An elegant pair of cufflinks with engraved decoration suggesting flowing water. The decoration is anchored at either end with a pair of seed pearls and a pair of single-cut and old European cut diamonds. The gold surfaces are acid-bloomed to achieve the rich coloring typical of Art Nouveau jewels. The bridge connectors are marked “585” for 14K and with hallmarks used in Vienna during the late Secessionist and early Art Deco periods, 1902-22.
Origin: Imperial Austria, ca. 1905...
An extremely rare pair of 18K yellow gold and citrine cufflinks by the mid-century Brazilian jewelry designers Roberto and Haroldo Burle Marx. The Burle Marx brothers were particularly know for their use of colored gemstones fashioned in the "forma livre" (free-form) style. Haroldo invented the technique of carving and tumbling forma livre stones in 1948, and the style of the swivel mechanism suggests that the cufflinks are relatively early—probably around 1955...
An attractive pair of mid-century 14K yellow gold cufflinks, the rectangular faces bezel-set with oval cabochons of black star sapphire. The stones have very good asterism with bright, fully-formed stars and strong movement across the stones. The color is more attractive silvery-brown than some black star sapphires. The faces have engraved decoration at the corners. The toggle backs are marked 14K.
Origin: America, ca. 1955. Condition: excellent. Dimensions: 25/32" x 9/32"...
A very fine pair of late Victorian 14K yellow gold cufflinks, the round faces featuring almandite garnets. The faces are decorated with a foliate border. The gold surface has the semi-matte Russian finish sometimes found on better jewels of the period. The beanback connectors are marked 14K.
Origin: America, ca. 1900. Condition: excellent, sharp detail. Dimensions: 9/16" diameter. Weight: 5.4 gr. Approximate Total Gemstone Weight: 2.6 cts.
A fine pair of 14K yellow gold cufflinks featuring plaques of lapis lazulie framed in pierced Greek key borders. The lapis has very attractive violetish-blue coloring with a nice smattering of glittery pyrite. The connectors are marked "14K" and "585".
Origin: America, ca. 1980. Condition: excellent. Dimensions: 7/8" x 7/8". Weight: 16.9 gr.
A handsome pair of Art Deco 14K yellow gold cufflinks, the faces set with oval cabochons of pale greenish-blue tourmaline. The stones' color, resembling aquamarine, is most unusual for tourmaline. The backs are marked "14K."
Origin: America, ca. 1930. Condition: excellent. Dimensions: faces, 3/4" x 5/8". Weight: 12.5 gr. Approximate Total Gemstone Weight: 6.8 cts.
A pair of handsome 18K yellow gold cufflinks designed in an Art Nouveau interpretation of Gothic Revival. The heavy pierced front faces are reminiscent of the ornate carved stone bosses at the interesections of the ceiling ribs in a Gothic vaulted ceiling, while the back faces are pure Art Nouveau with whiplash curves. The pairing makes for a very attractive combination. The backs of the faces and the chains are stamped with French 18K marks.
Origin: France, ca. 1890...
An elegant pair of French 18K yellow gold double-faced cufflinks, each face set with four rubies in star mountings surrounding a central rose cut diamond. The gemstones add a very attractive sparkle and color without being overwhelming. The faces are connected by gold chains. Stamped with French 18K marks.
Origin: France, ca. 1900. Condition: excellent. Dimensions: 13/32" diameter. Weight: 4.1 gr. Approximate Total Gemstone Weight: diamond, .02 ct; ruby. .05 ct.
A classic, heavy pair of 18K yellow gold cufflinks by David Webb. The front faces are rectangular with canted corners highlighted with opaque blue and white enamel. The smaller back faces are hinged and have solid blue enamel. The connectors are marked "Webb 18K".
Origin: America, ca. 1970. Condition: excellent, no enamel loss; extremely minor abrasions to the gold edge of one cufflink from normal wear. Dimensions: larger faces, 3/4" x 19/32"; smaller faces, 1/2" x 3/8". Weight: 20.1 gr.
A nice pair of 14K yellow gold and ruby cufflinks, the round faces accented with engraved lines and a stippled finish that suggests a quilted design. The intersections of the engraved lines are set with round brilliant-cut rubies. The backs are marked "14K". We have seen matching cufflinks, set with rubies or with sapphires, stamped with Tiffany's retailer mark, so it's likely they were made by one of the higher-level Newark jewelers.
Origin: America, ca. 1955. Condition: excellent...
A handsome pair of 14K yellow gold cufflinks in a classic barbell design. The larger front faces are star-set with small natural rubies. The stones have intense color that shows nicely against the gold. The connectors are marked "14K."
Origin: America, ca. 1930. Condition: excellent, all original. Dimensions: 1-3/16" long; larger faces, 1/2" diameter. Weight: 9.8 gr. Approximate Total Gemstone Weight: .25 ct.
A stunning pair of 14K yellow gold cufflinks, the double faces set with bright red garnet cabochons. Unlike many garnet cufflinks, the stones have bright coloring without the brownish overtones that are typical of garnets. The backs are stamped 14K and are signed by Sansbury & Nellis.
Origin: America, ca. 1925. Condition: excellent. Dimensions: 9/16" x 7/16". Weight: 7.4 gr. Approximate Total Gemstone Weight: 9.2 cts.
A handsome pair of 14K yellow gold cufflinks in the "etrier" style originally popularized by Cartier. The design was meant to suggest a horsebit. When worn, only the circles are visible. The circles are finished with a twisted rope design. Most cufflinks of this style were made by French jewelers, and it is unusual to find an American pair in 14K gold. Stamped with an unidentified maker's mark.
Origin: America, ca. 1930. Condition: excellent. Dimensions: faces, 5/8" diameter...
A handsome pair of double-sided 14K yellow gold cufflinks set with oval lapis lazuli cabochons. The stones have even, deeply-saturated violetish-blue color. The backs are marked "585" for 14K and also have an unidentified European maker's mark "MO."
Origin: Continental Europe, ca. 1930. Condition: excellent. Dimensions: 1/2" x 11/16". Weight: 12.9 gr.
An intriguing pair of 18K yellow gold cufflinks, the faces set with triangular cabochons of labradorite. In bright lighting conditions, the stones exhibit the unusual play of bluish-greenish color desired in labradorite. The color seems to emanate from within the stones and float on the surface over the gray and cream body color. Each of the cufflinks is stamped with French 18K marks and an unidentified goldsmith's mark (S.Cie. with an anvil).
Origin: France, ca. 1950...
A handsome pair of double-sided 14K yellow gold cufflinks adorned with engine-turned engraving in a star pattern enclosed within opaque blue champleve enamel borders. The connectors are stamped with the mark for Strobell & Crane (Newark).
Origin: America, ca. 1920. Condition: excellent, no enamel damage. Dimensions: faces, 5/8" diameter. Weight: 8.1 gr.
A pair of 18K yellow gold cufflinks with a classic 1960's brushed gold texture. The texture is worked in short sections oriented in random directions, giving the effect of leopard spots in racking light. The toggle backs are worked in a simple ribbed design. The connectors are signed "Cartier" and are also marked "Swiss Made/18K/750." The "Swiss Made" stamp is more often seen on watch cases and indicates that the cufflinks were made by one of Cartier's watchmakers, likely to match a watch di...
An elegant pair of 18K yellow gold cufflinks in a style blending elements of Aesthetic and Art Nouveau design. The round faces are decorated with a finely-pierced design of grapevines complete with clusters of fruit. The faces are joined by chains to torpedo backs. These would be a wonderful gift for the true wine lover and connoisseur. Fully marked with French hallmarks for 18K.
Origin: France, ca. 1890. Condition: excellent; sharp detail. Size: 9/16” diameter. Weight: 5.8 grams.
A vintage 14K yellow gold tie bar or money clip in the form of three golf clubs. The detailing of the clubs' handles is very nice. The back of the tie bar has an eyelet that can be used to anchor a safety chain if the piece is used as a tie bar. This piece is marked "14K" and was probably made by Larter. Larter made much of the men's gold jewelry for Tiffany & Co., and we have seen this exact piece with Tiffany's hallmark.
Origin: America, ca. 1950
Dimensions: 3-1/8" x...
A handsome and heavy pair of vintage 18K yellow gold cufflinks fashioned as a length of rope tied in a nautical knot at either end. This style was popularized by Hermès in the Art Deco period and remains a timeless design. Stamped with French 18K marks.
Origin: France, ca 1950
Dimensions: faces, 5/8" x 1/2"
Weight: 21.1 grams
A pair of 14K yellow gold Edwardian flat cufflinks, the faces unusually set with amethyst cabochons amid intricate engine-turned engraving. The connectors are marked "14K."
Origin: America, ca 1900
Dimensions: 5/8" x 1/2"
Weight: 6.5 grams
Approximate Total Gemstone Weight: .58 carat
A very attractive pair of 14K white gold cufflinks, the arched faces featuring center rows of channel-set rectangular cut blue sapphires flanked on either side by a row of pave-set round brilliant diamonds. The sapphires have intense, medium-dark blue color and the diamonds are graded at G/H color with SI2 clarity. The faces are attached to toggle backs marked “585” for 14K gold.
Dimensions: 7/16” x 11/16”
Weight: 11.1 grams
Approximate Total Gem...
A nice pair of late Edwardian 14K yellow gold double-faced cufflinks, each face centering an oval blue sapphire cabochon surrounded by engine-turned engracing. The sapphires have deep blue coloring. The back of one cufflink is engraved "Linked with fondest memories" and the other completes the inscription with "To J.M. from R.M. 1919." The connectors are stamped "14K" and have the maker's mark for Wordley, Allsopp & Bliss.
- America, ca. 1919
- Excellent, original condition
A colorful pair of Art Deco 14K gold double-sided cufflinks, each face featuring an oval cabochon of green chalcedony in a simple gold frame. The faces are joined by chains. The backs are marked "585" for 14K.
- Continental Europe, circa 1925
- Excellent condition
- Faces, 9/16" x 3/8"(14 x 9 mm)
- 6.6 grams.
A pair of Victorian cufflinks in 14K rose gold, each face set with a faceted amethyst cabochon. Cufflinks of this type almost always use plain cabochons and the use of foil-backed faceted amethysts here is particularly attractive. The faces are joined by solid oval links. The backs are marked for 14K.
- America, ca 1890
- Excellent condition
- Faces, 5/8" x 5/16" (16 x 8 mm)
- 6.2 grams
- Approximate Total Amethyst Weight: 11.96 carats
A classic pair of Edwardian almandite garnet cufflinks, the oval gemstones set simply in 18K yellow gold collet settings. The faces are attached by chains to torpedo backs. The garnets are of nice quality, having a slightly more orange coloring than is typical of almandite--nearly in the color range for spessartite garnet. Tested and guaranteed 18K.
Ca. 1910. Condition: excellent, all original. Size: 5/8" x 5/16". Weight: 6.6 grams. Approximate Total Gemstone Weight: 5.78 carats.
A very fine pair of 14K yellow and white gold engine-turned cufflinks, the faces set with round brilliant cut blue sapphires. The quality of the engine-turned decoration is truly superb—matched by the selection of bright blue sapphires with excellent clarity. These cufflinks are considerably heavier than most other “flats” from the period. The connectors are stamped “14K” and bear the maker’s mark for Strobell & Crane.
- Origin: America, ca. 1920.
- Dimensions: 9/16” ...
A fine pair of late Victorian 14K yellow gold bean-back cufflinks, the front faces decorated with ornately fashioned coiled snakes. The gold surface is treated to the soft, semi-matte bloomed finish sometimes seen in Victorian and Art Nouveau jewels. Kirby seemed particularly partial to snakes and produced several different serpent designs for cufflinks. In Victorian symbology, snakes conveyed sentiments of eternal love. Each cufflink is stamped “14K” and bears the maker’s mark for H. A....
A complete 9-piece dress set by Krementz, worked in 14K yellow and white gold with mother-of-pearl and seed pearls. Each face features a disc of mother-of-pearl with lustrous iridescence centering a small pearl and surrounded by an engraved border of white gold. The backs of the faces and the mechanical parts are worked in yellow gold. The set includes a pair of double-sided cufflinks, three shirt studs and four vest buttons. Today, many men would opt to wear the larger vest buttons as shirt...
French gold and sapphire stirrup cufflinks never go out of style. The strirrup (étrier) design was popularized by Cartier in the Art Deco era and continues to one of the most stylish elements in a gentleman’s jewelry wardrobe. The sides are worked in the classic curb link chain style and the hinged closures are capped with bright blue sapphire sugarloaf cabochons. Each cufflink is stamped with French 18K gold marks and un unidentified maker’s mark (“Ste DC”).
French Art Nouveau 18K gold and sapphire cufflinks, the triangular faces pierced in a decoration of stylized flowers and set at the centers with cabochon blue sapphires. The gold surface has a very handsome matte finish that allows the sapphires to shine. The connectors are stamped with French 18K marks and an unidentified maker's mark (SAS).
- France, ca 1895.
- Excellent condition; sharp detail.
- 5/8" x 5/8".
- 7.3 grams.
- Approximate Total Sapphire Weight: 1.04 ...
Red speckles stand out brightly against the dark greenish-black background of the bloodstone plaques featured in this pair of double-sided Victorian cufflinks by Larter. NOTE: the color contrast is more apparent in person than shown in the photos due to the reflectivity of the stones. Bloodstone, or Jasper, is also considered to be the "traditional" birthstone for March, while Aquamarine is considered to be the "modern" birthstone for March. Bloodstone is aligned with the Zodiac sign of Aries ...
14K Gold, black Onyx and Pearl Cufflink and Stud set. Each octagonal shaped circular piece centering a small natural Pearl on black onyx, the borders of chased white gold; comprising pair of Cufflinks and three studs with gold slide spring mechanism. Each stamped on reverse JOC 14K. Fitted Box.
A classic pair of Art Deco sterling silver stirrup cufflinks, the ends set with black onyx sugarloaf cabochons. This style of cufflink was popularized by Cartier in the 1920s. The cufflinks bear Swiss import hallmarks used until 1934, and are stamped "935" indicating that they have a slightly higher pure silver content than sterling silver.
- Origin: Continental Europe, probably France, ca. 1925.
- Condition: excellent.
- Dimensions: faces, 11/32"(15 mm) diameter.
A classic pair of Mid-Century “around the cuff” mesh cufflinks set with square cut sapphires and round diamonds. This classic style securely holds the cuff and is heavy enough to know you’re wearing them. At the same time, the flexible mesh makes them very comfortable. The gemstones have excellent color and clarity. The overall look is clean and streamlined. Each cufflink is fully hallmarked by Gubelin and bears a serial number.
- Origin: Switzerland, ca. 1950.
- Condition: exce...
A handsome 14K gold and amethyst dress set presented in its original fitted leather, velvet and silk case embossed "Tiffany & Co. New York Paris London." The amethyst cabochons are simply mounted in collet settings. The gold has a slightly rosy tint that beautifully accents the rich color of the amethysts. Tiffany relied on Newark makers such as Krementz, Larter and Carrington to supply many of their cufflinks. Sometimes, the pieces were re-hallmarked by Tiffany, and sometimes not. These cufflin...
A striking pair of double-sided cufflinks worked in 18K yellow gold. Each hexagonal face is decorated with a blue and white champlevé enamel pattern that highlights its “quilted” texture. Each face is centered with a triangular sapphire cabochon bezel-set in platinum. The sapphires have bright color that beautifully accents the enamel. The faces are connected by chains. Each cufflink is marked “18Ct” and has another unidentified mark. They are well-traveled, also bearing old London imp...
A classic pair of double-sided 14K yellow gold cufflinks, the round faces enhanced with engine-turned engraving and opaque black champleve enamel borders. The borders are further accented with a gold strapwork motif. The connectors are marked with unidentified American hallmarks, “HB” and “14K”.
- Origin: America, ca. 1920.
- Condition: excellent, no enamel damage.
- Dimensions: 19/32” diameter.
- Weight: 9.2 grams.
A fine pair of 14K gold cufflinks set with high-domed amethyst cabochons by David-Andersen. The amethysts have deep, rich coloring and excellent clarity. David-Andersen is widely known for its enameled silver jewelry, but also made a very limited number of pieces in gold. Each cufflink is stamped “D-A 585”.
- Origin: Norway, ca. 1965
- Dimensions: faces, 1/2" diameter
- Condition: excellent, all original
- Weight: 11.7 grams
- Approximate Total Amethyst Weight: 2...
A stunning pair of Art Nouveau 14K gold cufflinks by Carrington, the faces designed as dolphins stylized as sea monsters. The creatures are beautifully designed with detailed scales, fins and gaping mouths. The eyes are set with G/VS1 old mine cut diamonds. The faces are joined by oval connectors sufficiently long to fit through a thick cuff. The backs are stamped with Carrington’s 14K hallmark.
- Origin: America, ca. 1900
- Dimensions: faces, 3/4" x 7/16”
- Condition: excel...
A fine pair of French 18K gold, enamel and sapphire cufflinks. The round faces are decorated with champleve enamel in a soft translucent French blue shade surrounded by a border of opaque white with gold accents. Each face is centered with a sapphire sugarloaf cabochon. The faces are connected with chains to gold torpedo backs. Each cufflink is stamped with French 18K gold marks.
- Origin: France, ca. 1910
- Condition: excellent, no enamel damage
- Dimensions: 1/2" diameter...