Traditional Japanese art tends to be timeless and inspiring in form, however, occasionally lacking in diversity and innovation. That is why artists who can incorporate centuries of experiential knowledge and technique into producing new and interesting forms are oh so valued...

Ancient Iga pottery works had been made for a few decades since last Momoyama period from early Edo period. They were fired over 1250 degrees Celsius for 10 days and repeated 3 times and more with no glaze, they has natural glaze that is consist of melted ashes, burnt deposits and scarlet by fire. They are well known as dynamic style and loved by many tea ceremony master like as famous Oribe Furuta...

Jug for holding fresh water for the tea ceremony, called mizusashi. Wheel thrown, thin stoneware of slightly irregular beaker shape (slightly bulging belly towards the bottom and straight sides going up). The mouth is slightly oval. Black-brown iridescent glaze. Custom made black lacquered fitted wooden cover. Seto ware, or black Oribe...

This piece was fired in "Anagama" small kiln with red pine fire woods for 10 days and 2 times. Ancient Shigaraki works was made of clay that was consisted weathered granite, it has very high fire resistance, 1300 Celsius degrees. Ashes of red pine tree turned to green glass ,it is called "bi-doro" at high temperature, and fierce fire made spectacle scene on the surface. Sugimoto is famous for not only remaking old Shigaraki, Iga pieces but also an authority in tea ceremony pottery ware...

MOON JAR M

Contemporary white porcelain jar by Lee Yong-soon (b.1957, Korea), with his unique interpretation for the ancient jars of the Joseon dynasty, approx. D 20.5 x H 18.5cm (8.07 x 7.28in)...

MOON JAR S

Contemporary white porcelain jar by Lee Yong-soon (b.1957, Korea), with his unique interpretation for the ancient jars of the Joseon dynasty, approx. D 17 x H 17cm (6.69 x 6.69in)...

First born son to Living National Treasure Isezaki Jun, Koichiro (b. 1974) has quickly made a name for himself as an independent artist. Not content to rely solely on family reputation, he has set off on his own path, making innovations in clay and also in the ideas and principles surrounding his craft...

A truly unique work of Shino pottery developed among the company of some of Japan’s most respected and influential potters of the last century. Defying conventions of form and genre, this exceptional mizusashi looks like it could have emerged from the ground fully formed, the result of geological processes lasting millennia. The creator of this fine work is none other than Tsuboshima Dohei, a true master of the ceramic arts...

Dohei Fujinoki is one of the most popular artist in contemporary KARATSU pottery scene. Initially he aimed a western painter and then,when he met an old KARATSU pottery piece he had been fascinated. He has studied at Karatsu and also MIno. And while, he has studied in tea ceremony. His repertoires are goods for tea ceremony, sake cup, and tableware for Japanese cuisine. This piece is created with chosen-karatsu (black&white)x marked as jar for tea ceremony. It's a very refined piece a...

Robust Oribe style covered jar with kushime slip decoration and angular knob. Though not necessarily intended as a mizusashi, it sits well next to a Shigaraki chawan in photo #6. ***I should also mention there is a fine crack where the knob meets the lid that is not sharp and does not effect the use and function of this piece.

Stoneware, slip and glaze

7.65 x 6.8"

Wonderful porcelain tsubo with exquisitely painted sparrow and foliage across the surface with vivid watercolor like effects calling to mind a scene right out of early autumn. The detail of the painting is rather intricate and obviously owes its inspiration to many of the Meiji era painters of which Watanabe Seitei (1851-1918) immediately springs to mind...

Tall covered jar with thick combed slip decoration under my gosu style Ao+glaze.

Stoneware, slip and glazes

13" x 5.6"

Tall covered jar with thick combed slip decoration under an Oribe style glaze with iron flows about the surface.

Stoneware, slip and glazes

13" x 6" max.

Three tier medieval green and temmoku glazed Pisa jar with stamped decoration around the form and alternating panels of glaze.

Stoneware and glazes

11.6" x 5"

Fissured Jar, Wood-Fired, by George Gledhill; Payette, ID. Natural Clay, & Natural Ash Glazing caused by 3 days of Wood-firing in the fire box of George's Anagama Kiln in 2005. A large fissure had occurred in firing which turned out to be a serendipitous accident. H. 15"(38cm) x Dia. 11.5"(29cm.) The beauty of this piece is dynamic in depicting the force of the kiln fire, yet still quiet in its naturalness. It is truly a one-of-kind piece that demonstrates the spirit of Zen...

Large Oribe glazed tsubo with hakeme slip decoration and a broad, flared lip.

Stoneware, slip and glazes

11.5" x 8.5"

Mizusashi, Fresh Water Jar used in Chanoyu, by George Gledhill; Payette, ID. Wood & gas fired with Ash Glaze interior...

Large Oribe style covered jar with kushime slip decoration and ring knob lid.

Stoneware, slip and glazes

13" x 7"