Yunomi, Tea Cup, by John Miller; Portland, OR. Nuka glaze. H.3.125"(8.cm) x Dia.3.375"(8.5cm.) Volume = 9oz(265cc.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school...

Yunomi, Tea Cup, by John Miller; Portland, OR. Tenmoku & Nuka glazes. H.3.375"(8cm) x Dia.3"(7.5cm.) Volume = 8oz(240cc.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school...

Yunomi, Tea Cup, by John Miller; Portland, OR. White Shino glaze with blue & red dots. H.3"(7.5cm) x Dia.3.125"(8cm.) Volume = 7.25oz(220cc.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school...

Yunomi, Tea Cup, by John Miller; Portland, OR. Tenmoku & White Nuka Glazes. H.3.125"(8cm) x Dia.3.125"(8cm.) Volume = 8oz(240cc.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school...

Kakehanaire (Hanging Flower Vase,) by George Gledhill; Payett, ID. Gas-fired, with copper ring attached in back for hanging on a wall or post. H>5.75"(14.5cm) x W.2"(5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

Kakehanaire (Hanging Flower Vase,) by George Gledhill; Payett, ID. Gas-fired, ash glaze, with copper ring attached in back for hanging on a wall or post. H>5.375"(13.75cm) x W.3"(7.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

Kakehanaire (Hanging Flower Vase,) by George Gledhill; Payett, ID. Wood fired, ash glaze, with copper ring attached in back for hanging on a wall or post. H>6.25"(16cm) x W.3.125"(8cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

Kakehanaire (Hanging Flower Vase,) by George Gledhill; Payett, ID. Wood fired, ash glaze, with copper ring attached in back for hanging on a wall or post. H>5.75"(14.5cm) x W.2.75"(7cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

Kakehanaire (Hanging Flower Vase,) by George Gledhill; Payett, ID. Wood fired, ash glaze, with copper ring attached in back for hanging on a wall or post. H>5.5"(14cm) x Dia.3.25"(8.25cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

Kakehanaire (Hanging Flower Vase,) by George Gledhill; Payett, ID. Wood fired, ash glaze, with copper ring attached in back for hanging on a wall or post. H>6.5"(16.5cm) x W.3.125"(8cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...

Kakehanaire (Hanging Flower Vase,) by George Gledhill; Payette, ID. Wood fired, ash glaze, with copper ring attached in back for hanging on a wall or post. H6.5"(16.5cm) x W.3.5"(9cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to pr...

A dramatic basin brutalized by the elements by Shigaraki Master Tsujimura Shiro enclosed in the original signed wooden box. Representative of this artists work, the lip has split with heat, one edge blasted off, and the entire charred and buried in ash. The dish measures 7.5 cm (3 inches) deep, 29 cm (12 inches) diameter and is in excellent condition.
Tsujimura Shiro was born in Nara in 1947, and began his steps into the art world as an oil painter. While living at a Buddhist temple he...

Pair of mentori, faceted style vases by Shigaraki master potter, Kohyama Yasuhisa (b. 1936). The vase on the left side of the photos is an early Shigaraki mentori vase that was wood fired in his first anagama kiln, the vase on the right is a Hakuyu glazed vase, glazed with a Hagi style white glaze which Kohyama uses to this day on his "standard ware" functional pottery. There is a great deal written on Kohyama-san on the web, including a book which was published back in April (in English), let i...

Small Shigaraki kake-ire hanging vase made by Uda Rakuzan. The small uzukumaru like form, intentionally deformed with the face covered in ash and charcoal effects and an incised decoration around the should of the pot. the rear has hi-iro effects and a metal hanger.

This vase is in fine condition but does not have a box. The vase measures 4.5" x 4.8".

Wangata style teabowl with fluid dark and light cobalt decoration decorating the exterior of the chawan. Showing both Seto and Annam styles, this chawan by Nakajima Mokusen (b. 1955) has a very poetic appearance and is a very functional teabowl.

This chawan is in fine condition, was made in 2003 and has its original signed box, measuring 4.9" x 3.25".

Large and bold hakeme style Oribe chawan by Matsuzaki Ken. This finely formed chawan has an excellent shape to show off the casual hakeme slip decoration that was then glazed over in an oribe glaze that is full of variation, tones and effects.

The is a great deal written about Matsuzaki Ken, including a book and several dvds (videos) about this stellar Shimaoka Tatsuzo student. Please feel free to look around the internet, but what is abundantly clear is the international fame of this stan...

Woo Jong Taek (born 1973) paints with ink and watercolor on both sides of the paper, combining the ancient techniques of Goryeo Dynasty Buddhist painting with modern techniques to create compositions that are deeply contemplative meditations on our modern times, casting the 21st Century everyman as Bodhisattva, offering us a thoughtful way to see our world. Woo is in touch with Korea's ancient history while he is also informed by the modern minjung 'people's movement' in art. His paintings are a...

Woo Jong Taek (born 1973) paints with ink and watercolor on both sides of the paper, combining the ancient techniques of Goryeo Dynasty Buddhist painting with modern techniques to create compositions that are deeply contemplative meditations on our modern times, casting the 21st Century everyman as Bodhisattva, offering us a thoughtful way to see our world. Woo is in touch with Korea's ancient history while he is also informed by the modern minjung 'people's movement' in art. His paintings are a...

A breathtaking white form of draped porcelain by Nagae Shigekazu enclosed in the original signed wooden box with the original Daimaru Department Store exhibition invitation. Light patterns are almost indiscernible on the surface, incredibly detailed and crisp when viewed close-up. What is surprising about this work is the weight, incredibly light. The piece measures 16 x 16 x 5 inches (41 x 41 x 12 cm) and is in excellent condition. Due to fragility this piece will require special shipping c...

A large mizusashi extolling thevirtues of True Momoyama Bizen by Abe Anjin enclosed in the original signed wooden box. The iron like quality of the work comes from the temperature at which Anjin fires, 200 degrees higher than most Bizen potters. Scars and interconnecting symbols harken back to the days of group firing and kiln marks. The piece is 7-1/2 inches (19 cm) diameter, 7 inches (18 cm) tall and in excellent condition. Very rare!
Born in Osaka in 1938, the mysterious recluse be...

Large temmoku and iron glazed teabowl creating a matsukawa, pine bark, effect diagonally around the teabowl. The chawan is ovoid in form and the foot was hand cut to compliment the form.

Stoneware and glazes

6" x 5.5" x 3.5"

Functional, decorative and food safe

Oil Painting by Jeon Joon Yeop. 29 x 21 inches, 73 x 53 cm. Jeon Joon Yeop (born 1953) is a well-known artist in South Korea, with numerous art reviews. He was the top-selling artist in last year’s Korea International Art Fair, Korea’s biggest art fair. Instead of finding comfort in his successes, Jeon accepts popularity as a challenge to further explore how to speak the ancient language of Korean landscape painting with a modern vocabulary of techniques, such as pouring, scratching, spreadi...

Oil Painting by Jeon Joon Yeop. 36 x 25.5 inches, 91 x 65 cm. Jeon Joon Yeop (born 1953) is a well-known artist in South Korea, with numerous art reviews. He was the top-selling artist in last year’s Korea International Art Fair, Korea’s biggest art fair. Instead of finding comfort in his successes, Jeon accepts popularity as a challenge to further explore how to speak the ancient language of Korean landscape painting with a modern vocabulary of techniques, such as pouring, scratching, sprea...

Oil Painting by Jeon Joon Yeop. 46 x 32 inches, 117 x 81 cm. Jeon Joon Yeop (born 1953) is a well-known artist in South Korea, with numerous art reviews. He was the top-selling artist in last year’s Korea International Art Fair, Korea’s biggest art fair. Instead of finding comfort in his successes, Jeon accepts popularity as a challenge to further explore how to speak the ancient language of Korean landscape painting with a modern vocabulary of techniques, such as pouring, scratching, spread...

Oil Painting by Jeon Joon Yeop. 46 x 32 inches, 117 x 81 cm. Jeon Joon Yeop (born 1953) is a well-known artist in South Korea, with numerous art reviews. He was the top-selling artist in last year’s Korea International Art Fair, Korea’s biggest art fair. Instead of finding comfort in his successes, Jeon accepts popularity as a challenge to further explore how to speak the ancient language of Korean landscape painting with a modern vocabulary of techniques, such as pouring, scratching, spread...

Oil Painting by Jeon Joon Yeop. 64 x 38 inches, 162 x 97 cm. Jeon Joon Yeop (born 1953) is a well-known artist in South Korea, with numerous art reviews. He was the top-selling artist in last year’s Korea International Art Fair, Korea’s biggest art fair. Instead of finding comfort in his successes, Jeon accepts popularity as a challenge to further explore how to speak the ancient language of Korean landscape painting with a modern vocabulary of techniques, such as pouring, scratching, spread...

Large and very impressive yuteki oilspot tsubo by Kimura Yoshihiro, son of the legendary Kimura Morikazu and inheritor of the oil spot dynasty of his father and uncles; Moriyasu and Morinobu. This large tsubo is made in a classic, Chinese inspired form with a rich black background covered with oilspots from which silvery feathered tendrils trail down the surface of the pot. The application of the glaze, skillfully handled, creates a magnificent visage like looking at the stars in the sky only in...

Won Ju Seo's recent exhibition is featured in the December 3, 2015 New York Times, and she is featured in the Spring 2013 issue of Fiber Art Now, and in the recently-published McGraw-Hill fine arts textbook, Art Talk. The work offered here is Bojagi Diary 2013-2 by Won Ju Seo. Frame: 10 x 10 inches (25.5 x 25.5 cm); Textile: 5.25 x 5.25 inches (13.5 x 13.5 cm). Handmade, sewn and embroidered with Korean silk, metallic cloth, silk thread, foam board, and pigment. The work of Korean textile artist...

Won Ju Seo's recent exhibition is featured in the December 3, 2015 New York Times, and she is featured in the Spring 2013 issue of Fiber Art Now, and in the recently-published McGraw-Hill fine arts textbook, Art Talk. The work offered here is Bojagi Diary 2013-1 by Won Ju Seo. Frame: 10 x 10 inches (25.5 x 25.5 cm); Textile: 5.25 x 5.25 inches (13.5 x 13.5 cm). Handmade, sewn and embroidered with Korean silk, metallic cloth, silk thread, foam board, and pigment. The work of Korean textile artist...

Won Ju Seo's recent exhibition is featured in the December 3, 2015 New York Times, and she is featured in the Spring 2013 issue of Fiber Art Now, and in the recently-published McGraw-Hill fine arts textbook, Art Talk. The work offered here is Color in My Surroundings 18 by Won Ju Seo. Frame: 11 x 9 inches (28 x 23 cm); Textile: 5.5 x 3.5 inches (14 x 9 cm). Hand-sewn with Korean silk, silk thread, and beads. The work of Korean textile artist, Won Ju Seo, is in major museums and prominent collect...

Won Ju Seo's work is featured in the Spring 2013 issue of Fiber Art Now, and in the recently-published McGraw-Hill fine arts textbook, Art Talk. The work offered here is Color in My Surroundings 5 by Won Ju Seo. Frame: 13 x 11 inches (33 x 28 cm); Textile: 8.25 x 7.25 inches (21 x 18.5 cm). Hand-sewn with Korean silk and silk thread. The work of Korean textile artist, Won Ju Seo, is in major museums and prominent collections. She is renowned for her modern approach to the bojagi, the traditional...

Large, noble exhibited lobed rinka bowl by internationally recognized celadon master; Uraguchi Masayuki. Please see illustration of this exact bowl in the exhibit catalogue.

Uraguchi is practically a household name when it comes to a plethora of celadon styles, he was fortunate to be the singular student of the late Ningen Kokuho, Miura Koheiji and his works are part Miura, part Okabe Mineo and yet entirely his own idiom. His creations of both classic traditionalism and architectonic sculp...

White dots pattern the scalloped swirling form of this vase by Kitamura Junko enclosed in the original signed wooden box. The vase is 7-1/2 inches (19 cm) tall, 5-1/2 inches (14 cm) diameter and in excellent condition.
Kitamura Junko learned under the tutelage of Suzuki Osamu and Kondo Yutaka of the influential Sodeisha. Like Mashiko artist Shimaoka Tatsuzo, her work is influenced by Jomon pottery, however her approach is very different. After impressing patterns into the clay with bam...

A superb Uzukumaru tsubo by Tsujimura Shiro enclosed in the original signed wooden box. Shell marks, kutsuki, ash blasting. The piece is 7-3/4 inches (19.5 cm) tall, 6 inches (15.5 cm) diameter and in excellent condition.
Tsujimura Shiro was born in Nara in 1947, and began his steps into the art world as an oil painter. While living at a Buddhist temple he experienced a profound connection with a Korean Tea Bowl, and began potting. He is highly acclaimed and somewhat reclusive, avoidin...

Large oval teabowl with all over paddled texture and poured slip under a rich Oribe glaze.

Stoneware, slip and glazes

6" x 5.25" x 3.75'

Functional, decorative and food safe

A large white Oni-Hagi tea pot by contemporary potter Shibuya Deishi enclosed in the original signed wooden box. The handle is bundled vine. The glaze crawls to reveal dark iron or bare terracotta in flashes of color beneath. Below is earth-toned Hagi glaze spattered with ash and surmounted by the thick white for which the artist is known. It is roughly 6 inches (16 cm) diameter and in new condition.
Shibuya Deishi has been the head of the Hagi Industrial Ceramics Association for some ...

Large Oribe style vase with sprigged, attached decoration of impressed devices around the body of the pot with large ring lugs and trumpet style neck.

Stoneware, slip and glazes

14.5" x 7.5"

Ame-yu, amber glazed porcelain teabowl with carved design of fish around the form, "upriver" pattern.

Porcelain and glaze

5.15" x 3.5"

Functional, decorative and food safe

Beautiful mezzotint print of a black and blue night scene with a waning crescent moon behind Japanese primroses in bloom. Artist: Yoshihiku Kaya, edition 39/75. No condition problems to note. Size: 8.5 x 4.25 inches and 20.25 x 14.25 inches with frame.

A tower of geometric in silver and red by Kawano Eichi enclosed in the original signed wooden box. The pebble textured surface and straight lines of the side are juxtaposed by the irregular and angular patterns of silver, like the outline of stones leading to a temple cast in shadow across the sides. The vase is 13 inches (33.5 cm) tall, 4 inches (10 cm) square and in fine condition.
Eichi was born in Osaka, 1943, and was raised in the post-war era of huge change. He studied in the p...

Large and impressive take-no-zu style bamboo vase by Mino veteran and Oribe specialist; Sato Kazuji. Exceptional throwing, modeling and spatula work define this dynamic vase and what the photos fail to capture is the beautiful surface iridescence about the rich green Oribe glaze.

This vase measures 11.5" x 5" and is in perfect condition with the original signed box.

This classic mizusashi has everything one could want from Karatsu; a timeless form, a perfect nuka surface and exceptional E-Garatsu style iron underglaze painting by a master potter and arguably the greatest living Karatsu artist. This pot could easily be a 17th century piece though the unmistakable mark of a master 20th century potter is ever present. The beautiful Karatsu chirimen kodai is what sets this pot apart from most and Tanaka Sajiro creates a foot like no other.

This mizusashi ...

Shinogi (faceted) Dessert Bowls, White Porcelain, by Hanako Nakazato; Union, Maine & Karatsu, Japan. H. 2.625"(6.5cm) x Dia. 4"(10cm.) Hanako Nakazato is a 14th generation potter from Japan. The Nakazato family is a well-known pottery family in Karatsu, Saga Prefecture, with the 12th generation Nakazato Taroemon being designated a National Living Treasure for Karatsu ceramics. Hanako moved to the US at age 16 to pursue her education. While in the US, she took a renewed interest in her cultural...

Porcelain tea cups with blue/green ("peppermint") glaze by Hanako Nakazato of Union, Maine and Karatsu, Japan. The zig zag ribbing of the cup and the blue-green glaze led Nakazato to call this a "giza giza (zig zag) peppermint" cup. H. 3.125"(8cm) x Dia. 3.125"(8cm.) Wonderfully balanced and easy to hold. Hanako Nakazato is a 14th generation potter from Japan. The Nakazato family is a well-known pottery family in Karatsu, Saga Prefecture, with the 12th generation Nakazato Taroemon being design...

White Porcelain Mug by Hanako Nakazato; Union, Maine & Karatsu, Japan. H. 3"(7.5cm) x Dia. 3.25"(8.5cm). The node around the shoulder led Nakazato to name this a "Bamboo Mug." It is well-balanced and light enough to not feel heavy when filled with a beverage and exhibits and elegantly thrown handle. Hanako Nakazato is a 14th generation potter from Japan. The Nakazato family is a well-known pottery family in Karatsu, Saga Prefecture, with the 12th generation Nakazato Taroemon being designated ...

Shinogi (faceted) Guinomi (sake cup) in white porcelain, by Hanako Nakazato of Union, Maine and Karatsu, Japan. H. 1.75"(4.5cm) x Dia. 2.75"(7cm.) Hanako Nakazato is a 14th generation potter from Japan. The Nakazato family is a well-known pottery family in Karatsu, Saga Prefecture, with the 12th generation Nakazato Taroemon being designated a National Living Treasure for Karatsu ceramics. Hanako moved to the US at age 16 to pursue her education. While in the US, she took a renewed interest in ...

Porcelain cups with blue-green glaze ideal for high-grade tea (gyokuro, sencha, oolong,) sake, or whiskey. White porcelain with a rich blue-green glaze Nakazato calls "peppermint." H. 2.875"(7.25cm) x Dia. 2.375"(6cm.) Hanako Nakazato is a 14th generation potter from Japan. The Nakazato family is a well-known pottery family in Karatsu, Saga Prefecture, with the 12th generation Nakazato Taroemon being designated a National Living Treasure for Karatsu ceramics. Hanako moved to the US at age 16 ...

White porcelain cups ideal for sipping sake or whiskey, by Hanako Nakazato of Union, Maine and Karatsu, Japan. H. 2.25"(5.75cm) x Dia. 1.75"(4.5cm.) Hanako Nakazato is a 14th generation potter from Japan. The Nakazato family is a well-known pottery family in Karatsu, Saga Prefecture, with the 12th generation Nakazato Taroemon being designated a National Living Treasure for Karatsu ceramics. Hanako moved to the US at age 16 to pursue her education. While in the US, she took a renewed interest in...

Bee hive shaped flower Vase by Sachiko Furuya; Honolulu, HI. Shino and Bamboo Ash Glazes. Some serendipitous pink coloring has occurred due to smoking in the kiln. H. 6.375"(16.25cm) x Dia. 5.875"(15cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a...

Vase, Shino and Bamboo Ash Glazes, by Sachiko Furuya; Honolulu, HI. H. 5.5"(14cm) x Dia. 4.25"(11cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited her work in galleries and mu...

Mizusashi, Fresh Water Jar for Tea Ceremony. Also, Lidded jar for any storage use. Bamboo Ash Glaze. Lid Knob in shape or Orchid Flower. By Sachiko Furuya; Honolulu, HI. H. 4.875"(12cm) x Dia. 5.75"(14.5cm.) Volume = 1,000ml, approx 32 oz. Earlier piece of Furuya's, ca. 2005, when she was still in the Seattle, WA area. Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Te...

Kakehanaire, Hanging Vase, by Sachiko Furuya; Honolulu, HI. Shino and Bamboo Ash Glazes. H. 4.5cm) x Dia. 3.5"(9cm.) The vase hole appears very organic, as if blown out from the inside by an explosion. There is a pink tinge in some areas of the glaze, caused by some smoking during firing. Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the Colle...

Kakehanaire, Hanging Vase, by Sachiko Furuya; Honolulu, HI. Ash glaze that fired brown, and charcoal black in areas. H. 3.375(9.5cm) x Dia. 2.375"(7cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, I...

Wide Bowl with incised Lotus medallion. Bamboo Ash and Copper Glazes. H. 3.625"(9cm) x Dia. 8.625"(22cm.) The Lotus is a important symbol in Buddhism as it represents rebirth, purity, and spiritual perfection. Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and ...

Cold Sake Decanter, Reishuki. A spouted bowl used for serving cold or room temperature sake. Also appropriate for serving sauces, as a food bowl, or for flowers. Shino and Bamboo Ash glazes. H. 3"(7.5cm) x W. 6.25"(16cm.) "Mimi tsuki," (with attached "ears" on sides.) By Sachiko Furuya; Honolulu, HI. Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attende...

Hisage Shuki, Cold Sake Serving Set. Handled pouring Decanter plus 3 Guinomi (sake cups.) Shino and Bamboo Ash Glazes. By Sachiko Furuya, Honolulu, HI. Decanter: H. 5.625"(14.25cm) with handle, Bowl only=2.625"(6.5cm.) Dia. 5.5"(14cm.) Guinomi (Cups) range from 1.75"(4.5cm) to 2.0"(5cm) in Height. Diameters range from 2.875" to 3.0"(7.5cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of th...

Matcha Chawan, Tea Bowl, by Sachiko Furya; Honolulu, HI. Ido-gata (Well-Shaped,) Bamboo Ash and Copper Glazes. H. 3"(7.5cm) x Dia. 5.5"(14cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She ...

Matcha Chawan, Tea Bowl, by Sachiko Furya; Honolulu, HI. Ido-gata (Well-Shaped,) Shino and Bamboo Ash Glazes. H. 3.375"(9.5cm) x Dia. 5.5"(14cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. S...

Matcha Chawan, Tea Bowl, by Sachiko Furya; Honolulu, HI. Ido-gata (Well-Shaped,) Bamboo Ash and Copper Glazes. H. 3"(7.5cm) x Dia. 4.75"(12cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She...

Matcha Chawan, Tea Bowl, by Sachiko Furya; Honolulu, HI. Bamboo Ash and Copper Glazes. H. 2.625"(6.5cm) x Dia. 5.375"(13.75cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa. She has exhibited h...