent a flower. The escutcheons are just under 1" in diameter and have a squared center hole which exactly fits the nail shank.

Japanese bronze mirror. 19th century. 7.1 x 0.4 cm. 64 g.