With hallmarks dating 1955-1962, this bracelet from Hector Aguilar is nothing short of spectacular.

It's a hand-wrought piece, with three huge oval azurite stones separated by silver twisted barbells. The back is a long silver ID bar, with the closure tongue sliding into it. Tight, secure, perfect.

This is a book piece design, shown in Penny C. Morrill's "Silver Masters of Mexico". However, this one is quite rare, having three large stones instead of five smaller ones...

Beautiful purplish rhodolite garnets sparkle from the engraved tops of these earrings with foxtail tassels. Each tassel terminates in a small golden ball. These tassels have substantial weight and are unusual for having gemstones set at the top. Stamped with French 18K gold hallmarks.

• Origin: France, ca. 1880.
• Excellent condition.
• Dimensions: 1-5/8" from top of wire.
• Weight: 7.1 grams.
• Approximate Total Garnet Weight: 1.72 carats.

Art Nouveau 14K gold crescent pendant necklace set with round brilliant cut diamonds and rubies. The quality of the gemstones is superb, with VVS2/G diamonds and vivid very slightly purplish-red rubies that show no indications of heat treatment. In Victorian and early Edwardian jewelry, the crescent shape symbolized feminine power personified in the moon goddess Selene/Juno. Brides were often given a crescent pin to wear during their honeymoons...

An extraordinary and rare 14K yellow gold bangle bracelet by Krementz adorned with enameled white and pale blue forget-me-nots. Krementz made some of the best Art Nouveau enameled jewelry, and continued producing enamels well into the 20th century. Blue and white forget-me-nots, a particularly popular motif in the early 1900s, frequently appeared in small pins and pendants. This piece, however, is the first bangle bracelet we've seen...

A gorgeous enameled pansy, worked in several shades of purple and lavender is featured in this ring converted from a Victorian earring. The enamel has a soft velvety appearance and is accented at the center with a small pearl. The pansy is set on a sturdy 14K gold split shank...

Circa mid-century, this Los Castillo bracelet is a book-piece design, known as "Fish in Waves".

Entirely hand-wrought, with amazing detail which is second to none, this bracelet is composed of eight copper domes., each with applied silver work of two fish swimming in the waves, with their tails wrapping around the sides.

Measures a closed, wearable length of 6 3/4", and a width of 3/4". Closure is a "J" hook and eye...

Circa pre-1960, this necklace produced by Matilde Poulat has a generous length of 23", with a 3 1/4" wide center. There are amethyst stations on each side, with double chains continuing up the neck. The palomas sit next to a vase with turquoise flowers. Length on the center is 2 1/2".

Weight is a substantial 91.1 grams.

Signed and hallmarked "Matl Mexico 925 Patente 10966", along with the eagle assay 129.

A striking 14K gold peridot ring converted from a Victorian stickpin. The oval brilliant cut peridot has superb intense green coloring and is bezel-set in a elegantly-engraved gold collar. The ring has a 14K gold shank.

• Origin: America, ca. 1890.
• Condition: converted from a Victorian stickpin; excellent condition.
• Dimensions: crown, 1/2" x 7/16".
• Finger Size: 6 1/2.
• Weight: 2.2 grams.
• Approximate Gemstone Weight: 2.16 carat.

A fine green-toned cat's eye chrysoberyl cabochon surrounded by delicate scalloped border set with seed pearls centers this Victorian stickpin conversion ring. The stone displays excellent chatoyancy, with a clear milky white streak down the center of the stone that seems to "wink" as it is rocked from side to side. The surrounding pearls pick up the creamy color of the eye...

This Antonio Pineda wave bracelet is a spectacular masterpiece.

It's a book piece design, shown in "Silver Masters of Mexico", among others. Composed of twelve silver "waves", each of which is formed from a single sheet of heavy gauge silver.

Weighing in at a massive 202 grams, this is the ultimate showpiece that commands instant attention, compliments, and envy. It's also the largest version of this design, with a closed, wearable length of 7 3/8" and a width of 1 3/8"...

An early design by Margot van Voorhies Carr, this necklace features a design of hammered niello hearts framed with thick raised silver edges. The centerpiece measures 3" wide and 2 1/2" on the diagonal. The side hearts alternate with silver beads, and each side finishes with rectangular silver tubes. Closure is a tight and secure tongue in box...

This is a very rare and spectacular necklace from Hector Aguilar, hand-wrought and executed in 940 silver.

It's a stunning piece which won't fail to be noticed and looks magnificent on the neck.

It's composed of two separate pieces, one measures 1 3/4" and the other at 14", combining to 15 3/4". It's wide at just over 1 1/4"...

Hallmarks date 1940-1944 on the superb William Spratling bracelet from his first design period. Tested to be 980, or 98% pure silver.

This is a heavy, gorgeous, luxurious bracelet which looks and feels amazing on the wrist. It's an extra large size, measuring a closed, wearable length of 7 1/2" and a width of 7/8"...

Beautifully fluid, this hand crafted design was called the "Collar Gola" by Taxco, Mexico artist William Spratling circa 1948-52. Weighing 70 grams the necklace has a wearable length of 19 inches. The center element is 4" across at the top & 1 1/2" high at the center. Spratling used a subtle vermeil wash adding to the 3 dimensional effect of the design. All in beautiful condition with excellent patina...

A nice and perfect Peranakan silver belt with Phoenix and flora pattern , repousse work

Circa mid-century, here is a very seldom seen book-piece design from Antonio Pineda.

Shown on page 148 of Gobi Stromberg's "Silver Seduction : The Art of Mexican Modernist Antonio Pineda", this is a magnificent bracelet with a stunning modernist design. Composed of eight thick sleek rectangular links which have bezel-set carnelian gemstones, each with a silver disc rising from the center. It's a very unusual piece, and a real attention grabber. It also has a completely seamless appear...

This brooch by Matilde Poulat features a large amethyst front and center, with turquoise cabochons and coral branches in a butterfly design with dangles.

Measures 2" tall x 1 1/2" wide. Pin closes with a rolling "C" clasp.

Weight is 11.8 grams.

Signed and hallmarked "Matl Mexico 925", with the eagle assay 129. Dates to pre-1960.

Circa 1930's - 1940's, this bracelet is a stunner. Hallmarked simply "Silver Made in Mexico", it's a book-piece design seldom seen, originally created by Frederick Davis and shown in the Morrill/Berk book "Mexican Silver". No maker's mark on this one.

Four large amethyst cabochons with quartz marbling and natural inclusions sit between oval silver tubes with silver balls at each end. Closure is a tight and secure tongue in box.

Weight is 78 grams.

Closed, wea...