Attributions are a difficult issue in the world of vintage Mexican silver jewelry - they are almost never accepted. If a piece is not signed, it’s just not signed! In this case, however, I will put my years of experience behind my suggestion that the necklace I am presenting here is the work of Reveriano Castillo. When I acquired it, it had no clasp and since the specific Reveri design is usually marked exactly there, the connection to its maker was lost...

Breath-taking both in proportions and its masterfully executed repoussage this sterling silver Mexican Deco belt buckle is simply unbelievable. Its two mirrored parts represent Quetzalcoatl, the divine Moesoamerican Feathered Serpent, a motif which appears quite often in vintage Mexican silver jewelry...

Delicate and quite romantic with their Spanish Colonial bows and a half-hidden heart motif this set of Los Castillo earrings is elegant and nostalgic at the same time. Crisp finishing and a beautifully glowing patina complete the "package" - I will let the photos say the rest while I provide the specifics: 1 3/8" long by 1 1/8" wide, weighing 11.2 grams (for the set). Fully signed with maker's name as well as "TAXCO" and Eagle 15 assay mark...

I am a big fan of Carmen Beckmann’s Etruscan style jewelry - her domed Etruscan ring is a foundational piece in my collection and I enjoy it thoroughly. There is something about the way the wire-work and tiny florets with their bead centers oxidize with time that creates an air of warm, comfortable luxury around them that gets me every time. I could easily see the dangle earrings at hand worn by dignified Roman matrons leisurely enjoying their honeyed wine...

One of the most talented, innovative maestros of Mexico’s 20th c. Silver Renaissance, Jose Luis Flores created some amazing designs that were sold not only under his own name but bore the hallmarks of Miguel Martinez, Emma Melendez and Rubi Ramirez as well...

Maestro C. Molina is one of those “enigmatic” figures of Mexico’s 20th c. Silver Renaissance. Even in Bille Hougart’s seminal work on hallmarks and makers there is minimal information about him - namely, two or three examples of the way his jewelry is hallmarked and the photos are really difficult to read...

Circa mid-century, this Antonio Pineda cuff is a book-piece design shown in "Silver Seduction: The Art of Mexican Modernist Antonio Pineda". Pure eye candy, this concave cuff features nine conical amethysts which appear to be floating on a center pivoting arm. The amethysts are wonderful old Mexican stones with natural inclusions and quartz marbling. This will fit a smaller wrist. Mine is 6" and it fits me comfortably with room to spare. It is not adjustable in size...

This pre-1948 bracelet is a Fred Davis design, here hallmarked simply "Mexico Silver". Composed of six large silver panels, each set with a large amethyst cabochon, this bracelet measures a closed, wearable length of 7 1/2" with a width of 1 3/8". Weight is 67.7 grams. Fold over clasp gives this piece a seamless appearance. In excellent vintage condition. Stones are gorgeous, perfectly matched in color

In the years I have been buying and selling vintage Mexican silver jewelry I have seen many "mask" pieces - this is, after all, one of the "pillars" in the genre's design index and I am also very partial to it and always on the look out for good examples. I have to also admit that seeing jewelry of a certain kind over and over again makes one a little more blasé and hence, more difficult to impress. Yet impressed I was with this astounding combination pin / pendant I am presenting here...

Maestro Mateo of Taxco is known among vintage jewelry collectors for his modernist, mostly brutalist, ring designs. His work is sought after for its quality, the beauty of the stones he incorporates in his pieces and the strong sense of tension that his rings exude. His career strides the divide between the so-called Eagle mark period and that of the T-marks and, in my experience, he is one of the very few silversmiths who used .950 alloys before they became the norm in the 1980s...

A retailer active in the 1930s and 1940s, Ingrid's was - according to Bille Hougart - known for their high quality hollowware and jewelry which they commissioned from the best Taxco maestros...

A rather rare design - I have never encountered it before - by Enrique Ledesma, this pair of earrings brings to mind classical representations of the Aztec Sun Disk yet, in fact, the figure centering them is Tlaltecuhtli, one of the Mexica Earth deities, often referred to as the Earth Monster...

The combination of fine, high purity silver and moonstone is one of my favorite and was equally favored, it seems, by Antonio Pineda, Taxco's renowned modernist. Set in three-dimensional 970 silver settings the stones at hand have a luminous pearlescence that draws the eye into their magical depths, and perfectly reflect the warm glow of the precious metal surrounding them. Antonio's jewelry is characterized by an unfailing sense of easy luxury and that feeling is present here as well...

Playing the violin with abandon as is evident by their determined expression, Margot de Taxco’s “musician putti” come here in earring form which is a rather rare occurrence. The specific angelic musician is usually found hanging off Margot’s charm bracelet of the same design, one out of a band of nine, and even though I have had the bracelet a few times in the past, this is the first pair of earrings I have found...

One of the techniques the Los Castillo workshop pioneered, “pluma Azteca” uses dyed bird feathers as inlay to adorn jewelry and other decorative items. Quite impressive in their colorful vibrancy, the feathers can also be vulnerable, especially when they are left exposed, resulting in a rather small number of “pluma” jewelry having survived over the years. The articulated torque-type necklace at hand is a wonderful exception. Combining the slick minimalism of its modernist silver-work wi...

Impressively long and beguilingly slick with its glowing tapering dangles half-hiding a bullet-shaped piece of black onyx, this is one of Antonio Pineda’s most eye-catching set of earrings. Simple yet visually strong lines that re-affirm the philosophy of less-is-more in the world of adornment; smooth as silk, dancer-like motion; fleshy geometry (if you allow me the word combination), all come together and become a piece of wearable art in the hands of Mexico’s modernist magician. Measuring ...

This hand-wrought Mexican necklace dates to pre-1948,

It's an exquisite piece with highly detailed silver work, and it looks beautiful on. Measuring 36" in length, the two sides can clip together about 4" from each end.

Signed and hallmarked on the bottom of each ball "S.D. Hecho en Mexico 0.925".

Weight is 80.5 grams.

In excellent vintage condition.

From his first design period, with hallmarks dating 1940- 46, this is a silver conch pin designed by William Spratling and featured in books on Mexican silver. Measuring 2 3/4" by 2", weighs 21 grams and is signed as shown. The pin clasp may have been replaced . One of Spratling's favorite designs.