The creator Mizoguchi Yoshiharu　 Mr. Mizoguchi is a kaleidoscope creater living in Shizuoka prefecture,Japan and he is also good at using lacquer, making dynasty style paper and writing calligraphy. Recently, he has also created works using wood grain with old Japanese cloth. The kaleidoscope created from his excellent sensitivity has a representation of Japanese beauty "wabi sabi"at the image and the shape. The series 5 Japanese lacquer red Method: OIL/ Light from the side

The creator Mizoguchi Yoshiharu　 Mr...

The creator Mizoguchi Yoshiharu　 Mr...

The creator Mizoguchi Yoshiharu　 Mr...

Original large Acrylic Painting with 100% Gold Leaf and Gold Powder accents depicting a verdigris serene Sukkothai Period Reclining Buddha. Signed and dated on the back of the stretched canvas. Large size: 55" x 24" (140 cm x 60 cm). Can be shipped worldwide, economically rolled up in a tube. Price does not include shipping.

Oil on canvas painting of a Native American on horseback in the great American West during the late autumn months, 16" by 8", (26" by 18" as framed), signed at lower left corner with the signature and device of contemporary artist ART KOBER. Note the attention to detail that extends to even the beaded bag and every blade of grass. Kober, who maintains a website, is a noted contemporary western American artist who appeared in the pages of Art of the West magazine as far back as 1989...

Original felt tip pen drawing of a polo player mounted on his horse, mallet raised as if in the center of the action, 6 3/4" by 9" (14" by 16" in attractive silvery framing with higher-end closed corners), signed at lower left by noted contemporary American western artist NED JACOB (1938-). Jacob was born in Tennessee and found himself in Montana at a young age, working in Glacier Park. He became acquainted with the well-known Montana artist Ace Powell, who became a mentor...

A charcoal drawing of Bellaire, Michigan (northern part of the state), signed at lower right and dated 1936, and titled there "Bellaire, Mich.", (and titled on reverse backing "Evening Landscape" (crossed out, and nearby artist signature also crossed out), by well known Michigan artist CHARLES CULVER (1908-1967). This is a rather early work, created when the artist would have been in only his late 20's...

For Collectors: Edward Lear "PARROTS". The complete 42 hand-colored lithograph plates (EXTRA LARGE) of the Family of Psittacidae. Top condition and suitable for 42 individual framings! Solinas, Francesco; Willmann, Solphia. Text Book in English, German and French. Price indicated does not include shipping.

Sir Francis Seymour Haden 1818-1910 British This is an original pencil signed mezzotint by British artist Sir Francis Seymour Haden. The title is: Breaking up of the Agamemnon No. II. This mezzotint was created in 1880, one of his most popular images, like the earlier etched impression done 10 years earlier in just etched lines. This image is made up of tone as well as lines in the composition.....

This is a nicely executed watercolor featuring a red barn and small house apparently in autumn, signed at lower right and dated there 1973 by contemporary artist JOHN S. McFEDRIES. I do not see a listing for the artist but some other works by him can be viewed on the net (and I have a New Mexico watercolor by him in my shop). The painting measures 16" by 22 1/2" inside the mat and (25" by 31 1/2" framed). The painting is in excellent, fresh condition but there is no glass...

A beautifully impressionist work featuring a plus-size woman seated outside in a park in the nude, partially shaded on a hot day by a large shrub. The 10" by 8" oil on canvas (15" by 13" framed) is signed at lower left and again on the reverse side by the well-known, popular French impressionist artist JULES RENE HERVE (1887-1981)...

For those who STILL profess their love for NY despite its flaws and problems and challenges, this is an impressionist oil, painted on the rough side of the Masonite panel, 27" by 38 1/2" as framed, the subject Central Park in winter. The scene is of one of the East-West cross-park motor routes. Classic yellow taxis enliven the scene, as does a lone spectator figure at lower right. A richly worked composition by an artistic hand...

An example of the photolithograph print "Les Diners de Gala", 1970's, pencil signed at lower right and numbered 3/195 in Roman numerals at lower left margin. The work is from a series of 12 published by the world-famous Surrealist artist. At bottom is an etching as part of the composition...

Japanese limited edition color etching and aquatint titled "Le Tournoi II" (The Tournament II) by Taiwan artist Shaih Li-fa (Xie Lifa) dated 1968. Pencil-signed, titled, and numbered 3/25 in the bottom margin. Xie Lifa (b. 1938) studied drawing and sculpture in Paris in the 1960s before relocating to the U.S. in 1968 to focus on printmaking. Paper size: 17 1/2" x 15" (plate: 11 1/2" x 9 1/4"). Printed on heavy rag paper with large margins. Very good overall condition...

Oil on board painting of old houses in an American town, 12" by 16" (15" by 19" framed), the auto in the scene suggesting a circa 1930 date, unsigned, housed in an old 19th century Victorian style frame with patterned gold inner fillet. The work suggests to me the famous watercolor art of American artist Charles Burchfield, or at least other painters of the "American Scene" and WPA period. The work has been subjected to water which has left a pattern of water drops over the surface. This coul...

A scarce watercolor work of Southern art, the subject a street scene with traditional historic architecture including a church, two tiny figures and a tree, measuring inside the wood frame 9 3/4" by 7 3/4" (14 3/4" by 13" framed). The scene could be New Orleans or Charleston, South Carolina; I found the work in western Virginia. There is a signature at lower right but all attempts to read it have failed, though, it does appear that the date 1905 is at lower right. The work is on paper laid on...

Attractive, nicely worked pastel landscape of California in the fall, 14" by 17 3/4" (24" by 27 1/2" presently in gold metal frame), signed at lower left "Dorothy Dennison" and dated there 1962. The piece is very clean and fresh. The artist was obviously a skilled practitioner when it came to this difficult to master medium.