Hallmarks date this Hubert Harmon masterpiece 1944-1948. This bracelet is a large heavy piece. Harmon produced silver in Mexico for only a short period of time. This bracelet, in particular, is a design which I've never seen before. It's hinged so that you can open just enough to fit over the wrist. It can be worn either slightly open, or with the front "fingers" intertwined and closed. The weight is substantial at 114.1 grams. Signed and hallmarked "Hubert Harmon Sterling Made in Mexico"...

A substantial set from Taxco's "middle period" this stunning necklace and earrings demi combines chunky cylinders of azur-malachite with shadow-box sterling box links. The result is quite impressive as the primarily green hues of the stone (the malachite is predominant here) are tempered by the variegated brown of the inclusions, all colors finally reflected in the glowing silver. I love a good chain necklace and this example combines good length with a presence that will never go unattended...

I don’t often use the expression “Holy Grail” but Tane’s “Tarascan” necklace is one of those few pieces in the world of vintage Mexican silver jewelry that deserves it. Especially if it bears pre-1980 hallmarks - which is the case here. Habitually referred to as “the Tiffany’s of Mexico”, Tane has been producing holloware and jewelry in silver and gold since 1942 and is known throughout the world for the quality of craftsmanship, impeccable design and perfect finishing...

A gorgeous , heavy, articulated sterling link bracelet from the Taxco workshop Los Ballesteros. Weighing a very substantial 146 grams, it is 7" around in the inside when clasped and is 1" wide. It is in fine original condition with a secure push in clasp and is signed as shown. A show stopper on the wrist.

Based on Salvador Teran's sought-after "dancers" design, the bracelet I am presenting here was crafted in the period the renowned Mexican modernist was active by one of his contemporary Taxco maestros. Absolute minimalism, strong graphics and a sense of unencumbered, fluid motion characterize the figural overlay which dominates the shadow-box construction of the three central links...

"Like mother like daughter" (and why not? father and son as well) is what came to mind when I saw this sweet Mexican silver and turquoise "baby" cuff bracelet. Beautifully stamped with ornamentation in the Native American / Southwestern style and centered by a rich blue turquoise stone with warm dark brown matrix the cuff is, of course, also ideal for those of us out there with very small wrists...

Rope designs were used exclusively in Spratling's 1st design period, 1931-46. This amethyst & 980 sterling pendant measures 2" X 1 3/4" X 1 3/8". The box is suspended by a heavy sterling Spratling chain measuring 24" long. Both box and chain are in beautiful condition. The circular clasp is tight and secure. Fully hallmarked WS 980 TAXCO. The amethyst box necklace is pictured in MEXICAN SILVER by Penny Morrill & Carole Berk and in SPRATLING SILVER: A FIELD GUIDE by Phyllis Goddard.

Circa mid-century, here is a Margot de Taxco zodiac pendant bracelet with Taurus the Bull. It's her design #s 5310 and 5233, and it's collector quality. It's a heavy, chunky, absolutely beautiful bracelet and one which shows up beautifully on the wrist. Closed wearable length is 6 5/8". Taurus charm/pendant measures 1 13/16 to the top of the bale, 1 9/16" wide. Weight is 97 grams...

A fabulous example of Taxco modernism by Los Ballesteros, this vintage Mexican silver and amethyst bracelet is as beautiful to look at as it is comfortable to wear. A couple of days ago I presented another creation by the same workshop and I will suggest that the two pieces are representative of their line of medium-width modernist link bracelets...

Vintage 1980s Talleres de Los Ballesteros Mexican modernist bracelet wrought in Antonio Pineda’s favorite .970 alloy which is richer in silver content than the standard sterling, this is a heavy, architectural piece adorned with clear, faceted, gem-quality amethysts. The stones are open on the back to maximize the effect created by the light as it passes through them and the all-silver links are substantial and very sculptural...

This sterling silver and copper bolo was designed by Antonio Pineda c. 1950's. The bear claw measures 3" X 2 3/4". Each of the arrowhead tips are 3/4" L. The piece weighs 78 grams. The overall length of the adjustable bolo cord measures 33" from arrow tip to arrow tip. Fully hallmarked. All in fine condition.

This Antonio Pineda ring features an oval turquoise cabochon alongside a pearl in this very flattering modernist design. It's a book piece design shown with a jade stone on p. 136 of Silver Seduction : The Art of Mexican Modernist Antonio Pineda. Size is a generous 6.5. Face measures 3/4" x 13/16". Weight is 9.6 grams. Signed and hallmarked with the Antonio Taxco crown, JVL Taxco 970, and the eagle assay 208. In excellent vintage condition.

This is a magnificent Antonio Pineda bracelet which I've never seen before and believe to be very rare. Likely dating to the 1950's, this bracelet showcases three natural untreated blue star sapphire stones. The center stone is approx 5 ct. Each stone sits in a star setting. Very unique, and certainly a statement piece. You can see the star It's a huge bracelet, with a weight of 155.2 grams. Closed, wearable length is 6 1/4". With is 1 1/2"...

The story of this Mexican Deco silver and turquoise hinged bangle is an interesting one. When it came to me, it had a rather hastily applied gold plating that looked both out of place and, should I say?, garish. I cannot understand why anybody would do such a thing yet many a time, in discussions with older bench jewelers, I have been told that a few decades ago this was indeed a trend of sorts...

One of the most beautiful early Taxco brooches I have had over the years, this glorious butterfly combines delicate repoussage and the marrying of copper and 980 silver with a richly colored piece of azur-malachite. Copper-plating fine silver is not something everything would think to do - after all, one is a precious metal, the other, though very important throughout history, is not. The Mexicans, however, at least some of them, the famous Los Castillo included, seemed to have found the techniq...

I have had this mod Taxco bracelet a few times over the years - also in ring, earrings and brooch form. And I never tire of it! The example at hand is signed by maestro Moreno and it has the beguiling sculpturality that makes the design memorable. Two perfectly crafted silver spheres sitting on stylized leaves - that is all yet it is so much more. Gutsy, slick and eye-catching at the same time - definitely a bracelet for the daring among us. With an inner circumference of 6 7/8" (clasped) it is...

A mid-century Los Castillo Mexican silver and stone inlay belt buckle, this is a piece out the workshop's "onix negro" series. I have said before that the specific technique is a challenging one both for the silversmith and the lapidary as the stone has to be cut exactly to the dimensions of the silver elements that will be inlaid in it. Yet here too the prowess of the maestros who created the buckle is evident in the absolutely smooth "image" they created by combining the two materials - if you...

One of the better known "less celebrated" maestros of Mexico's 20th c. Silver Renaissance, AEM (or, as I like to refer to him, AE Heart because of the heart-shaped M that hugs the signature's other two initials) lived and worked in Mexico City. Of good weight and exhibiting very good craftsmanship, AEM's jewelry often emulate pieces by his more famous contemporaries but he created many original designs himself as well. I am particularly attracted to his hinged bangle bracelets and I also love hi...